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The Poetic Structure of the World: Copernicus and Kepler

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The Poetic Structure of the World: Copernicus and Kepler Cover

 

Synopses & Reviews

Publisher Comments:

The Poetic Structure of the World is a major reconsideration of a crucial turning point in Western thought and culture: the heliocentric revolution of Copernicus and Kepler. Fernand Hallyn treats the work of these two figures not simply in terms of the history of science or astronomy, but as events embedded in a wider field of images, symbols, texts, and practices. These new representations of the universe, he insists, cannot be explained by recourse to explanations of "genius" or "intuition."Instead, Hallyn investigates the problem of how new scientific hypotheses are actually formed and the complex way in which certain facts and not others are selected to support a particular theory. He contends that the scientific imagination is not fundamentally different from a mythic or poetic imagination and that the work of Copernicus and Kepler must be examined on the level of rhetorical structure. Hallyn shows the sun-centered universe to be inseparable from the aesthetic, epistemological, theological, and social imperatives of both neoplatonism and mannerism in the sixteenth centuryFernand Hallyn is a Professor in the Department of French Literature at the University of Ghent. Distributed for Zone Books.

Synopsis:

sun-centered universe is inseparable from the aesthetic epistemological, theological, and social imperatives of both Neoplatonism and Mannerism in the sixteenth century

Synopsis:

Fernand Hallyn is Professor in the Department of French Literature at the University of Ghent.

Synopsis:

In this major reconsideration of a crucial turning point in Western thought and culture - the heliocentric revolution of Copernicus and Kepler - Fernand Hallyn applies a theory of rhetoric to the philosophy and history of science to show how the new sun-centered universe is inseparable from the aesthetic epistemological, theological, and social imperatives of both Neoplatonism and Mannerism in the sixteenth century.Fernand Hallyn is Professor in the Department of French Literature at the University of Ghent.

Description:

Includes bibliographical references (p. 287-354) and index.

Product Details

ISBN:
9780942299618
Translator:
Leslie, Donald
Author:
Leslie, Donald
Author:
Nd
Author:
Hallyn, Fernand
Author:
Hallyn, Ferna
Author:
Leslie, Donald M.
Publisher:
Zone Books
Location:
Cambridge
Subject:
General
Subject:
Science
Subject:
History, Criticism, Surveys
Subject:
Philosophy & Social Aspects
Subject:
History, criticism and surveys
Subject:
Astronomy
Subject:
Kepler, johannes, 1571-1630
Subject:
Science -- Philosophy.
Subject:
Ciencia
Subject:
General Philosophy
Subject:
Astronomy -- Philosophy.
Subject:
Science Reference-Philosophy of Science
Copyright:
Edition Description:
Trade paper
Series:
The Poetic Structure of the World
Series Volume:
500-158.
Publication Date:
19930531
Binding:
TRADE PAPER
Grade Level:
from 17
Language:
English
Illustrations:
11
Pages:
367
Dimensions:
9 x 6 in

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Related Subjects

Humanities » Literary Criticism » General
Humanities » Literary Criticism » Literary and Cultural Studies
Humanities » Philosophy » General
Reference » Science Reference » Philosophy of Science
Science and Mathematics » History of Science » General

The Poetic Structure of the World: Copernicus and Kepler Used Trade Paper
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Product details 367 pages Zone Books - English 9780942299618 Reviews:
"Synopsis" by , sun-centered universe is inseparable from the aesthetic epistemological, theological, and social imperatives of both Neoplatonism and Mannerism in the sixteenth century
"Synopsis" by , Fernand Hallyn is Professor in the Department of French Literature at the University of Ghent.
"Synopsis" by , In this major reconsideration of a crucial turning point in Western thought and culture - the heliocentric revolution of Copernicus and Kepler - Fernand Hallyn applies a theory of rhetoric to the philosophy and history of science to show how the new sun-centered universe is inseparable from the aesthetic epistemological, theological, and social imperatives of both Neoplatonism and Mannerism in the sixteenth century.Fernand Hallyn is Professor in the Department of French Literature at the University of Ghent.
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