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2 Burnside Small Press- Fiction and Prose

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Creature

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Creature Cover

 

Synopses & Reviews

Publisher Comments:

Fiction. "Amina Cain is a beautiful writer. Like the girl in the rear view mirror in your backseat, quiet, looking out the window half smiling, then not, then glancing at you, curious to her. That is how her thoughts and words make me feel, like clouds hanging with jets, and knowing love is pure."—Thurston Moore

"To be among Amina Cain's creatures is to stand in the presence of what is mysterious, expansive, and alive. Whether these distinctly female characters are falling in and out of uncanny intimacies, speaking from the hidden realms of the unconscious, seeking self-knowledge, or becoming visible in all their candor and strangeness, they move through a universe shaped by the gravitational pull of elusive yet resilient forces-the yin-dark energies of instinct and feeling that animate creative life. It's here that the intuitive reach of fiction meets the reader's own quest for understanding, through the subtle beauty of living the truth of one's experiences in the most attentive and unadorned way possible."—Pamela Lu

Review:

"Cain's latest book, after I Go to Some Hollow, is a moody, enigmatic collection of 14 miniature stories, some as short as four pages. In one, a former cult victim recalls her abuse; in another, a woman enters into a three-way relationship with a married couple. Each narrator seems to have undergone trauma or something akin to it — unease, illness, adulthood — and so their streams of consciousness have the texture of recovery. Cain captures a particular kind of attempt at happiness: trying to be easy on oneself; praying at a Zen monastery; focusing on small pleasures like orchids and neatly folded towels. Perhaps that's why, in both form and content, so much here is microscopic, with a delicate sadness infusing mundane activities like bathing, spilling olive oil, and touching a wall. At times, this mélange of fragments produces the atmosphere of a whole, but at others the bits seem disconnected and the search for meaning desultory. But Cain's tone — unknowing, exhibiting the most awed reverence toward the smallest details of life and thought — remains wonderfully effective throughout, though one sometimes wishes she'd use it on richer content. It lingers after the pages are done, leaving an aftertaste that's somehow more pleasant than the experience itself." Publishers Weekly Copyright PWxyz, LLC. All rights reserved.

About the Author

Amina Cain writes stories that revolve quietly around human relationality, landscape, and emptiness. She is also a curator and a teacher of writing/literature. Her work has appeared or is forthcoming in publications such as 3rd Bed, DENVER QUARTERLY, La Petite Zine, THE ENCYCLOPEDIA PROJECT, and Action, Yes. She is the author of I GO TO SOME HOLLOW (Les Figues Press, 2009) and CREATURE (Dorothy, a publishing project, 2013). She lives and works in Los Angeles.

Product Details

ISBN:
9780984469383
Author:
Cain, Amina
Publisher:
Dorothy, a publishing project
Subject:
General Fiction
Publication Date:
20131101
Binding:
Paperback
Pages:
144

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Related Subjects

Fiction and Poetry » Small Press » Featured Titles
Fiction and Poetry » Small Press » Fiction and Prose

Creature New Trade Paper
0 stars - 0 reviews
$16.00 In Stock
Product details 144 pages SMALL PRESS DISTRIBUTION - English 9780984469383 Reviews:
"Publishers Weekly Review" by , "Cain's latest book, after I Go to Some Hollow, is a moody, enigmatic collection of 14 miniature stories, some as short as four pages. In one, a former cult victim recalls her abuse; in another, a woman enters into a three-way relationship with a married couple. Each narrator seems to have undergone trauma or something akin to it — unease, illness, adulthood — and so their streams of consciousness have the texture of recovery. Cain captures a particular kind of attempt at happiness: trying to be easy on oneself; praying at a Zen monastery; focusing on small pleasures like orchids and neatly folded towels. Perhaps that's why, in both form and content, so much here is microscopic, with a delicate sadness infusing mundane activities like bathing, spilling olive oil, and touching a wall. At times, this mélange of fragments produces the atmosphere of a whole, but at others the bits seem disconnected and the search for meaning desultory. But Cain's tone — unknowing, exhibiting the most awed reverence toward the smallest details of life and thought — remains wonderfully effective throughout, though one sometimes wishes she'd use it on richer content. It lingers after the pages are done, leaving an aftertaste that's somehow more pleasant than the experience itself." Publishers Weekly Copyright PWxyz, LLC. All rights reserved.
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