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Crossing the Water: A Photographic Path to the Afro-Cuban Spirit World

by Claire Garoutte

Crossing the Water: A Photographic Path to the Afro-Cuban Spirit World Cover

 

Synopses & Reviews

Publisher Comments:

In the summer of 2000, two award-winning photographers, Claire Garoutte and Anneke Wambaugh, were researching Afro-Cuban religious practices in Santiago de Cuba, a city on the southeastern coast of Cuba. A chance encounter led them to the home of Santiago Castañeda Vera, a priest-practitioner of Santería, Palo Monte, and Espiritismo, a Cuban version of nineteenth-century European Spiritism. Out of that initial meeting, a unique collaboration developed. Santiago opened his home and many aspects of his spiritual practice to Garoutte and Wambaugh, who returned to his house many times during the next five years, cameras in hand. The result is Crossing the Water, an extraordinary visual record of Afro-Cuban religious experience.

A book of more than 150 striking photographs in both black and white and color, Crossing the Water includes images of elaborate Santería altars and Palo spirit cauldrons, as well as of Santiago and his religious “family” engaged in ritual practices: the feeding of the spirits, spirit possession, and private and collective healing ceremonies. As the charismatic head of a large religious community, Santiago helps his godchildren and others who consult him to cope with physical illness, emotional crises, contentious relationships, legal problems, and the hardships born of day-to-day survival in contemporary Cuba. He draws on the distinct yet intertwined traditions of Santería, Palo Monte, and Espiritismo to foster healing of both mind and body—the three religions form a coherent theological whole for him.

Santiago eventually became Garoutte’s and Wambaugh’s spiritual godfather, and Crossing the Water is informed by their experiences as initiates of Santería and Palo Monte. Their text provides nuanced, clear explanations of the objects and practices depicted in the images. Describing the powerful intensity of human-spirit interactions, and evoking the sights, smells, sounds, and choreography of ritual practice, Crossing the Water takes readers deep inside the intimate world of Afro-Cuban spirituality.

Review:

"Photographers Garoutte and Wambaugh demystify and celebrate the Afro-Cuban religions of Santera, Palo Monte and Espiritismo. The three traditions are, they note, inextricable in Cuban practice, with supplicants calling on elements from all three, as well as folk Catholicism, to improve their lives, relationships, finances and health. Garoutte and Wambaugh focus their lenses on Santiago, a retired retailer who is a renowned practitioner of Afro-Cuban religions and godfather to many initiates. Driven by powerful, evocative descriptions and scene-setting, the book delves into the various rituals and spiritual practices that take place in the back rooms of Santiago's Cuban home. Following a precedent set in 1991 by Karen McCarthy Brown in her innovative book Mama Lola, in which a scholarly observer of an Afro-Caribbean religion gradually becomes a participant in her own right, these authors do not attempt to maintain skepticism or distance from the subject they cover, and are gradually initiated into both Santera and Palo Monte. What results is a respectful, vibrant account of Afro-Cuban religions, enhanced by more than 150 vivid photographs." Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)

Synopsis:

Textual and photographic exploration of the diversity and hybridity of Afro-Cuban religious practices, with a first-hand account by a practitioner whose individual experience speaks to larger themes.

About the Author

Claire Garoutte is Assistant Professor of Photography at Seattle University. Her work has appeared in exhibits in the United States and abroad. Garoutte began photographing Afro-Cuban religious practices in Cuba in 1994. She is the author and illustrator of Matter of Trust.

Anneke Wambaugh is an award-winning photographer and an independent scholar of African and Afro-Caribbean ritual art who has worked extensively in Cuba and Haiti. She works as a Haitian Creole interpreter in Seattle.

Product Details

ISBN:
9780822340393
Author:
Garoutte, Claire
Publisher:
Duke University Press
Photographer:
Wambaugh, Anneke
Author:
Wambaugh, Anneke
Subject:
Religion
Subject:
Blacks
Subject:
Ethnic & Tribal
Subject:
Photoessays & Documentaries
Subject:
Cuba Religious life and customs.
Subject:
Blacks -- Cuba -- Religion.
Subject:
Photography-Anthologies and History
Copyright:
Edition Description:
Trade Paper
Publication Date:
20071231
Binding:
TRADE PAPER
Language:
English
Illustrations:
157 photographs (incl. 39 in color)
Pages:
280
Dimensions:
10.47x8.98x.72 in. 2.47 lbs.

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Crossing the Water: A Photographic Path to the Afro-Cuban Spirit World Used Trade Paper
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Product details 280 pages Duke University Press - English 9780822340393 Reviews:
"Publishers Weekly Review" by , "Photographers Garoutte and Wambaugh demystify and celebrate the Afro-Cuban religions of Santera, Palo Monte and Espiritismo. The three traditions are, they note, inextricable in Cuban practice, with supplicants calling on elements from all three, as well as folk Catholicism, to improve their lives, relationships, finances and health. Garoutte and Wambaugh focus their lenses on Santiago, a retired retailer who is a renowned practitioner of Afro-Cuban religions and godfather to many initiates. Driven by powerful, evocative descriptions and scene-setting, the book delves into the various rituals and spiritual practices that take place in the back rooms of Santiago's Cuban home. Following a precedent set in 1991 by Karen McCarthy Brown in her innovative book Mama Lola, in which a scholarly observer of an Afro-Caribbean religion gradually becomes a participant in her own right, these authors do not attempt to maintain skepticism or distance from the subject they cover, and are gradually initiated into both Santera and Palo Monte. What results is a respectful, vibrant account of Afro-Cuban religions, enhanced by more than 150 vivid photographs." Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)
"Synopsis" by ,
Textual and photographic exploration of the diversity and hybridity of Afro-Cuban religious practices, with a first-hand account by a practitioner whose individual experience speaks to larger themes.
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