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Hotel Splendid

by and

Hotel Splendid Cover

 

Synopses & Reviews

Publisher Comments:

Hôtel Splendid recounts the daily lives of three sisters who live in a decrepit hotel on the edge of the swamp. The narrator, the youngest of the sisters, struggles to preserve the hotel in the face of insurmountable dilemmas: the decay of the building, the indifference and illness of her sisters, the remorseless expansion of the swamp. Confronted with dissolution and death, she displays a tireless persistence that is nearly as mysterious as it is moving.

Review:

"In these three slim, yet amazingly potent, novels, French author Redonnet...creates a triptych joined by theme, symbol, voice, style, and temperament....Like traveling a very long, very dark tunnel into a blinding bright beautiful light." Kirkus Reviews

Review:

"Jordan Stump's excellent translation successfully captures the haunting, impressionistic nature of Redonnet's prose....Strangely moving in its simplicity, her work is to be highly recommended to all those who appreciate the soothing effects of fairy tales and legends." Review of Contemporary Fiction

Review:

"Redonnet makes skillful use of...broadly metaphoric possibilities. It is the kind of novel Edward Gorey could love and, sometimes, reading Redonnet's telegraphic prose, one it seems he might even have written." Publishers Weekly

Synopsis:

These three short novels are the first works to appear in English by a remarkable contemporary French author, Marie Redonnet. Born in Paris in 1947, Redonnet taught for a number of years in a suburban lycée before deciding to pursue a writing career full time. Since her volume of poetry Le Mort & Cie appeared in 1985, she has published four novels, a novella, numerous short stories, and three dramatic works.

In translator Jordan Stump's words, these three novels, "unmistakably fit together, although they have neither characters nor setting in common. Redonnet sees the three novels as a triptych: each panel stands alone, and yet all coalesce to form a whole." Each is narrated by a different woman. Hôtel Splendid recounts the daily life of three sisters who live in a decrepit hotel on the edge of a swamp; Forever Valley is about a sixteen-year-old girl who works in a dance-hall and looks for the dead; Rose Mellie Rose is the story of another adolescent girl who assembles a photographic and written record of her life in the dying town of Ôat.

Redonnet's novels have been compared to those of Annie Ernaux, Alain Robbe-Grillet, and Samuel Beckett. She has since acknowledged the crucial influence which Beckett's work has had upon her literary work. And yet she is also notably different from the great master of modern literature. "Where Beckett's characters slide almost inevitably toward extinction, resignation, and silence," Stump points out, "Redonnet's display a force for life and creation that borders on the triumphant. . . . [They] retain even in the darkest situations a remarkable persistence, openness, and above all hope, a hope that may well be, however unspectacularly, repaid in the end."

About the Author

Jordan Stump is an assistant professor of French at the University of Nebraska-Lincoln.

Product Details

ISBN:
9780803289536
Translator:
Stump, Jordan
Author:
Stump, Jordan
Author:
Redonnet, Marie
Publisher:
Unp - Bison Books
Location:
Lincoln :
Subject:
General
Subject:
Hotels
Subject:
Sisters
Subject:
Psychological fiction
Subject:
Swamps
Subject:
Literary
Subject:
Literature-A to Z
Edition Description:
Trade Paper
Series:
European Women Writers Series
Series Volume:
no.13
Publication Date:
19940931
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Pages:
117
Dimensions:
7.5 x 4.75 in 0.31 lb

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Related Subjects

Fiction and Poetry » Literature » A to Z

Hotel Splendid New Trade Paper
0 stars - 0 reviews
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Product details 117 pages University of Nebraska Press - English 9780803289536 Reviews:
"Review" by , "In these three slim, yet amazingly potent, novels, French author Redonnet...creates a triptych joined by theme, symbol, voice, style, and temperament....Like traveling a very long, very dark tunnel into a blinding bright beautiful light."
"Review" by , "Jordan Stump's excellent translation successfully captures the haunting, impressionistic nature of Redonnet's prose....Strangely moving in its simplicity, her work is to be highly recommended to all those who appreciate the soothing effects of fairy tales and legends."
"Review" by , "Redonnet makes skillful use of...broadly metaphoric possibilities. It is the kind of novel Edward Gorey could love and, sometimes, reading Redonnet's telegraphic prose, one it seems he might even have written."
"Synopsis" by ,
These three short novels are the first works to appear in English by a remarkable contemporary French author, Marie Redonnet. Born in Paris in 1947, Redonnet taught for a number of years in a suburban lycée before deciding to pursue a writing career full time. Since her volume of poetry Le Mort & Cie appeared in 1985, she has published four novels, a novella, numerous short stories, and three dramatic works.

In translator Jordan Stump's words, these three novels, "unmistakably fit together, although they have neither characters nor setting in common. Redonnet sees the three novels as a triptych: each panel stands alone, and yet all coalesce to form a whole." Each is narrated by a different woman. Hôtel Splendid recounts the daily life of three sisters who live in a decrepit hotel on the edge of a swamp; Forever Valley is about a sixteen-year-old girl who works in a dance-hall and looks for the dead; Rose Mellie Rose is the story of another adolescent girl who assembles a photographic and written record of her life in the dying town of Ôat.

Redonnet's novels have been compared to those of Annie Ernaux, Alain Robbe-Grillet, and Samuel Beckett. She has since acknowledged the crucial influence which Beckett's work has had upon her literary work. And yet she is also notably different from the great master of modern literature. "Where Beckett's characters slide almost inevitably toward extinction, resignation, and silence," Stump points out, "Redonnet's display a force for life and creation that borders on the triumphant. . . . [They] retain even in the darkest situations a remarkable persistence, openness, and above all hope, a hope that may well be, however unspectacularly, repaid in the end."

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