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Guitarmaking (Guitar Reference)by William R. Cumpiano
Synopses & Reviews
It whispers, it sings, it rocks, and it howls. It expresses the voice of the folkand#151;the open road, freedom, protest and rebellion, youth and love. It is the acoustic guitar. And over the last five decades it has become a quintessential American icon. Because this musical instrument is significant to so manyand#151;in ways that are emotional, cultural, and economicand#151;guitar making has experienced a renaissance in North America, both as a popular hobby and, for some, a way of life.
Inand#160;Guitar Makers, Kathryn Marie Dudley introduces us to builders of artisanal guitars, their place in the art world, and the specialized knowledge theyand#8217;ve developed. Drawing on in-depth interviews with members of the lutherie community, she finds that guitar making is a social movement with political implications.and#160; Guitars are not simply madeand#151;they are born. and#160;Artisans listen to their wood, respond to its liveliness, and strive to endow each instrument with an unforgettable tone. Although professional luthiers work within a market society, Dudley observes that their overriding sentiment is passion and love of the craft. Guitar makers are not aiming for quick turnover or the low-cost reproduction of commodities but the creation of singular instruments with unique qualities, and face-to-face transactions between makers, buyers, and dealers are commonplace.
In an era when technological change has pushed skilled artisanship to the margins of the global economy, and in the midst of a capitalist system that places a premium on ever faster and more efficient modes of commerce, Dudley shows us how artisanal guitar makers have carved out a unique world that operates on alternative, more humane, and ecologically sustainable terms.
A complete reference for the design and construction of the steel-string folk guitar and the classical guitar.
Hailed by Guitar Player magazine as "perhaps the finest book on guitars ever produced," and by Booklist as "a Rolls Royce of construction guidebooks," this impressive volume is the first book of its kind to describe in depth how both steel-string and classical guitars are actually designed and built. Over 450 photographs, drawings, and diagrams reveal in exquisite detail the hows, whys, and how-to's of the traditional craft of guitarmaking, all accompanied by fascinating historical and technical notes. A comprehensive bibliography; a list of tools, materials, and supply sources; and a full index complete this uniquely authoritative reference — and essential acquisition — for guitar and craft enthusiasts, woodworkers, and students of instrument making everywhere.
About the Author
Jonathan D. Natelson builds and repairs classical guitars and is a national supplier of tone woods for constructing stringed instruments. He lives in Philadephia.
William R. Cumpiano is a master guitarmaker and teacher of instrument building and repair in Amherst, Massachusetts, serving professional musicians across the country.
Table of Contents
Introduction: Geppettoand#8217;s Dream
1 Crossroads of Knowledge
2 Stories of Making
3 Politics of Authenticity
4 Scenes of Instruction
5 Guitar He roes
6 Ghosts of Empire
Conclusion: Pinocchioand#8217;s Body
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