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More copies of this ISBNThis title in other editionsA Mirror in the Roadway: Literature and the Real Worldby Morris Dickstein
Synopses & ReviewsPublisher Comments:"This is a book by one of our best and most distinguished critics of American literature."--Norman Mailer, author "Morris Dickstein's A Mirror in the Roadway is refreshing criticism, particularly in its contrast to our current chorus of Resentment. Like Edmund Wilson, his precursor, Dickstein favors realism and reality over theories of theories. Dickstein is admirable on Jewish writers (Kafka, Agnon, Bellow, Malamud, Philip Roth, Ozick) who in a sense are his true subject."--Harold Bloom, author and literary critic "Morris Dickstein gives the phrase 'the art of criticism' real meaning. He makes literature in writing about literature. His essays are rare birds. They only soar."--Roger Rosenblatt, commentator and journalist "Morris Dickstein is one of the few critics who still can bridge, vigorously and engagingly, the gap between the academic world and the common reader. These essays are especially fine on American writing of the 1920's and 30's, exhibiting balanced judgment, insight, and a rich fund of knowledge about American literary and cultural history. One can apply to Dickstein a phrase he uses for Edmund Wilson--that he is able to apply a wide range of resources "to hold fast to the elusive human dimension of literature."--Robert Alter, University of California, Berkeley "In arguing for an exuberant and dynamic notion of realism, Morris Dickstein reanimates a great and nearly vanished tradition of literary and cultural criticism that speaks to the common reader."--Ross Posnock, New York University "Dickstein's essays are original, genially reflective and, at apt moments, invitingly autobiographical. He consistently shows himself to be a fair-minded but exacting critic who is not afraid to tell us what books are worth reading and why. His critical commentaries are saturated with the knowledge accumulated over years of attentive and sympathetic encounters with some of the most distinctive writers of modern American and European letters."--Maria DiBattista, Princeton University "Morris Dickstein has neither theories nor hobbyhorses. His critical tools are the old fashioned ones: a vast range of reading, fellow feeling for the author he is discussing, and the urge to put the work in the context of the life. He is as illuminating about Cather as about Celine, as perceptive about Philip Roth as about Upton Sinclair."--Richard Rorty, Stanford University Synopsis:In a famous passage in The Red and the Black, the French writer Stendhal described the novel as a mirror being carried along a roadway. In the twentieth century this was derided as a nave notion of realism. Instead, modern writers experimented with creative forms of invention and dislocation. Deconstructive theorists went even further, questioning whether literature had any real reference to a world outside its own language, while traditional historians challenged whether novels gave a trustworthy representation of history and society. In this book, Morris Dickstein reinterprets Stendhal's metaphor and tracks the different worlds of a wide array of twentieth-century writers, from realists like Theodore Dreiser, Sinclair Lewis, Edith Wharton, and Willa Cather, through modernists like Franz Kafka and Samuel Beckett, to wildly inventive postwar writers like Saul Bellow, Gnter Grass, Mary McCarthy, George Orwell, Philip Roth, and Gabriel Garca Mrquez. Dickstein argues that fiction will always yield rich insight into its subject, and that literature can also be a form of historical understanding. Writers refract the world through their forms and sensibilities. He shows how the work of these writers recaptures--yet also transforms--the life around them, the world inside them, and the universe of language and feeling they share with their readers. Through lively and incisive essays directed to general readers as well as students of literature, Dickstein redefines the literary landscape--a landscape in which reading has for decades been devalued by society and distorted by theory. Having begun with a reconsideration of realism, the book concludes with several essays probing the strengths and limitations of a historical approach to literature and criticism. About the AuthorMorris Dickstein is Distinguished Professor of English at the City University of New York Graduate Center and a widely published literary and cultural critic. His work has appeared in the "New York Times Book Review", the "Times Literary Supplement", "Partisan Review", "The Nation", and the "Chronicle of Higher Education". His books include "Gates of Eden: American culture in the 1960's", nominated for a National Book Critics Circle Award in criticism, and "Leopards in the Temple", a study of postwar American fiction. Table of ContentsPreface ix Acknowledgments xvii Introduction: A Mirror in the Roadway 1 American Realism: The Sense of Time and Place The City as Text: New York and the American Writer 17 The Second City (Chicago Writers) 36 Upton Sinclair and the Urban Jungle 41 A Radical Comedian (Sinclair Lewis) 51 The Magic of Contradictions: Willa Cather?s Lost Lady 60 A Different World: From Realism to Modernism The Authority of Failure (F. Scott Fitzgerald) 77 Edmund Wilson: Three Phases 89 A Glint of Malice (Mary McCarthy) 96 Silence, Exile, Cunning 104 The Modern Writer as Exile 104 An Outsider in His Own Life (Samuel Beckett) 115 Kafka in Love 119 Hope against Hope: Orwell and the Future 126 Magical Realism 137 The Pornography of Power (Gabriel Garc?a M?rquez) 137 A Fishy Tale (G?nter Grass) 140 Talking Dogs and Pioneers (S. Y. Agnon) 144 Postwar Fiction in Context: Genealogies Sea Change: C?line in America 153 The Complex Fate of the Jewish American Writer 168 The Face in the Mirror: The Eclipse of Distance in Contemporary Fiction 184 Ordinary People: Carver, Ford, and Blue-Collar Realism 199 Textures of Memory 209 Late Bellow: Thinking About the Dead 209 Saints and Sinners: William Kennedy?s Albany Cycle 214 Reading and History Damaged Literacy: The Decay of Reading 223 Finding the Right Words (Irving Howe) 234 The Social Uses of Fiction (Martha Nussbaum) 243 The Limits of Historicism: Literary Theory and Historical Understanding 248 Sources 259 Index 271 What Our Readers Are SayingBe the first to add a comment for a chance to win!Product Details
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