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POW!by Yan Mo
Synopses & Reviews
In this novel by the 2012 Nobel Laureate in Literature, Mo Yan, a benign old monk listens to a prospective novices tale of depravity, violence, and carnivorous excess while a nice little family drama—in which nearly everyone dies—unfurls. But in this tale of sharp hatchets, bad water, and a rusty WWII mortar, we cant help but laugh. Reminiscent of the novels of dark masters of European absurdism like Günter Grass, Witold Gombrowicz, or Jakov Lind, Mo Yans POW! is a comic masterpiece.
In this bizarre romp through the Chinese countryside, the author treats us to a cornucopia of cooked animal flesh—ostrich, camel, donkey, dog, as well as the more common varieties. As his dual narratives merge and feather into one another, each informing and illuminating the other, Mo Yan probes the character and lifestyle of modern China. Displaying his many talents, as fabulist, storyteller, scatologist, master of allusion and cliché, and more, POW! carries the reader along quickly, hungrily, and giddily, up until its surprising dénouement.
Mo Yan has been called one of the great novelists of modern Chinese literature and the New York Times Book Review has hailed his work as harsh and gritty, raunchy and funny. He writes big, sometimes mystifying, sometimes infuriating, but always entertaining novels—and POW! is no exception.
Pow! by Mo Yan from gerard donaghy on Vimeo.
About the Author
Mo Yan, winner of the 2012 Nobel Prize for Literature, has published dozens of short stories and novels in Chinese. His other English-language works include The Garlic Ballads, The Republic of Wine, Shifu: You'll Do Anything for a Laugh, Big Breasts & Wide Hips, and Life and Death Are Wearing Me Out.
In awarding him the Nobel Prize the Swedish Academy said: “Through a mixture of fantasy and reality, historical and social perspectives, Mo Yan has created a world reminiscent in its complexity of those in the writings of William Faulkner and Gabriel García Márquez, at the same time finding a departure point in old Chinese literature and in oral tradition.”
Howard Goldblatt is research professor of Chinese at the University of Notre Dame. Founding editor of Modern Chinese Literature, he has contributed essays and articles to the Washington Post, the Times, Time, World Literature Today, and the Los Angeles Times, among other publications.
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Afterword by Mo Yan
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