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Montano's Malady

by Enrique Vila Matas

Montano's Malady Cover

 

Synopses & Reviews

Publisher Comments:

A quirky, cosmopolitan novel about life and literature by the prize-winning Spanish writer Enrique Vila-Matas, author of BartlebyandCo.

The narrator of Montano's Malady is a writer named José who is so obsessed with literature that he finds it impossible to distinguish between real life and fictional reality. Part picaresque novel, part intimate diary, part memoir and philosophical musings, Enrique Vila-Matas has created a labyrinth in which writers as various as Cervantes, Sterne, Kafka, Musil, Bolaño, Coetzee, and Sebald cross endlessly surprising paths. Trying to piece together his life of loss and pain, José leads the reader on an unsettling journey from European cities such as Nantes, Barcelona, Lisbon, Prague and Budapest to the Azores and the Chilean port of Valparaiso. Exquisitely witty and erudite, it confirms the opinion of Bernardo Axtaga that Vila-Matas is "the most important living Spanish writer."

Review:

"The specter of Borges hangs heavily over this inventive novel by Vila-Matas (Bartleby & Co.). The title refers to 'literature-sickness,' an affliction suffered acutely by the narrator, a famous Spanish writer named José Cardoso Pires, who publishes under his mother's name, Rosario Girondo. The Borgesian tropes, doubles and doppelgängers multiply from there. Presented as pieces of a diary, the book's five parts include a 'nouvelle' titled 'Montano's Malady'; a memoiristic account of the nouvelle's genesis; a biographical dictionary of the narrator's influences; diatribes at the perceived betrayals by his wife, Rosa; his friend, Tongoy; and by art. The entire novel is suffused with quotations and reflections on the diary form as an alternative to the fiction that the narrator (who travels frequently) is blocked from writing. The diary's fictionality pushes these claims into a narrative mise en-abyme, one from which the action never emerges. From the very first page, Vila-Matas embeds clauses as deeply as he embeds his characters' identities in hallucinatory sets of relations. While the exhaustion of this kind of metafiction is one of his themes, it doesn't save the book from its own devices." Publishers Weekly (Copyright Reed Business Information, Inc.)

About the Author

Enrique Vila-Matas was born in Barcelona in 1948. His novels have been translated into eleven languages and honored by many prestigious literary awards including the Prix Médicis Etranger.

Product Details

ISBN:
9780811216289
Author:
Vila Matas, Enrique
Publisher:
New Directions Publishing Corporation
Translator:
Dunne, Jonathan
Author:
Vila-Matas, Enrique
Author:
Dunne, Jonathan
Subject:
General
Subject:
Vila-Matas, Enrique
Subject:
General Fiction
Subject:
Literature-A to Z
Copyright:
Publication Date:
20070631
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Pages:
235
Dimensions:
8 x 5 in

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Product details 235 pages New Directions Publishing Corporation - English 9780811216289 Reviews:
"Publishers Weekly Review" by , "The specter of Borges hangs heavily over this inventive novel by Vila-Matas (Bartleby & Co.). The title refers to 'literature-sickness,' an affliction suffered acutely by the narrator, a famous Spanish writer named José Cardoso Pires, who publishes under his mother's name, Rosario Girondo. The Borgesian tropes, doubles and doppelgängers multiply from there. Presented as pieces of a diary, the book's five parts include a 'nouvelle' titled 'Montano's Malady'; a memoiristic account of the nouvelle's genesis; a biographical dictionary of the narrator's influences; diatribes at the perceived betrayals by his wife, Rosa; his friend, Tongoy; and by art. The entire novel is suffused with quotations and reflections on the diary form as an alternative to the fiction that the narrator (who travels frequently) is blocked from writing. The diary's fictionality pushes these claims into a narrative mise en-abyme, one from which the action never emerges. From the very first page, Vila-Matas embeds clauses as deeply as he embeds his characters' identities in hallucinatory sets of relations. While the exhaustion of this kind of metafiction is one of his themes, it doesn't save the book from its own devices." Publishers Weekly (Copyright Reed Business Information, Inc.)
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