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Ben MarcusBen Marcus's books The Age of Wire and String and Notable American Women were considered "experimental" fiction because of his unconventional use of... Continue »
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Sugartown

by David Rivard

Sugartown Cover

 

Synopses & Reviews

Publisher Comments:

The unillusioned, effervescent new collection by David Rivard, whose poetry “leaves me with a desire to be permanently friends with this mysterious kind of grace” (Tomaz Salamun)

That the sun stands apart

from all that it abuts,

unwilling to judge it,

may be our only real hope.

—from “We Either Do or Dont,

But the Problem Evolves Anyway”
In Sugartown, David Rivards fourth collection, the poems unwind with the speed of urgent talk, detailing with mischievous humor and fierce candor the catch-as-catch-can experience of American existence. Language and merchandise pass over us in continual feed, and Rivard adeptly, subtly renders this predicament and its costs, while offering in these poems the alternative of paying attention—to ones self, to others, to the seemingly misbegotten world.

The shards of experiences in Sugartown are glimpsed out of the corner of ones eye, in a blur of speed. The shapes are often familiar: the happy candy of cell-phone chatter, menus built to comfort the wealthy, emotions turned into intellectual property rights. Underneath this stream of experience, and traveling at exactly the same speed, is the clarity and surprise that our lives—our small triumphs and failures—seem to matter so much more than anyone would have expected.

Review:

"Jazz rhythms and capital-R Romantic hopes infuse Rivard's fourth collection, a comeback of sorts from 2000's Bewitched Playground featuring 'three distinct/ not to mention// cloudless/ dimensions to walk inside/ the visible.' It's not all sweetness and light, however. Devoted to sketches of human universals, Rivard, who teaches at Tufts University, also gathers plenty of local color: he sees Boston and Cambridge as cities where too much has happened — too much history, too many young people on benders, too much higher education: 'the boat crew/ from Alpha Chi' sails down the Charles, and adults console themselves with aquarium shows, but 'the wish to be given back/ the child you were once won't work.' His free verse manages unusual variety: drastically variant line lengths and extraordinarily long sentences make up his defiant, committed search for grace. Some of Rivard's most sensitive poems concern parents and grade-school — aged children: others are simply sketches of urban scenes in the offhand yet observant manner of August Kleinzahler, a 'day of creeping cars rain-flogged,' a glimpse of 'the skates of a weeping nun.'" Publishers Weekly (Copyright Reed Business Information, Inc.)

About the Author

David Rivard is the author of Bewitched Playground; Wise Poison, which won the James Laughlin Award of the Academy of American Poets; and Torque. He teaches at Tufts University and in the MFA Writing Program at Vermont College. He lives in Cambridge, Massachusetts.

Product Details

ISBN:
9781555974350
Author:
Rivard, David
Publisher:
Graywolf Press
Subject:
General
Subject:
American - General
Subject:
General Poetry
Subject:
General-General
Copyright:
Edition Description:
Trade Paperback
Publication Date:
20051231
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Pages:
80
Dimensions:
9.02x6.44x.30 in. .36 lbs.

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Product details 80 pages Graywolf Press - English 9781555974350 Reviews:
"Publishers Weekly Review" by , "Jazz rhythms and capital-R Romantic hopes infuse Rivard's fourth collection, a comeback of sorts from 2000's Bewitched Playground featuring 'three distinct/ not to mention// cloudless/ dimensions to walk inside/ the visible.' It's not all sweetness and light, however. Devoted to sketches of human universals, Rivard, who teaches at Tufts University, also gathers plenty of local color: he sees Boston and Cambridge as cities where too much has happened — too much history, too many young people on benders, too much higher education: 'the boat crew/ from Alpha Chi' sails down the Charles, and adults console themselves with aquarium shows, but 'the wish to be given back/ the child you were once won't work.' His free verse manages unusual variety: drastically variant line lengths and extraordinarily long sentences make up his defiant, committed search for grace. Some of Rivard's most sensitive poems concern parents and grade-school — aged children: others are simply sketches of urban scenes in the offhand yet observant manner of August Kleinzahler, a 'day of creeping cars rain-flogged,' a glimpse of 'the skates of a weeping nun.'" Publishers Weekly (Copyright Reed Business Information, Inc.)
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