Ben Marcus's books The Age of Wire and String and Notable American Women were considered "experimental" fiction because of his unconventional use of...
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Since Marco Polos explorations and Montaignes travels, a lively dialogue has persisted about travels pros and cons — its excitement, novelties, perils, and misadventures. Lynne Sharon Schwartz joins this dialogue with a memoir that raises serious and amusing questions.
Not Now, Voyager takes us on a voyage of self-discovery as the author traces how travel shaped her. She visits Miami Beach as an adolescent with an aunt and uncle and confronts the sensation of not belonging; she goes to Rome as a young woman and ponders the difference between ignorance and innocence; she ventures to Jamaica and witnesses acute political and social unrest; and she takes a family road trip to Montreal and watches her daughters come to their own startling realizations.
In this memoir, Schwartzs history takes on new shapes, and her feelings about travel change as she does. Her story exemplifies a mode of travel: the mind on a journey, pausing, sometimes by design, sometimes by serendipity, lingering, backtracking, but always on the move.
Since Marco Polos explorations and Montaignes travels, a lively dialogue has persisted about travels pros and cons — its excitement, novelties, perils, and misadventures. Lynne Sharon Schwartz joins this dialogue with a memoir that raises serious and amusing questions.
Not Now, Voyager takes us on a voyage of self-discovery as the author traces how travel shaped her. She visits Miami Beach as an adolescent with an aunt and uncle and confronts the sensation of not belonging; she goes to Rome as a young woman and ponders the difference between ignorance and innocence; she ventures to Jamaica and witnesses acute political and social unrest; and she takes a family road trip to Montreal and watches her daughters come to their own startling realizations.
In this memoir, Schwartzs history takes on new shapes, and her feelings about travel change as she does. Her story exemplifies a mode of travel: the mind on a journey, pausing, sometimes by design, sometimes by serendipity, lingering, backtracking, but always on the move.
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