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Come on Shore and We Will Kill and Eat You All: A New Zealand Storyby Christina Thompson
Synopses & Reviews
An extraordinary love story between a Maori man and an American woman, that inspires a graceful, revelatory search for understanding about the centuries-old collision of two wildly different cultures.
Come on Shore and We Will Kill and Eat You All is the story of the cultural collision between Westerners and the Maoris of New Zealand, told partly as a history of the complex and bloody period of contact between Europeans and the Maoris in the late eighteenth and early nineteenth centuries, and partly as the story of Christina Thompsons marriage to a Maori man. As an American graduate student studying literature in Australia, Thompson traveled on vacation to New Zealand, where she met a Maori known as “Seven.” Their relationship was one of opposites: he was a tradesman, she an intellectual; he came from a background of rural poverty, she from one of middle-class privilege; he was a “native,” she descended directly from “colonizers.” Nevertheless, they shared a similar sense of adventure and a willingness to depart from the customs of their families and forge a life together on their own.
In this extraordinary book, which grows out of decades of research, Thompson explores the meaning of cross-cultural contact and the fascinating history of Europeans in the South Pacific, beginning with Abel Tasmans discovery of New Zealand in 1642 and James Cooks famous circumnavigations of 1769-79. Transporting us back and forth in time and around the world, from Australia to Hawaii to tribal NewZealand and finally to a house in New England that has ghosts of its own, Come on Shore and We Will Kill and Eat You All brings to life a lush variety of characters and settings. Yet at its core, it is the story of two
people who, in making a life and a family together, bridge the gap between two worlds.
"In this unusual hybrid of history and memoir, Harvard Review editor Thompson examines the historical collisions between Westerners and Maoris through the lens of her marriage to a Maori man. As an American grad student in Australia, Thompson met her husband-to-be, known as 'Seven,' while on vacation in New Zealand. She was petite, blonde and intellectual; he was large, dark and working-class. Yet within a short time, they had married and started a family. Their relationship, and her scholarship, took them back and forth across the Pacific, until they finally settled in her family's New England home outside Boston. Thompson's deep knowledge of the history of Europeans in the Pacific allows her to trace the misunderstandings and stereotypes that have marked perceptions of Polynesians up to the present day. A sensitive observer and polished stylist, Thompson is never dully tendentious or dogmatic. The narrative moves smoothly by way of well-told anecdotes both personal and historical. At times, Thompson covers so much territory — there's a stray chapter about her family's interactions with Native Americans in Minnesota — that it can feel like she's trying to do too much, yet her prose never disappoints. Seven, the man at the center of the book, remains pleasingly opaque, as if Thompson is saying that we can never know completely even those we love best. (July)" Publishers Weekly (Copyright Reed Business Information, Inc.)
“A multilayered, highly informative and insightful book that blends memoir, historical and travel narrative…vivid and meticulously researched.”—San Francisco Chronicle
In this involving, compassionate memoir, Christina Thompson tells the story of her romance and eventual marriage to a Maori man, interspersing it with a narrative history of the cultural collision between Westerners and the Maoris of New Zealand.
About the Author
Christina Thompson is the editor of Harvard Review. Her essays and articles have appeared in numerous journals, including American Scholar, the Journal of Pacific History, Australian Literary Studies, and in the 1999, 2000, and 2006 editions of Best Australian Essays. She lives near Boston with her family.
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