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The Who: The Who Sell Out (33 1/3 Series)by John Dougan
Synopses & ReviewsPublisher Comments:Released in the U.S. in January 1968, The Who Sell Out was, according to critic Dave Marsh, a complete backfire...the album sold well, but not spectacularly [and was] ultimately a nostalgic in-joke: Who but a pop intellectual could appreciate such a thing? Further rarifying its in-joke status was its unapologetic Englishness; 13 tracks stitched together in a mock pirate radio broadcast, without a DJ, with cool, anglocentric commercials to boot. In the 36 years since its release, Sell Out, though still not the best selling release in The Who's catalog, has been embraced by a growing number of fans who regard it as the band's best work; one of the few recordings of the late 1960s that best represents the ambitious aesthetic possibilities of the concept album; without becoming mired in a bog of smug, self-aggrandizing, high art aspirations. Sell Out, powerfully and ecstatically, articulates the nexus of pop music and pop culture. As much as it is an expression of the band's expanding sonic palette, Sell Out also functions as a critique of the rock and roll lifestyle. Not the clichéd mantra of sex, drugs, and rock and roll but in the ways that commercial advertising fabricates a youth-oriented cultural reality by hawking pimple cream, deodorant, food, musical equipment, etc., and linking it with rock and roll. In this sense Sell Out is a reflective work, one that struggles with rock and roll as a cultural expression that aspires to aesthetic permanence while marketed as ephemera. From this conflict emerges a pop art masterpiece. Review:"It was only a matter of time before a clever publisher realized that there is an audience for whom Exile on Main Street or Electric Ladyland are as significant and worthy of study as The Catcher in the Rye or Middlemarch. The series... is freewheeling and eclectic, ranging from minute rock-geek analysis to idiosyncratic personal celebration." The New York Times Book Review Review:"Ideal for the rock geek who thinks liner notes just aren't enough." Rolling Stone Review:"One of the coolest publishing imprints on the planet." Bookslut Review:"These are for the insane collectors out there who appreciate fantastic design, well-executed thinking, and things that make your house look cool. Each volume in this series takes a seminal album and breaks it down in startling minutiae. We love these. We are huge nerds." Vice Review:"A brilliant series... each one a word of real love." NME Review:"Passionate, obsessive, and smart." Nylon Review:"Religious tracts for the rock 'n' roll faithful." Uncut Review:"We... aren't naive enough to think that we're your only source for reading about music (but if we had our way... watch out). For those of you who really like to know everything there is to know about an album, you'd do well to check out Continuum's 33 1/3 series of books." Pitchfork Synopsis:33 1/3 is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys. Launched in September 2003, the series now contains over 50 titles and is acclaimed and loved by fans, musicians and scholars alike. Synopsis:Since its release, Sell Out, though still not the best selling release in The Who's catalog, has been embraced by a growing number of fans. As much as it is an expression of the band's expanding sonic palette, this work also functions as a critique of the rock and roll lifestyle. About the AuthorJohn Dougan received a Ph.D. in American Studies from the College of William & Mary and is an associate professor in the Department of Recording Industry at Middle Tennessee State University. What Our Readers Are SayingAdd a comment for a chance to win!Average customer rating based on 1 comment: 
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