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The Importance of Being Iceland: Travel Essays in Art

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The Importance of Being Iceland: Travel Essays in Art Cover

ISBN13: 9781584350668
ISBN10: 1584350660
All Product Details

 

Synopses & Reviews

Publisher Comments:

Poet and post-punk heroine Eileen Myles has always operated in the art, writing, and queer performance scenes as a kind of observant flaneur. Like Baudelaire's gentleman stroller, Myles travels the city — wandering on garbage-strewn New York streets in the heat of summer, drifting though the antiseptic malls of La Jolla, and riding in the van with Sister Spit — seeing it with a poet's eye for detail and with the consciousness that writing about art and culture has always been a social gesture. Culled by the poet from twenty years of art writing, the essays in The Importance of Being Iceland make a lush document of her — and our — lives in these contemporary crowds.

Synopsis:

A poet and post-punk heroine writes on subjects ranging from Bjork to Robert Smithson, from traveling in Iceland to walking in Thoreau's footsteps on Cape Cod.

Synopsis:

Framed by Myles's account of her travels in Iceland, these essays posit inbetweenness as the most vital position from which to perceive culture as a whole, and a fluidity in national identity as the best model for writing and thinking about art and culture.

The essays include fresh takes on Thoreau's Cape Cod walk, working class speech, James Schulyer and Bjork, queer Russia and Robert Smithson; how-tos on writing an avant-garde poem and driving a battered Japanese car that resembles a menopausal body; and opinions on such widely ranging subjects as filmmaker Sadie Benning, actor Daniel Day-Lewis, Ted Berrigan's Sonnets, and flossing.

Synopsis:

Poet and post-punk heroine Eileen Myles has always operated in the art, writing, and queer performance scenes as a kind of observant flaneur. Like Baudelaire's gentleman stroller, Myles travels the city--wandering on garbage-strewn New York streets in the heat of summer, drifting though the antiseptic malls of La Jolla, and riding in the van with Sister Spit--seeing it with a poet's eye for detail and with the consciousness that writing about art and culture has always been a social gesture. Culled by the poet from twenty years of art writing, the essays in The Importance of Being Iceland make a lush document of her--and our--lives in these contemporary crowds. Framed by Myles's account of her travels in Iceland, these essays posit inbetweenness as the most vital position from which to perceive culture as a whole, and a fluidity in national identity as the best model for writing and thinking about art and culture. The essays include fresh takes on Thoreau's Cape Cod walk, working class speech, James Schulyer and Björk, queer Russia and Robert Smithson; how-tos on writing an avant-garde poem and driving a battered Japanese car that resembles a menopausal body; and opinions on such widely ranging subjects as filmmaker Sadie Benning, actor Daniel Day-Lewis, Ted Berrigan's Sonnets, and flossing.

Synopsis:

Poet and post-punk hero Eileen Myles has always operated in the art, writing, and queer performance scenes as a kind of observant

About the Author

Eileen Myles, named by BUST magazine "the rock star of modern poetry," is the author of more than twenty books of poetry and prose, including Chelsea Girls, Cool for You, Sorry, Tree, and Not Me (Semiotext(e), 1991), and is the coeditor of The New Fuck You (Semiotext(e), 1995). Myles was head of the writing program at University of California, San Diego, from 2002 to 2007, and she has written extensively on art and writing and the cultural scene. Most recently, she received a fellowship from the Andy Warhol/Creative Capital Foundation.

What Our Readers Are Saying

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Average customer rating based on 1 comment:

S Holladay, November 7, 2014 (view all comments by S Holladay)
Don't get me wrong, I wanted to go to Iceland before I read this book, but NOW I REALLY WANT TO GO TO ICELAND. Myles' the poet's prose is verbal as all get out and her essays read like she's right there speaking to you. A good companion to Mary Ruefle's Madness, Rack, and Honey.
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Product Details

ISBN:
9781584350668
Subtitle:
Travel Essays in Art
Author:
Myles, Eileen
Author:
Semiotext(e)
Publisher:
Semiotext(e)
Location:
Cambridge
Subject:
Criticism
Subject:
American - General
Subject:
Criticism -- Theory.
Subject:
Art-Theory and Criticism
Copyright:
Edition Description:
Trade paper
Series:
Semiotext(e) / Active Agents The Importance of Being Iceland
Publication Date:
20090605
Binding:
Paperback
Grade Level:
from 17
Language:
English
Illustrations:
Y
Pages:
368
Dimensions:
9 x 6 x 1 in 1.25 lb

Related Subjects

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History and Social Science » Military » Strategy Tactics and Deception

The Importance of Being Iceland: Travel Essays in Art New Trade Paper
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Product details 368 pages MIT Press (MA) - English 9781584350668 Reviews:
"Synopsis" by , A poet and post-punk heroine writes on subjects ranging from Bjork to Robert Smithson, from traveling in Iceland to walking in Thoreau's footsteps on Cape Cod.
"Synopsis" by , Framed by Myles's account of her travels in Iceland, these essays posit inbetweenness as the most vital position from which to perceive culture as a whole, and a fluidity in national identity as the best model for writing and thinking about art and culture.

The essays include fresh takes on Thoreau's Cape Cod walk, working class speech, James Schulyer and Bjork, queer Russia and Robert Smithson; how-tos on writing an avant-garde poem and driving a battered Japanese car that resembles a menopausal body; and opinions on such widely ranging subjects as filmmaker Sadie Benning, actor Daniel Day-Lewis, Ted Berrigan's Sonnets, and flossing.

"Synopsis" by , Poet and post-punk heroine Eileen Myles has always operated in the art, writing, and queer performance scenes as a kind of observant flaneur. Like Baudelaire's gentleman stroller, Myles travels the city--wandering on garbage-strewn New York streets in the heat of summer, drifting though the antiseptic malls of La Jolla, and riding in the van with Sister Spit--seeing it with a poet's eye for detail and with the consciousness that writing about art and culture has always been a social gesture. Culled by the poet from twenty years of art writing, the essays in The Importance of Being Iceland make a lush document of her--and our--lives in these contemporary crowds. Framed by Myles's account of her travels in Iceland, these essays posit inbetweenness as the most vital position from which to perceive culture as a whole, and a fluidity in national identity as the best model for writing and thinking about art and culture. The essays include fresh takes on Thoreau's Cape Cod walk, working class speech, James Schulyer and Björk, queer Russia and Robert Smithson; how-tos on writing an avant-garde poem and driving a battered Japanese car that resembles a menopausal body; and opinions on such widely ranging subjects as filmmaker Sadie Benning, actor Daniel Day-Lewis, Ted Berrigan's Sonnets, and flossing.
"Synopsis" by , Poet and post-punk hero Eileen Myles has always operated in the art, writing, and queer performance scenes as a kind of observant
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