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Tomorrow There Will Be Apricots
Synopses & Reviews
Jhumpa Lahiri's Interpreter of Maladies established this young writer as one the most brilliant of her generation. Her stories are one of the very few debut works — and only a handful of collections — to have won the Pulitzer Prize for fiction. Among the many other awards and honors it received were the New Yorker Debut of the Year award, the PEN/Hemingway Award, and the highest critical praise for its grace, acuity, and compassion in detailing lives transported from India to America. In The Namesake, Lahiri enriches the themes that made her collection an international bestseller: the immigrant experience, the clash of cultures, the conflicts of assimilation, and, most poignantly, the tangled ties between generations. Here again Lahiri displays her deft touch for the perfect detail — the fleeting moment, the turn of phrase — that opens whole worlds of emotion.
The Namesake takes the Ganguli family from their tradition-bound life in Calcutta through their fraught transformation into Americans. On the heels of their arranged wedding, Ashoke and Ashima Ganguli settle together in Cambridge, Massachusetts. An engineer by training, Ashoke adapts far less warily than his wife, who resists all things American and pines for her family. When their son is born, the task of naming him betrays the vexed results of bringing old ways to the new world. Named for a Russian writer by his Indian parents in memory of a catastrophe years before, Gogol Ganguli knows only that he suffers the burden of his heritage as well as his odd, antic name. Lahiri brings great empathy to Gogol as he stumbles along the first-generation path, strewn with conflicting loyalties, comic detours, and wrenching love affairs. With penetrating insight, she reveals not only the defining power of the names and expectations bestowed upon us by our parents, but also the means by which we slowly, sometimes painfully, come to define ourselves. The New York Times has praised Lahiri as "a writer of uncommon elegance and poise." The Namesake is a fine-tuned, intimate, and deeply felt novel of identity.
"Lovers of food-centered fiction should find some nourishment in Soffer's debut. Eighth-grader Lorca has been self-harming since she was six years old, lately to deal with pain she feels due to her distant mother, who's more focused on her demanding job as a chef, and her absent father. When she is caught cutting at school, she is suspended and her mother threatens to send her to boarding school. Lorca becomes convinced she can win her mother's affections and forgiveness by making a favorite dish, masgouf, which her mother ate at an Iraqi restaurant years before. Lorca starts taking cooking lessons from Victoria, an Iraqi Jewish woman mourning the recent death of her husband, Joseph, and eager for the connection Lorca provides. Narrated in turn by Lorca and Victoria, with a few appearances from the late Joseph, the novel shows their emotional bond developing as each faces uncomfortable truths. While the plot is thin and the prose dense, there are moments of charm and an ending that reveals the story to be more tightly wound than it appears. Agent: Claudia Ballard, William Morris Endeavor." Publishers Weekly Copyright PWxyz, LLC. All rights reserved.
From a debut author already praised by Colum McCann as a "profound and necessary new voice" comes a novel about two women adrift in New York—an Iraqi Jewish widow and the latchkey daughter of a chef—who find each other and a new kind of family through their shared love of cooking.
The Book of Salt serves up a wholly original take on Paris in the 1930s through the eyes of Binh, the Vietnamese cook employed by Gertrude Stein and Alice B. Toklas. Viewing his famous mesdames and their entourage from the kitchen of their rue de Fleurus home, Binh observes their domestic entanglements while seeking his own place in the world. In a mesmerizing tale of yearning and betrayal, Monique Truong explores Paris from the salons of its artists to the dark nightlife of its outsiders and exiles. She takes us back to Binh's youthful servitude in Saigon under colonial rule, to his life as a galley hand at sea, to his brief, fateful encounters in Paris with Paul Robeson and the young Ho Chi Minh.
This alluring novel of friendship, love, and cuisine brings the best-selling author of Lost in Translation and A Cup of Light to one of the great Chinese subjects: food. As in her previous novels, Moness captivating story also brings into focus a changing China — this time the hidden world of high culinary culture.
When Maggie McElroy, a widowed American food writer, learns of a Chinese paternity claim against her late husbands estate, she has to go immediately to Beijing. She asks her magazine for time off, but her editor counters with an assignment: to profile the rising culinary star Sam Liang.
In China Maggie unties the knots of her husbands past, finding out more than she expected about him and about herself. With Sam as her guide, she is also drawn deep into a world of food rooted in centuries of history and philosophy. To her surprise she begins to be transformed by the cuisine, by Sams family — a querulous but loving pack of cooks and diners — and most of all by Sam himself. The Last Chinese Chef is the exhilarating story of a woman regaining her soul in the most unexpected of places.
"[He] came to us through an advertisement that I had in desperation put in the newspaper. It began captivatingly for those days: 'Two American ladies wish . . .' " It was these lines in The Alice B. Toklas Cook Book that inspired The Book of Salt, a brilliant first novel by acclaimed Vietnamese American writer Monique Truong.
In Paris, in 1934, Bính has accompanied his employers, Gertrude Stein and Alice B. Toklas, to the train station for their departure to America. His own destination is unclear: will he go with "the Steins," stay in France, or return to his native Vietnam? Bính has fled his homeland in disgrace, leaving behind his malevolent charlatan of a father and his self-sacrificing mother. For five years, he has been the live-in cook at the famous apartment at 27 rue de Fleurus. Before Bính's decision is revealed, his mesmerizing narrative catapults us back to his youth in French-colonized Vietnam, his years as a galley hand at sea, and his days turning out fragrant repasts for the doyennes of the Lost Generation.
Bính knows far more than the contents of the Steins' pantry: he knows their routines and intimacies, their manipulations and follies. With wry insight, he views Stein and Toklas ensconced in blissful domesticity. But is Bính's account reliable? A lost soul, he is a late-night habitué of the Paris demimonde, an exile and an alien, a man of musings and memories, and, possibly, lies. Love is the prize that has eluded him, from his family to the men he has sought out in his far-flung journeys, often at his peril. Intricate, compelling, and witty, the novel weaves in historical characters, from Stein and Toklas to Paul Robeson and Ho Chi Minh, with remarkable originality. Flavors, seas, sweat, tears — The Book of Salt is an inspired feast of storytelling riches.
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