Crime and Punishment: A Novel in Six Parts with Epilogue (Vintage Classics)

Staff Pick

One of the great classics of world literature, Dostoyevsky's Crime and Punishment is the story of Raskolnikov, a young man who — unable to complete his studies — commits what he calls "justifiable murder." What ensues is as demanding and illuminating for the reader as it is for the main character. If you're familiar with Dante's Divine Comedy then reading this book is an even more enriching experience.
Recommended by Gin, Powells.com

This is one of the finest explorations of criminal psychology ever written. With enormous scope, Dostoyevsky dissects poverty, rationalization, the criminal mind, guilt, confession, religion, and redemption. He also provides an exquisite look at overwhelming paranoia. Crime and Punishment is a perfect, breathtaking masterpiece.
Recommended by Dianah, Powell's City of Books

Review-A-Day

"For my classics year project, I knew I had to get some Dostoevsky in. I crossed The Idiot off the list for the shallow reason that I have the DVD of Akira Kurosawa's version. That left either Crime and Punishment or Brothers Karamazov. A used copy of Crime and Punishment showed up first, so it won. I was a little apprehensive, though, as my mom had recently read another Dostoevsky and found it very Christian, and another person had specifically mentioned Crime and Punishment as a Christian book. However, while Christianity was mentioned, it never rose to a level in the book to cause an atheist to fidget (as opposed to Uncle Tom's Cabin, for example, which I found eye-rollingly unreadable due to sermonizing)." Doug Brown, Powells.com (Read the entire Powells.com review)

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Lindsay Waite, August 16, 2012 (view all comments by Lindsay Waite)
This is one of my all-time favorite books. I read it in the early 70s and re-read it recently. Before "Criminal Minds" and other current TV shows where there is an attempt to explore the nature of criminality, Dostoyevsky delved into the subject. He takes us in to the mind of Raskolnikov while he contemplates and tries to justify murder. After the killings, he behaves more and more like a guilty man, so when police officer Petrovich and Raskolnikov have encounters, he is a suspect. This is a fascinating psychological and political study of crime and, yes, punishment.

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skpeterson21, May 12, 2011 (view all comments by skpeterson21)
I recently read Crime and Punishment by Fyodor Dostoevsky. This novel presents the reader with insight into the mind of a murderer of he plans and executes his crime and suffers as a result. The novel aims to teach the reader the dangers of arrogance and the progressive thinking of 1860s Russia.
This novel was written during a time of political upheaval in Russia. The serfs had just been emancipated and the university students were brimming with ideological protest. Dostoevsky had been jailed previous to the writing of this novel because of his radical writings. He used his jail time experience to help describe Raskolnikov’s experience in Siberia. As a result of this tumultuous time, Dostoevsky injects much social criticism into his novel. He assaults drunkenness, the new “modern” thoughts of the progressives and rationalists. Throughout the book, Dostoevsky calls for a return to the values that had made Russia great.
Dostoevsky presents the reader with many questions throughout the book. He questions the justification and rationalization of murder. Do the ends justify the means? Raskolnikov develops a theory that such men of genius such as him were allowed to transgress the law in the benefit of society. Raskolnikov says that men such as Napoleon (a man of genius) “are made not of flesh but of bronze” (274). Much of the novel is devoted to Raskolnikov’s path to realization about whether or not he is a great man. Another question that arises is regarding the redemption of sin. Is it possible for a man to achieve redemption after committing a heinous crime in the name of vainglory? The reader finds the answer to this question through Raskolnikov’s guilt, suffering, and love for a girl. This girl, Sonya pleads with Raskolnikov to “`accept suffering and redeem yourself by it, that’s what you must do`” (420). By the end of the novel, the reader will find out if Raskolnikov achieves the redemption that he seeks. The prevalence of redemption and sin in this novel is also shown through many Biblical allusions such as to the story of Lazarus.
Dostoevsky’s use of language in this novel is masterful and it fully describes the mental state of a murder. The diction is dark, severe, etc. One such example occurs on page 9 when Raskolnikov thinks about “the sense of infinite loathing that had begun to crush and sicken his heart even while he had only been on his way to the old woman had now attained such dimensions and become so vividly conscious that he was quite simply overwhelmed by his depression” (9). The use of strong language reflects the mental turmoil and anguish that pervades the mind of Raskolnikov. Finally, the diction and language provide a very realistic and believable account of a manic individual as he copes with guilt and shame.
Overall, Crime and Punishment is a wonderful read with many plot twists, boundless symbolism, and questions regarding human nature. The novel reflects the turbulent political and social atmosphere in which it was written and as a result contains striking social commentary. This artistic masterpiece clearly teaches readers a lesson about guilt, sin, arrogance, and the psychology of murder. After reading this novel, I now know why this novel is an international classic.

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skpeterson21, May 12, 2011 (view all comments by skpeterson21)
I recently read Crime and Punishment by Fyodor Dostoevsky. This novel presents the reader with insight into the mind of a murderer of he plans and executes his crime and suffers as a result. The novel aims to teach the reader the dangers of arrogance and the progressive thinking of 1860s Russia.
This novel was written during a time of political upheaval in Russia. The serfs had just been emancipated and the university students were brimming with ideological protest. Dostoevsky had been jailed previous to the writing of this novel because of his radical writings. He used his jail time experience to help describe Raskolnikov’s experience in Siberia. As a result of this tumultuous time, Dostoevsky injects much social criticism into his novel. He assaults drunkenness, the new “modern” thoughts of the progressives and rationalists. Throughout the book, Dostoevsky calls for a return to the values that had made Russia great.
Dostoevsky presents the reader with many questions throughout the book. He questions the justification and rationalization of murder. Do the ends justify the means? Raskolnikov develops a theory that such men of genius such as him were allowed to transgress the law in the benefit of society. Raskolnikov says that men such as Napoleon (a man of genius) “are made not of flesh but of bronze” (274). Much of the novel is devoted to Raskolnikov’s path to realization about whether or not he is a great man. Another question that arises is regarding the redemption of sin. Is it possible for a man to achieve redemption after committing a heinous crime in the name of vainglory? The reader finds the answer to this question through Raskolnikov’s guilt, suffering, and love for a girl. This girl, Sonya pleads with Raskolnikov to “`accept suffering and redeem yourself by it, that’s what you must do`” (420). By the end of the novel, the reader will find out if Raskolnikov achieves the redemption that he seeks. The prevalence of redemption and sin in this novel is also shown through many Biblical allusions such as to the story of Lazarus.
Dostoevsky’s use of language in this novel is masterful and it fully describes the mental state of a murder. The diction is dark, severe, etc. One such example occurs on page 9 when Raskolnikov thinks about “the sense of infinite loathing that had begun to crush and sicken his heart even while he had only been on his way to the old woman had now attained such dimensions and become so vividly conscious that he was quite simply overwhelmed by his depression” (9). The use of strong language reflects the mental turmoil and anguish that pervades the mind of Raskolnikov. Finally, the diction and language provide a very realistic and believable account of a manic individual as he copes with guilt and shame.
Overall, Crime and Punishment is a wonderful read with many plot twists, boundless symbolism, and questions regarding human nature. The novel reflects the turbulent political and social atmosphere in which it was written and as a result contains striking social commentary. This artistic masterpiece clearly teaches readers a lesson about guilt, sin, arrogance, and the psychology of murder. After reading this novel, I now know why this novel is an international classic.

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Product Details

ISBN:

9780679734505

Author:

Fyodor Dostoevsky and Richard Pevear and Larissa Volokhonsky

Publisher:

Vintage Books USA

Translator:

Pevear, Richard

Author:

Volokhonsky, Larissa

Author:

Dostoyevsky, Fyodor

Author:

Fyodor Dostoevsky

Author:

Dostoevsky, Fyodor M.

Author:

Pevear, Richard

Location:

New York :

Subject:

Literary

Subject:

Fiction

Subject:

Classics

Subject:

Novels and novellas

Subject:

Russian & Former Soviet Union

Subject:

Saint petersburg (russia)

Subject:

Detective and mystery stories

Subject:

Psychological fiction

Subject:

Russia

Subject:

Saint Petersburg (Russia) Fiction.

Subject:

Saint Petersburg

Subject:

Literature-A to Z

Copyright:

1993

Edition Description:

Trade paper

Series:

Vintage Classics

Series Volume:

no. (HCFA)

Publication Date:

19930331

Binding:

TRADE PAPER

Grade Level:

General/trade

Language:

English

Illustrations:

Y

Pages:

592

Dimensions:

7.9 x 5.2 x 1.2 in 1.175 lb