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Peace Meals: Candy-Wrapped Kalashnikovs and Other War Stories
Synopses & Reviews
Travel books bring us to places. War books bring us to tragedy. This book brings us to one womanand#8217;s travels in war zones: the locals she met, the compassion they scraped from catastrophe, and the food they ate.andlt;BRandgt;andlt;Iandgt;andlt;BRandgt;Peace Meals andlt;/Iandgt;is a true story about conflict and food. It illustrates the most important lesson Anna Badkhen has observed as a journalist: war can kill our friends and decimate our towns, but it cannot destroy our inherent decency, generosity, and kindnessand#8212;that which makes us human. Badkhen writes: andlt;BRandgt;andlt;Iandgt;andlt;BRandgt;There is more to war than the macabreand#8212;the white-orange muzzle flashes during a midnight ambush . . . the scythes of shrapnel whirling . . . like lawnmower blades spun loose; the tortured and the dead. There are also the myriad brazen, congenial, persistent ways in which life in the most forlorn and violent places on earth shamelessly reasserts itself. Of those, sharing a meal is one of the most elemental. andlt;BRandgt;andlt;/Iandgt;andlt;BRandgt;No other book about war has looked at the search for normalcy in conflict zones through the prism of food. In addition to the events that dominate the news todayand#8212;the wars in Afghanistan and Iraqand#8212;andlt;Iandgt;Peace Meals andlt;/Iandgt;also bears witness to crises that are less often discussed: the conflict in Chechnya, the drought cycle in East Africa, the failed post-Soviet states, the Palestinian intifada. andlt;BRandgt;andlt;Iandgt;andlt;BRandgt;Peace Meals andlt;/Iandgt;focuses on day-to-day life, describing not just the shocking violence but also the beauty that continues during wartime: the spring flowers that bloom in the crater hollowed by an air-to-surface missile, the lapidary sanctuary of a twelfth-century palace besieged by a modern battle, or a meal a tight-knit family shares in the relative safety of their home as a firefight rages outside. It reveals how one war correspondentand#8217;s professional choices are determined not only by her opinion of which story is important but also by the instinctive comparisons she, a young andlt;BRandgt;andlt;BRandgt;mother, makes each time she meets children in war zones; by her intrinsic sense of guilt for leaving her family behind as she goes off to her next dangerous assignment; and, quite prosaicallyand#8212;though not surprisinglyand#8212;by her need to eat. andlt;BRandgt;andlt;BRandgt;Wherever Badkhen went, she broke bread with the people she wrote about, and the simple conversations over these meals helped her open the door into the lives of strangers. Sometimes dinner was bread and a fried egg in a farmerand#8217;s hut, or a packet of trail mix in the back of an armored humvee. Sometimes it was a lavish, four-course meal at the house of a local warlord, or a plate of rice and boiled meat at a funeral tent. Each of these straightforward acts of humanity tells a story. And these stories, punctuated by recipes from these meals, form andlt;Iandgt;Peace Mealsandlt;/Iandgt;. Following Badkhenand#8217;s simple instructions, readers will taste what made life in these tormented places worth living.
"'What happens when a search for stories coincides with a search for food?' asks Russian-born journalist Badkhen in her first book. In a series of broadly linked personal narratives, she illuminates the strange, dark history of the past couple of decades--the wars in Afghanistan and Iraq, and drought-stricken East Africa. Most chapters chronicle her connections with particular individuals such as her hashish-addicted Afghan bodyguard or the pair of ordinary Iraqi women she befriends, each character providing insight into local customs and quirks, but more significantly, illustrates and humanizes regional complexities. Badkhen regularly encounters real danger, but meets it with compassion and graveyard humor. Each section concludes, somewhat sentimentally, with recipes for dishes described in the stories. At times the juxtaposition of the brutal and the domestic is abrupt, but the resulting range of events both large and small is both honest and real. (Oct.)" Publishers Weekly (Starred Review) (Copyright PWyxz LLC)
An unforgettable portrait of a place and a people shaped by centuries of art, trade, and war.
In the middle of the salt-frosted Afghan desert, in a village so remote that Google canandrsquo;t find it, a woman squats on top of a loom, making flowers bloom in the thousand threads she knots by hand. Here, where heroin is cheaper than rice, every day is a fast day. B-52s pass overheadandmdash;a sign of Americaandrsquo;s omnipotence or its vulnerability, the villagers are unsure. They know, though, that the earth is flatandmdash;like a carpet.
Anna Badkhen first traveled to this country in 2001, as a war correspondent. She has returned many times since, drawn by a land that geography has made a perpetual battleground, and by a people who sustain an exquisite tradition there. Through the four seasons in which a new carpet is woven by the women and children of Oqa, she immortalizes their way of life much as the carpet doesandmdash;from the petal half-finished where a hungry infant needs care to the interruptions when the women trade sex jokes or go fill in for wedding musicians scared away by the Taliban. As Badkhen follows the carpet out into the world beyond, she leaves the reader with an indelible portrait of fates woven by centuries of art, war, and an ancient trade that ultimately binds the invaded to the invader.
A memoir of a young woman who travels as a war correspondent to the most dangerous places in the world and connects her experiences through food.
About the Author
Anna Badhken was born in the Soviet Union and moved to a Massachusetts suburb in 2004. She has been covering conflicts since 2001, first for the San Francisco Chronicle, and later, for such publications as The New Republic, The Boston Globe, The Christian Science Monitor, Salon.com, Ms. Magazine, Marie Claire, PBS Frontline/World, the National (Abu Dhabi), Center for Investigative Reporting, and Truthdig.com. Her wartime reporting won the 2007 Joel R. Seldin Award for reporting on civilians in war zones from Psychologists for Social Responsibility. She also was a finalist, in 2002 and 2005, for the Livingston Awards for Young Journalists in the International Reporting category. She is 34 years old.
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