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Happy Days

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Happy Days Cover

 

Synopses & Reviews

Synopsis:

With the sound of a piercing bell Winnie wakes and exclaims, “Another heavenly day.” Even though she is buried up to her waist, Winnie—ever the optimist— goes about her day without the recollection that something is amiss. She brushes her teeth, puts on lipstick, reminisces about the past, and makes references to great works of literature that she has read but can no longer remember the lines that inspired her. Her source of comfort and inspiration, and all her “happy days” are the items in her seemingly bottomless bag, her thoughts, and the knowledge of her companions presence. Although Happy Days is one of Becketts most whimsical works, it is a relentless search for the meaning of existence, the tenuous relationships that bind one person to another, and the past to the present.

Synopsis:

In Happy Days, Samuel Beckett pursues his relentless search for the meaning of existence, probing the tenuous relationships that bind one person to another, and each to the universe, top time past and time present. Once again, stripping theater to its barest essentials, Happy Days offers only two characters: Winnie, a woman of about fifty, and Willie, a man of about sixty.

In the first act Winnie is buried up to her waist in a mound of earth, but still has the use of her arms and few earthly possessions—toothbrush, tube of toothpaste, small mirror, revolver, handkerchief, spectacles; in the second act she is embedded up to her neck and can move only her eyes. Willie lives and moves—on all fours—behind the mound, appearing intermittently and replying only occasionally into Winnies long monologue, but the knowledge of his presence is a source of comfort and inspiration to her, and doubtless the prerequisite for all her “happy days.”

About the Author

Samuel Beckett (1906-1989), one of the leading literary and dramatic figures of the twentieth century, was born in Foxrock, Ireland and attended Trinity University in Dublin. In 1928, he visited Paris for the first time and fell in with a number of avant-garde writers and artists, including James Joyce. In 1937, he settled in Paris permanently. Beckett wrote in both English and French, though his best-known works are mostly in the latter language. A prolific writer of novels, short stories, and poetry, he is remembered principally for his works for the theater, which belong to the tradition of the Theater of the Absurd and are characterized by their minimalist approach, stripping drama to its barest elements. In 1969, Beckett was awarded the Nobel Prize in Literature and commended for having "transformed the destitution of man into his exaltation." Beckett died in Paris in 1989.

At the age of seventy-six he said: "With diminished concentration, loss of memory, obscured intelligence... the more chance there is for saying something closest to what one really is. Even though everything seems inexpressible, there remains the need to express. A child need to make a sand castle even though it makes no sense. In old age, with only a few grains of sand, one has the greatest possibility." (from Playwrights at Work, ed. by George Plimpton, 2000)

Product Details

ISBN:
9780802144409
Author:
Beckett, Samuel
Publisher:
Grove Press
Subject:
British & Irish
Subject:
Drama-Women and Ethnic
Edition Description:
Trade Paper
Publication Date:
20130731
Binding:
TRADE PAPER
Language:
English
Pages:
96
Dimensions:
8.25 x 5.5 in

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Related Subjects

Arts and Entertainment » Drama » British and Irish Anthologies
Arts and Entertainment » Drama » Plays
Arts and Entertainment » Drama » Women and Ethnic

Happy Days New Trade Paper
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Product details 96 pages Grove Press - English 9780802144409 Reviews:
"Synopsis" by ,
With the sound of a piercing bell Winnie wakes and exclaims, “Another heavenly day.” Even though she is buried up to her waist, Winnie—ever the optimist— goes about her day without the recollection that something is amiss. She brushes her teeth, puts on lipstick, reminisces about the past, and makes references to great works of literature that she has read but can no longer remember the lines that inspired her. Her source of comfort and inspiration, and all her “happy days” are the items in her seemingly bottomless bag, her thoughts, and the knowledge of her companions presence. Although Happy Days is one of Becketts most whimsical works, it is a relentless search for the meaning of existence, the tenuous relationships that bind one person to another, and the past to the present.

"Synopsis" by ,
In Happy Days, Samuel Beckett pursues his relentless search for the meaning of existence, probing the tenuous relationships that bind one person to another, and each to the universe, top time past and time present. Once again, stripping theater to its barest essentials, Happy Days offers only two characters: Winnie, a woman of about fifty, and Willie, a man of about sixty.

In the first act Winnie is buried up to her waist in a mound of earth, but still has the use of her arms and few earthly possessions—toothbrush, tube of toothpaste, small mirror, revolver, handkerchief, spectacles; in the second act she is embedded up to her neck and can move only her eyes. Willie lives and moves—on all fours—behind the mound, appearing intermittently and replying only occasionally into Winnies long monologue, but the knowledge of his presence is a source of comfort and inspiration to her, and doubtless the prerequisite for all her “happy days.”

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