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Spanish Screen Fiction: Between Cinema and Television

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Spanish Screen Fiction: Between Cinema and Television Cover

 

Synopses & Reviews

Publisher Comments:

This pioneering book is the first to argue that cinema and television in Spain only make sense when considered together as twin vehicles for screen fiction. The Spanish audiovisual sector is now one of the most successful in the world, with feature films achieving wider distribution in foreign markets than nations with better known cinematic traditions and newly innovative TV formats, already dominant at home, now widely exported. Beyond the industrial context, which has seen close convergence of the two media, this book also examines the textual evidence for crossover between cinema and television at the level of narrative and form. The book, which is of interest to both Hispanic and media studies, gives new readings of some well-known texts and discovers new or forgotten ones. For example it compares Almodóvar's classic feature Mujeres al borde de un ataque de nervios ('Women on the Verge of a Nervous Breakdown') with his production company El Deseo's first venture into TV production, the 2006 series also known as Mujeres ('Women'). It also reclaims the lost history of female flat share comedy on Spanish TV from the 1960s to the present day.

It examines a wide range of prize winning workplace drama on TV, from police shows, to hospital and legal series. Amenábar's Mar adentro ('The Sea Inside') an Oscar-winning film on the theme of euthanasia, is contrasted with its antecedent, an episode of national network Tele5's top-rated drama Periodistas. The book also traces the attempt to establish a Latin American genre, the telenovela, in the very different context of Spanish scheduling. Finally it proposes two new terms: 'Auteur TV' charts the careers of creators who have established distinctive profiles in television over decades; 'sitcom cinema' charts, conversely, the incursion of television aesthetics and economics into the film comedies that have proved amongst the most popular features at the Spanish box office in the last decade.

Synopsis:

This pioneering volume argues that cinema and television in Spain only make sense when considered together as twin vehicles for the screen fiction that has come to dominate the twenty-first century. Offering comparative readings of films such as Pedro Almodóvars classic Women on the Verge of a Nervous Breakdown with his production companys first foray into television production—a 2006 series called Women—alongside prize-winning workplace dramas watched by thousands on Spanish television, Alejandro Amenábars The Sea Inside, and the attempts to establish the dominant Latin American genre of the telenovela in the very different context of Spanish television.

About the Author

Paul Julian Smith is a professor of Spanish at the University of Cambridge. He is the author of over fourteen books and a regular contributor to Sight & Sound and The Guardians film blog, as well as a founding editor of the Journal of Spanish Cultural Studies.

Table of Contents

List of Illustrations

Acknowledgements

Introduction: Between Cinema and Television

City Girls I: Almodóvar's Women on Film and Television

City Girls II: Television's Urban Women, Pre- and Post-Almodóvar

Crime Scenes: Police Drama on Television

Dramatic Professions: Workplace Fiction on Television

Two Suicides and a Funeral: The Euthanasia Debate on Film and Television

Transnational Telenovela: From Mexico to Madrid, via Barcelona

Auteur TV: Case Studies in Creativity

Sitcom Cinema: Case Studies in Convergence

Index

Product Details

ISBN:
9781846312021
Author:
Smith, Paul Julian
Publisher:
Liverpool University Press
Subject:
Ethnic Studies - General
Subject:
Film & Video - General
Subject:
Ethnic Studies
Subject:
Film - History & Criticism
Edition Description:
Paperback
Series:
Liverpool University Press - Contemporary French & Francophone Cultures
Series Volume:
3
Publication Date:
20091131
Binding:
TRADE PAPER
Language:
English
Illustrations:
22 b/w illustrations
Pages:
256
Dimensions:
9 x 6 in

Related Subjects

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Arts and Entertainment » Film and Television » World Cinema
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Science and Mathematics » Nature Studies » Birds » General
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Spanish Screen Fiction: Between Cinema and Television New Trade Paper
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Product details 256 pages Liverpool University Press - English 9781846312021 Reviews:
"Synopsis" by ,

This pioneering volume argues that cinema and television in Spain only make sense when considered together as twin vehicles for the screen fiction that has come to dominate the twenty-first century. Offering comparative readings of films such as Pedro Almodóvars classic Women on the Verge of a Nervous Breakdown with his production companys first foray into television production—a 2006 series called Women—alongside prize-winning workplace dramas watched by thousands on Spanish television, Alejandro Amenábars The Sea Inside, and the attempts to establish the dominant Latin American genre of the telenovela in the very different context of Spanish television.

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