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More copies of this ISBNThis title in other editionsOn Uglinessby Umberto Eco
Synopses & ReviewsPublisher Comments:In the mold of his acclaimed History of Beauty, renowned cultural critic Umberto Ecos On Ugliness is an exploration of the monstrous and the repellant in visual culture and the arts. What is the voyeuristic impulse behind our attraction to the gruesome and the horrible? Where does the magnetic appeal of the sordid and the scandalous come from? Is ugliness also in the eye of the beholder? Ecos encyclopedic knowledge and captivating storytelling skills combine in this ingenious study of the Ugly, revealing that what we often shield ourselves from and shun in everyday life is what were most attracted to subliminally. Topics range from Miltons Satan to Goethes Mephistopheles; from witchcraft and medieval torture tactics to martyrs, hermits, and penitents; from lunar births and disemboweled corpses to mythic monsters and sideshow freaks; and from Decadentism and picturesque ugliness to the tacky, kitsch, and camp, and the aesthetics of excess and vice. With abundant examples of painting and sculpture ranging from ancient Greek amphorae to Bosch, Brueghel, and Goya among others, and with quotations from the most celebrated writers and philosophers of each age, this provocative discussion explores in-depth the concepts of evil, depravity, and darkness in art and literature. Review:"Italian literary and cultural critic Eco opens this visually dazzling and intellectually provocative companion volume to his History of Beauty (2004) by arguing that ugliness has been defined through the ages only as the opposite of beauty. Eco attempts to go further in this analysis of ugliness — part history, part cultural criticism — which echoes premises from his previous survey: a correspondence between the public's tastes and artists' sensibilities must be assumed, and cultural and historical contexts determine how both beauty and ugliness are portrayed and received. Each chapter juxtaposes images with brief excerpts from texts through the centuries, and Eco's choices are superb: a discussion of 'industrial ugliness' includes excerpts from Baudelaire, DeLillo and the Eiffel Tower's originally negative reception; the delightful chapter on kitsch includes Hermann Broch and Eco's own hilarious description of California's Madonna Inn. Eco's thoughts on ugliness in contemporary culture are the most interesting: in an age of goth and cyborg aesthetics, the boundaries between beauty and ugliness are perhaps permanently blurred. This unusual and eclectic study will appeal to cultural and art historians as well as to the general reader with an interest in a rarely examined topic. 300 color illus. (Nov.)" Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.) Synopsis:Acclaimed philosopher and author Umberto Eco explores mans fascination with evil, the grotesque, freakishness, and horror in art and literature. This provocative discussion explores in depth the concepts of evil, depravity, and darkness in art and literature.Rizzoli Synopsis:In the mold of his acclaimed History of Beauty, renowned cultural critic Umberto Eco's On Ugliness is an exploration of the monstrous and the repellant in visual culture and the arts. What is the voyeuristic impulse behind our attraction to the gruesome a About the AuthorUmberto Eco is a world-renowned writer of fiction, essays, and academic treatises and is undoubtedly one of the finest authors of our time. Among his best-selling novels are The Name of the Rose, Foucaults Pendulum, The Island of the Day Before, and Baudolino. What Our Readers Are SayingAdd a comment for a chance to win!Average customer rating based on 1 comment:
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