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Neil Young: Harvest (33 1/3 Series)by Sam Inglis
Synopses & ReviewsPublisher Comments:33 1/3 is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys. Launched in September 2003, the series now contains over 50 titles and is acclaimed and loved by fans, musicians and scholars alike. Review:"It was only a matter of time before a clever publisher realized that there is an audience for whom Exile on Main Street or Electric Ladyland are as significant and worthy of study as The Catcher in the Rye or Middlemarch. The series... is freewheeling and eclectic, ranging from minute rock-geek analysis to idiosyncratic personal celebration." The New York Times Book Review Review:"Ideal for the rock geek who thinks liner notes just aren't enough." Rolling Stone Review:"One of the coolest publishing imprints on the planet." Bookslut Review:"These are for the insane collectors out there who appreciate fantastic design, well-executed thinking, and things that make your house look cool. Each volume in this series takes a seminal album and breaks it down in startling minutiae. We love these. We are huge nerds." Vice Review:"A brilliant series... each one a word of real love." NME Review:"Passionate, obsessive, and smart." Nylon Review:"Religious tracts for the rock 'n' roll faithful." Uncut Review:"We... aren't naive enough to think that we're your only source for reading about music (but if we had our way... watch out). For those of you who really like to know everything there is to know about an album, you'd do well to check out Continuum's 33 1/3 series of books." Pitchfork Synopsis:Neil Young's Harvest is one of those strange albums that has achieved lasting success without ever winning the full approval of rock critics or hardcore fans. Inglis here explores the creation of the album and its lasting appeal. Synopsis:Neil Young s Harvest is one of those strange albums that has achieved lasting success without ever winning the full approval of rock critics or hardcore fans. Even Young himself has been equivocal, describing it in one breath as his finest album, dismissing it in the next as an MOR aberration. Here, Sam Inglis explores the circumstances of the album s creation and asks who got it right: the critics, or the millions who have bought Harvest in the 30 years since its release? ExcerptThe White Falcon s split pickup might have been just a gimmick from the early days of stereo, but the way Neil Young uses it on Alabama is remarkable. His muted picking brings stabbing notes first from one speaker, then the other, as though we were hearing not one but two guitarists, playing with an unnatural empathy. The electric guitar has seldom sounded so menacing, and Young s growling rhythm and piercing lead notes are tracked perfectly by Kenny Buttrey s bare-bones drumming. The build to the chorus is beautifully judged, and when Young and his celebrity backing singers let rip, there s an almost physical sense of release. Synopsis:Neil Young's 'Harvest' is one of those strange albums that has achieved lasting success without ever winning the full approval of rock critics or hardcore fans. Here, Sam Inglis explores the circumstances of the album's creation and asks who got it right: the critics, or the millions who have bought 'Harvest' in the 30 years since its release? About the AuthorSam Inglis is the features editor at Sound On Sound magazine in London. What Our Readers Are SayingAdd a comment for a chance to win!Average customer rating based on 1 comment: 
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