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Pretend We're Dead : Capitalist Monsters in American Pop Culture (06 Edition)by Annalee Newitz
Synopses & Reviews
In Pretend Weandrsquo;re Dead, Annalee Newitz argues that the slimy zombies and gore-soaked murderers who have stormed through American film and literature over the past century embody the violent contradictions of capitalism. Ravaged by overwork, alienated by corporate conformity, and mutilated by the unfettered lust for profit, fictional monsters act out the problems with an economic system that seems designed to eat people whole.
Newitz looks at representations of serial killers, mad doctors, the undead, cyborgs, and unfortunates mutated by their involvement with the mass media industry. Whether considering the serial killer who turns murder into a kind of labor by mass producing dead bodies, or the hack writers and bloodthirsty actresses trapped inside Hollywoodandrsquo;s profit-mad storytelling machine, she reveals that each creature has its own tale to tell about how a freewheeling market economy turns human beings into monstrosities.
Newitz tracks the monsters spawned by capitalism through b movies, Hollywood blockbusters, pulp fiction, and American literary classics, looking at their manifestations in works such as Norman Mailerandrsquo;s andldquo;true life novelandrdquo; The Executionerandrsquo;s Song; the short stories of Isaac Asimov and H. P. Lovecraft; the cyberpunk novels of William Gibson and Marge Piercy; true-crime books about the serial killers Ted Bundy and Jeffrey Dahmer; and movies including Modern Times (1936), Donovanandrsquo;s Brain (1953), Night of the Living Dead (1968), RoboCop (1987), The Silence of the Lambs (1991), and Artificial Intelligence: AI (2001). Newitz shows that as literature and film tell it, the story of American capitalism since the late nineteenth century is a tale of body-mangling, soul-crushing horror.
An examination of how monster narratives and horror stories serve as allegories for anxieties about captialism in American popular culture.
An argument that the slimy zombies and gore-soaked murderers who have stormed through American film and literature over the past century embody the violent contradictions of capitalism
About the Author
Annalee Newitz is a contributing editor at Wired magazine and a freelance writer in San Francisco. She is the former culture editor at the San Francisco Bay Guardian and was the recipient of a Knight Science Journalism Fellowship in 2002andndash;03. She is a coeditor of White Trash: Race and Class in America and Bad Subjects: Political Education for Everyday Life. She has written for New York magazine, and numerous other publications, including The Believer, salon.com, and Popular Science. Newitz has a Ph.D. in English and American Studies from the University of California, Berkeley.
Table of Contents
Introduction: Capitalist Monsters 1
1. Serial Killers: Murder Can Be Work 13
2. Mad Doctors: Professional Middle-Class Jobs Make You Loose Your Mind 53
3. The Undead: A Haunted Whiteness 89
4. Robots: Love Machines of the World Unite 123
5. Mass Media: Monsters of the Culture Industry 151
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