Keep Climbing, Girls

The only way to make a bid

for a girl's equality is to climb right up to the

toppermost bough

of the very tallest tree.

The dynamic ode to girl power was written by noted Afro-American actor, poet, and playwright Beach E. Richards. First published in 1951, her poem is given new life in this edition that includes an introduction by LisaGay Hamilton and stunning illustrations by R. Gregory Christie. With its inspirational messsage, this book will empower children with the realization that "the path of life goes up and up/not down!"

"With good humor and love, this poem by the late African-American actress Richards suggests a strategy for girls who believe that boys 'have the upper hand.' The author asserts that 'the only way to make a bid/ for a girl's equality/ is to climb right up to the toppermost bough/ of the very tallest tree.' Christie's (Only Passing Through) boldly brushed gouache spreads show the nimble girl in pigtails and a yellow dress, seated high up in a nest of branches, while a concerned Miss Nettie yells from below. First, the woman warns the young heroine of physical harm, then threatens the loss of beauty. 'You're... going to have a tomboy's scars.' Christie zooms in on the girl at her perch, depicting her reactions to Miss Nettie's cries. Triumphant, calculating, sure of herself, she's a portrait of self-confidence. Miss Nettie's threats bring more scandalized-looking women to her porch, but the girl keeps climbing ('a little girl victorious/ can't hide her childish glee,/ to see Miss Nettie so put out/ that she, a girl, could climb a tree'). Scolded by Miss Nettie that night, the girl bows her head, but the next morning, her thoughtful sideways look at another tree proves she's not cowed: 'The moral is: Keep climbing, girls,/ and let no one prevent you!' Sometimes girls have to buck strangers in the battle to succeed; just as often, this tale hints, they have to rebel against those who love them most. Ages 4-8." Publishers Weekly (Copyright Reed Business Information, Inc.)

First published in 1951, this dynamic ode to girl power, written by a noted African-American actress, poet, and playwright, is given new life in an edition that is introduced by filmmaker/actress LisaGay Hamilton. Full color.

Beah E. Richards (1920-2000) was born Beulah Elizabeth Richardson in Vicksburg, Mississippi, where the number-one rule in her parents' home was, "The bottom is overcrowded so strive for the top!" She came to New York in 1950. Her first significant stage role was in 1955, playing an elderly woman in the off-Broadway play Take a Giant Step. She developed a career as a prolific actress, playwright, and published poet, receiving a Tony nomination for her role in James Baldwin's The Amen Corner, and garnering an Oscar nomination for her part as Mrs. Prentice in Guess Who's Coming to Dinner. In 1988 she won an Emmy for her role on Frank's Place, and in 2000 she won an Emmy award for her role on The Practice. LisaGay Hamilton accepted the award on behalf of Ms. Richards, and delivered the Emmy to Beah in Mississippi. Ms. Richards died two weeks later. LisaGay Hamilton wrote and directed the award-winning documentary Beah: A Black Woman Speaks, which chronicles the life of Beah Richards. Ms. Hamilton was a series regular for seven years on the television drama The Practice as Rebecca Washington. Along with Beah Richards, Ms. Hamilton appeared in the movie adaptation of Toni Morrison's novel Beloved. She is a graduate of the Juilliard Drama Division.