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Other titles in the Charles Eliot Norton Lectures series:
This Craft of Verse
Synopses & Reviews
Through a twist of fate that the author of Labyrinths himself would have relished, these lost lectures given in English at Harvard in 1967-1968 by Jorge Luis Borges return to us now, a recovered tale of a life-long love affair with literature and the English language. Transcribed from tapes only recently discovered, This Craft of Verse captures the cadences, candor, wit, and remarkable erudition of one of the most extraordinary and enduring literary voices of the twentieth century. In its wide-ranging commentary and exquisite insights, the book stands as a deeply personal yet far-reaching introduction to the pleasures of the word, and as a first-hand testimony to the life of literature.
Though his avowed topic is poetry, Borges explores subjects ranging from prose forms (especially the novel), literary history, and translation theory to philosophical aspects of literature in particular and communication in general. Probably the best-read citizen of the globe in his day, he draws on a wealth of examples from literature in modern and medieval English, Spanish, French, Italian, German, Greek, Latin, Arabic, Hebrew, and Chinese, speaking with characteristic eloquence on Plato, the Norse kenningar, Byron, Poe, Chesterton, Joyce, and Frost, as well as on translations of Homer, the Bible, and the Rubáiyát of Omar Khayyám.
Whether discussing metaphor, epic poetry, the origins of verse, poetic meaning, or his own "poetic creed," Borges gives a performance as entertaining as it is intellectually engaging. A lesson in the love of literature and in the making of a unique literary sensibility, this is a sustained encounter with one of the writers by whom the twentieth century will be long remembered.
In This Craft of Verse, [Borges] discusses some of his favorite texts, conducting a literary journey that began in his father's library in Buenos Aires...The unhurried flow and warmth of these talks produce a sense of intimacy, Borges's enjoyment infecting the audience...Borges's ultimate gift is his unwavering belief in the world of dreams and ideas, the sense that life is "made of poetry." Micaela Kramer, New York Times Book Review
"Jorge Luis Borges is inarguably the most influential Latin-American essayist and short-story writer of our time. To spend a few hours in [his] company, even on the page, is a civilized entertainment not to be missed...[Borges] emphasizes the power of poetry to work its magic...I would have given a lot to have been at Harvard in the audience when this courtly man of letters looked "upward with gentle and shy expression on his face, seeming to materially touch the world of the texts" and spoke about the poems and books he loved most." Michael Dirda, Washington Post Book World
"If few writers in history have been as prodigiously learned as Borges, certainly none wore their learning so lightly or humbly...[The lectures] display the eloquence and erudite, offhand wit familiar from his writings as well as a charming, plainspoken modesty. Ostensibly about poetics, the talks were an occasion for Borges to review his lifelong relationship with literature, including his passion for English." New Yorker
"Readers who fret they don't 'get' everything--'significant' readers with no allowance for sound, rhythm, revelation--would benefit from Jorge Luis Borges' [lectures]...Even in these scholarly lectures, given without notes...there is so much assumption and conjecture, there are so many gaps to fill, that Borges seems to be creating at once the authors and the ideas and the texts he's quoting...But there is also in This Craft of Verse the small pleasure of watching a wordsmith seek the joy of minutiae, the nitty-gritty of lex." Orlando Aloma, Miami Herald
"Anything written by Borges glows...with an unearthly light that transforms the world into a plushly furnished drawing room crammed with knicknacks and dusty, leather-bound volumes of arcana...Almost every casual aside from Borges suggests a book of its own; this one is a wondrously limpid testament to the pleasures of reading." Steven Poole, The Guardian [UK]
"If any writer could publish from the grave, you'd expect it to be Borges: master fabulist, patron of paradox, imaginative rebel, gentle tour guide to life's labyrinths. By a kind of librarian's magic, long-lost tapes of the great Argentine poet and short-story writer's 1967-68 Norton Lectures at Harvard turned up a few years ago in a vault. Now...these newly released transcripts display a literary giant, managing from beneath heavy academic robes to keep the spryness and serendipity of literature alive...An appealing aspect of these meditations is Borges' humility, always distinctive even after he became one of the world's most esteemed high-cultural figures...His views will delight." Carlin Romano, Philadelphia Inquirer
"What if one of the giants of twentieth century literature rose from the dead and told you how he read and thought about poetry? The closest you may come to such a living-room epiphany is This Craft of Verse...a set of allocutions that, as one can hear on these four discs, delighted as much as dazzled their audience...Like reading his work, listening to Borges offers the opportunity to think, muse, and marvel...The chance to be in the auditorium while the nearly blind librarian of Babel speaks from his heart is a technological wonder that should not be missed." Eric Lorberer, Rain Taxi
About the Author
Jorge Luis Borges (1899-1986) is the author of Labyrinths and Ficciones, among other books. His Collected Fictions was recently published in a new translation.Calin-Andrei Mihailesu is Associate Professor of Modern Languages and Literatures, University of Western Ontario.
Table of Contents
1. The Riddle of Poetry
2. The Metaphor
3. The Telling of the Tale
4. Word-Music and Translation
5. Thought and Poetry
6. A Poet's Creed
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