2012 Puddly Awards
 
 
Follow us on TwitterFollow us on FacebookFollow us on TumblrSubscribe to RSS


Recently Viewed clear list


Powell's Q&A, Kids' Q&A | February 2, 2012

Emily Winfield Martin: IMG Kids' Q&A: Emily Winfield Martin



Describe your new book. Oddfellow's Orphanage is a series of stories/vignettes that tell the tale of the newest arrival to a curious orphanage, a... Continue »
  1. $10.49 Sale Hardcover add to wish list

    Oddfellow's Orphanage

    Emily Winfield Martin 9780375869952

spacer
Free Shipping!

This item may be
out of stock.

Click on the button below to search for this title in other formats.
Check for Availability
Add to Wishlist

eBook editions

The Word of the Lord Is Upon Me: The Righteous Performance of Martin Luther King, Jr.

The Word of the Lord Is Upon Me: The Righteous Performance of Martin Luther King, Jr. Cover

 

Synopses & Reviews

Publisher Comments:

“You don’t know me,” Martin Luther King, Jr., once declared to those who criticized his denunciation of the Vietnam War, who wanted to confine him to the ghetto of “black” issues. Now, forty years after being felled by an assassin’s bullet, it is still difficult to take the measure of the man: apostle of peace or angry prophet; sublime exponent of a beloved community or fiery Moses leading his people up from bondage; black preacher or translator of blackness to the white world?

This book explores the extraordinary performances through which King played with all of these possibilities, and others too, blending and gliding in and out of idioms and identities. Taking us deep into King’s backstage discussions with colleagues, his preaching to black congregations, his exhortations in mass meetings, and his crossover addresses to whites, Jonathan Rieder tells a powerful story about the tangle of race, talk, and identity in the life of one of America’s greatest moral and political leaders.

A brilliant interpretive endeavor grounded in the sociology of culture, The Word of the Lord Is Upon Me delves into the intricacies of King’s sermons, speeches, storytelling, exhortations, jokes, jeremiads, taunts, repartee, eulogies, confessions, lamentation, and gallows humor, as well as the author’s interviews with members of King’s inner circle. The King who emerges is a distinctively modern figure who, in straddling the boundaries of diverse traditions, ultimately transcended them all.

Review:

"This largely admiring but flawed analysis explores King, with his 'extraordinary performances,' as chameleon, consummate showman, exalted Mosaic leader, treacly icon, postethnic man and crossover artist. Sociologist Rieder (Canarsie: The Jews and Italians of Brooklyn Against Liberalism) argues that King's powers of rhetoric allowed him to straddle and dissolve boundaries between black and white and draws patronizing distinctions between King's 'black talk' and 'white talk' (King 'even went so far as to use the word 'ontological' in one homily'). Perhaps in an avoidance of academese, Rieder slips into the gossipy ('despite his cavorting, King did not stray with white women') and the flippant ('Surely King's love of ribs and chitterlings was out of sync with the vegetarianism of the 'little brown man,' as King sometimes referred to Gandhi'). While acknowledging that the work of sociolinguist Dell Hymes 'informs this entire book,' Rieder does not show how he uses Hymes's model. Rieder ends up with a commonplace argument — that King used different voices in talking to intimate friends and public audiences, in speaking as pastor and as political figure ('His oratory in the meetings was a means to ends... quite different from those at play in church contemplation or backstage talk with friends'). No news that." Publishers Weekly (Copyright Reed Business Information, Inc.)

Review:

"We have heard a lot in recent weeks about the distinctive language and theology of the African-American church. Exposed to snippets of Jeremiah Wright's sermons, white Americans heard unpatriotic rants tinged by bitterness and paranoia. To black Americans, on the other hand, the Chicago pastor's preaching expresses righteous indignation over injustice, a voice that comports with the prophetic role... Washington Post Book Review (read the entire Washington Post review)

About the Author

Jonathan Riederis Professor of Sociology at <>Barnard College, Columbia University.

Product Details

ISBN:
9780674028227
Subtitle:
The Righteous Performance of Martin Luther King, Jr.
Publisher:
Belknap Press
Author:
Rieder, Jonathan
Subject:
United States - 20th Century
Subject:
Historical - General
Subject:
Rhetoric
Subject:
King, Martin Luther
Subject:
Religious
Subject:
Political
Subject:
Oratory
Subject:
Language
Subject:
King, Martin Luther - Oratory
Subject:
King, Martin Luther - Language
Copyright:
Edition Description:
Cloth
Publication Date:
April 2008
Binding:
Hardback
Grade Level:
General/trade
Language:
English
Illustrations:
6 halftones
Pages:
408
Dimensions:
9 x 5.75 in
The Word of the Lord Is Upon Me: The Righteous Performance of Martin Luther King, Jr.
0 stars - 0 reviews
$ In Stock
Product details 408 pages Belknap Press - English 9780674028227 Reviews:
"Publishers Weekly Review" by , "This largely admiring but flawed analysis explores King, with his 'extraordinary performances,' as chameleon, consummate showman, exalted Mosaic leader, treacly icon, postethnic man and crossover artist. Sociologist Rieder (Canarsie: The Jews and Italians of Brooklyn Against Liberalism) argues that King's powers of rhetoric allowed him to straddle and dissolve boundaries between black and white and draws patronizing distinctions between King's 'black talk' and 'white talk' (King 'even went so far as to use the word 'ontological' in one homily'). Perhaps in an avoidance of academese, Rieder slips into the gossipy ('despite his cavorting, King did not stray with white women') and the flippant ('Surely King's love of ribs and chitterlings was out of sync with the vegetarianism of the 'little brown man,' as King sometimes referred to Gandhi'). While acknowledging that the work of sociolinguist Dell Hymes 'informs this entire book,' Rieder does not show how he uses Hymes's model. Rieder ends up with a commonplace argument — that King used different voices in talking to intimate friends and public audiences, in speaking as pastor and as political figure ('His oratory in the meetings was a means to ends... quite different from those at play in church contemplation or backstage talk with friends'). No news that." Publishers Weekly (Copyright Reed Business Information, Inc.)
spacer
spacer
  • back to top
Follow us on...


Powell's City of Books is an independent bookstore in Portland, Oregon, that fills a whole city block with more than a million new, used, and out of print books. Shop those shelves — plus literally millions more books, DVDs, and eBooks — here at Powells.com.