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Wild Child: Girlhoods in the Counterculture

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Wild Child: Girlhoods in the Counterculture Cover

 

Synopses & Reviews

Publisher Comments:

Tofu casseroles, communes, clothing-optional kindergarten, antiwar protests — these are just a few of the hallmarks of a counterculture childhood. What became of kids who had been denied meat, exposed to free love, and given nouns for names? In Wild Child, daughters of the hippie generation speak about the legacy of their childhoods.

The writers present a rearview mirror to contemporary culture; with an eye on the past they remind us that there is more than one path through the present.

Review:

"Some may consider the hippie counterculture a bust, but the dynamic young women whose personal essays appear in this collection illustrate that it did create a subculture of strong individuals. By turns angry, sentimental and wary, the daughters of this cultural revolution meditate on the impact of their parents' choices. Zappa sets the tone in her energetic but scattered prologue celebrating individual difference. Editor Cain captures the muddy emotional landscape experienced by many girls who "live between two worlds"; her jaded yet clever report on today's Rainbow Gatherings, where folks drink camp coffee but crave cappuccino, is a highlight. In a coarse polemic, Elizabeth Sh rages against the free love that left her without boundaries: free to do anything "[b]ut not free to say no." Cecily Schmidt gently tries to find her place in the counterculture as she poetically honors her quiet parents, who instilled in her a love of the land and a powerful sense of self. Veggie diets, too much pot and persistent poverty drove many hippies back into the mainstream, although some of their children didn't accompany them. As a group, these voices, which join those of other notable hippie kids, such as Jedidiah Purdy and Lisa Michaels (whose Split: A Counterculture Childhood is excerpted in this volume), are a powerful sign that a change may still be coming. This mixed bag is a worthwhile document from a great, if troubled, experiment." Publishers Weekly

Book News Annotation:

Daughters of hippies—or, more specifically, unconventional mothers—reminisce about their backgrounds and talk through their struggle of coexisting in alternative and conventional worlds: when to fight and when to go along, when to work and when to play, when to object and when to accept. As Chelsea Cain puts it, "You can take the girl out of the counterculture, but you can't take the counterculture out of the girl." Introduced by Moon Zappa, who, by age six, started to realize she wasn't like the kids on Romper Room. As might be expected, contributors are primarily writers or artists. No index.
Annotation c. Book News, Inc., Portland, OR (booknews.com)

Synopsis:

Tofu casseroles, communes, clothing-optional kindergarten, antiwar protests--these are just a few of the hallmarks of a counterculture childhood. In "Wild Child, " daughters of the hippie generation speak about the legacy of their early lives. 20 photos.

Product Details

ISBN:
9781580050319
Author:
Cain, Chelsea
Publisher:
Seal Press (CA)
Foreword by:
Moon Unit Zappa
Foreword:
Moon Unit Zappa
Author:
Zappa, Moon Unit
Location:
Seattle, Wash. :
Subject:
Women's Studies
Subject:
Children's Studies
Subject:
History
Subject:
United states
Subject:
Popular Culture
Subject:
Girls
Subject:
Social history
Subject:
Popular Culture - Counter Culture
Subject:
Hippies
Subject:
Women's Studies - General
Subject:
Girls -- United States.
Subject:
United States History 1961-1969.
Subject:
American Studies; Popular Culture
Subject:
Sociology - General
Edition Description:
Trade Paper
Series Volume:
101-515
Publication Date:
19991131
Binding:
TRADE PAPER
Language:
English
Illustrations:
20 BandW photos
Pages:
256
Dimensions:
8 x 6 in 9 oz

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Wild Child: Girlhoods in the Counterculture New Trade Paper
0 stars - 0 reviews
$16.00 In Stock
Product details 256 pages Seal Press (WA) - English 9781580050319 Reviews:
"Publishers Weekly Review" by , "Some may consider the hippie counterculture a bust, but the dynamic young women whose personal essays appear in this collection illustrate that it did create a subculture of strong individuals. By turns angry, sentimental and wary, the daughters of this cultural revolution meditate on the impact of their parents' choices. Zappa sets the tone in her energetic but scattered prologue celebrating individual difference. Editor Cain captures the muddy emotional landscape experienced by many girls who "live between two worlds"; her jaded yet clever report on today's Rainbow Gatherings, where folks drink camp coffee but crave cappuccino, is a highlight. In a coarse polemic, Elizabeth Sh rages against the free love that left her without boundaries: free to do anything "[b]ut not free to say no." Cecily Schmidt gently tries to find her place in the counterculture as she poetically honors her quiet parents, who instilled in her a love of the land and a powerful sense of self. Veggie diets, too much pot and persistent poverty drove many hippies back into the mainstream, although some of their children didn't accompany them. As a group, these voices, which join those of other notable hippie kids, such as Jedidiah Purdy and Lisa Michaels (whose Split: A Counterculture Childhood is excerpted in this volume), are a powerful sign that a change may still be coming. This mixed bag is a worthwhile document from a great, if troubled, experiment." Publishers Weekly
"Synopsis" by , Tofu casseroles, communes, clothing-optional kindergarten, antiwar protests--these are just a few of the hallmarks of a counterculture childhood. In "Wild Child, " daughters of the hippie generation speak about the legacy of their early lives. 20 photos.
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