Margaret Edsons powerfully imagined Pulitzer Prize–winning play examines what makes life worth living through her exploration of one of existences unifying experiencesmortalitywhile she also probes the vital importance of human relationships. What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw awaya lesson that can be both uplifting and redemptive. As the playwright herself puts it, “The play is not about doctors or even about cancer. Its about kindness, but it shows arrogance. Its about compassion, but it shows insensitivity.”

In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end?

The immediacy of the presentation, and the clarity and elegance of Edsons

writing, make this sophisticated, multilayered play accessible to almost any

interested reader.

As the play begins, Vivian Bearing, a renowned professor of English who has

spent years studying and teaching the intricate, difficult Holy Sonnets of the

seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly

painful treatment inexorably progress, she begins to question the single-minded

values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.