In the summer of 2000, two award-winning photographers, Claire Garoutte and Anneke Wambaugh, were researching Afro-Cuban religious practices in Santiago de Cuba, a city on the southeastern coast of Cuba. A chance encounter led them to the home of Santiago Castaneda Vera, a priest-practitioner of Santeria, Palo Monte, and Espiritismo, a Cuban version of nineteenth-century European Spiritism. Out of that initial meeting, a unique collaboration developed. Santiago opened his home and many aspects of his spiritual practice to Garoutte and Wambaugh, who returned to his house many times during the next five years, cameras in hand. The result is Crossing the Water, an extraordinary visual record of Afro-Cuban religious experience.

A book of more than 150 striking photographs in both black and white and color, Crossing the Water includes images of elaborate Santeria altars and Palo spirit cauldrons, as well as of Santiago and his religious family engaged in ritual practices: the feeding of the spirits, spirit possession, and private and collective healing ceremonies. As the charismatic head of a large religious community, Santiago helps his godchildren and others who consult him to cope with physical illness, emotional crises, contentious relationships, legal problems, and the hardships born of day-to-day survival in contemporary Cuba. He draws on the distinct yet intertwined traditions of Santeria, Palo Monte, and Espiritismo to foster healing of both mind and body--the three religions form a coherent theological whole for him.

Santiago eventually became Garoutte's and Wambaugh's spiritual godfather, and Crossing the Water is informed by their experiences as initiates of Santeria and Palo Monte. Their text provides nuanced, clear explanations of the objects and practices depicted in the images. Describing the powerful intensity of human-spirit interactions, and evoking the sights, smells, sounds, and choreography of ritual practice, Crossing the Water takes readers deep inside the intimate world of Afro-Cuban spirituality.

"Photographers Garoutte and Wambaugh demystify and celebrate the Afro-Cuban religions of Santera, Palo Monte and Espiritismo. The three traditions are, they note, inextricable in Cuban practice, with supplicants calling on elements from all three, as well as folk Catholicism, to improve their lives, relationships, finances and health. Garoutte and Wambaugh focus their lenses on Santiago, a retired retailer who is a renowned practitioner of Afro-Cuban religions and godfather to many initiates. Driven by powerful, evocative descriptions and scene-setting, the book delves into the various rituals and spiritual practices that take place in the back rooms of Santiago's Cuban home. Following a precedent set in 1991 by Karen McCarthy Brown in her innovative book Mama Lola, in which a scholarly observer of an Afro-Caribbean religion gradually becomes a participant in her own right, these authors do not attempt to maintain skepticism or distance from the subject they cover, and are gradually initiated into both Santera and Palo Monte. What results is a respectful, vibrant account of Afro-Cuban religions, enhanced by more than 150 vivid photographs." Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)

""Crossing the Water" is at once mysterious, encompassing, and illuminating. Most importantly, it is a deeply moving journey in which the various parts equal the whole. We must leave aside our predilections and ideas from what we know to enter this very personal territory. Upon repeated viewings and readings, the depth of this project reveals itself. Through the dedication of Claire Garoutte and Anneke Wambaugh we are allowed a meaningful glimpse of a further world elucidated by the images and writings of two who entered it."--Robert Lyons, photographer, "Intimate Enemy: Images and Voices of the Rwandan Genocide," "Another Africa," and "Egyptian Time"