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Before You Suffocate Your Own Fool Selfby Danielle Evans
Synopses & Reviews
Introducing a new star of her generation, an electric debut story collection about young African-American and mixed-race teens, women, and men struggling to find a place in their families and communities.
When Danielle Evans's short story "Virgins" was published in The Paris Review in late 2007, it announced the arrival of a bold new voice. Written when she was only twenty-three, Evans's story of two black, blue-collar fifteen-year-old girls' flirtation with adulthood for one night was startling in its pitch-perfect examination of race, class, and the shifting terrain of adolescence.
Now this debut collection delivers on the promise of that early story. In "Harvest," a college student's unplanned pregnancy forces her to confront her own feelings of inadequacy in comparison to her white classmates. In "Jellyfish," a father's misguided attempt to rescue a gift for his grown daughter from an apartment collapse magnifies all he doesn't know about her. And in "Snakes," the mixed-race daughter of intellectuals recounts the disastrous summer she spent with her white grandmother and cousin, a summer that has unforeseen repercussions in the present.
Striking in their emotional immediacy, the stories in Before You Suffocate Your Own Fool Self are based in a world where inequality is reality but where the insecurities of adolescence and young adulthood, and the tensions within family and the community, are sometimes the biggest complicating forces in one's sense of identity and the choices one makes.
"The territory Evans covers in her debut collection may be small, but she owns it. Her main characters are almost all teen girls and young women who struggle with disorder, and the reader is given close access to each one's interior, from which the muted plots originate. 'Jellyfish,' one of the better stories, starts out with the plight of middle-aged William, whose roof has just collapsed, before settling on his adult daughter, Eva, and examining her life. The two friends in 'Virgins,' the opening and best story, maneuver unsteadily through the minefield of casually predatory men and boys. 'Snakes' looks back on a consequential summer in the lives of two little girls. 'The King of a Vast Empire' is the biggest departure from form and is narrated by good son Terrence, who frustratedly tells the story of his free-spirited sister, Liddie. The stories are beautifully observed, though their similarities in theme and voice make them better read individually than together. Evans has some great chops that would really shine with a little more narrative breadth. (Sept.)" Publishers Weekly (Copyright PWyxz LLC)
This electric debut story collection focuses on African-American and mixed-race teens, women, and men struggling to find their place. Striking in their emotional immediacy, the tales are based in a world where insecurities of adolescence and young adulthood, and the tensions within family are the biggest complicating forces in one's sense of identity and the choices one makes.
The debut of a "striking" new voice in fiction (Entertainment Weekly)
Before You Suffocate Your Own Fool Self offers a bold new perspective on the experience of being young and African-American or mixed-race in modern-day America.
In each of her stories, Danielle Evans explores the non-white American experience with honesty, wisdom, and humor. They are striking in their emotional immediacy, based in a world where inequality is a reality, but the insecurities of young adulthood and tensions within family are often the more complicating factors.
One of the most lauded debuts of the year, Before You Suffocate Your Own Fool Self announces a major new talent in Danielle Evans.
About the Author
Danielle Evans is a graduate of Columbia University and the Iowa Writers' Workshop. Her stories have appeared in The Paris Review, A Public Space, and The Best American Short Stories 2008.
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