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1 Burnside Graphic Novels- General

Too Cool to Be Forgotten

by

Too Cool to Be Forgotten Cover

ISBN13: 9781891830983
ISBN10: 1891830988
Condition: Standard
All Product Details

Only 1 left in stock at $5.50!

 

Synopses & Reviews

Publisher Comments:

From the critically-acclaimed cartoonist behind Box Office Poison and Tricked comes the delightful 2 Cool 2 B 4Gotten, a story of second chances. Andy Wicks is a forty-something father of two who's making one final attempt to quit smoking: hypnosis. He's skeptical it will work, but is stunned to find that when he emerges from his trance, he's fifteen years old - and it's 1985! Is he doomed to relive the worst four years of his life or will this second go-round finally give him the answers he's been missing all his life? If nothing else he'll finally get to ask out Marie Simone from history class...

Review:

"Robinson (Box Office Poison, Tricked) returns with his latest, a high-concept graphic novella. In 2010, mild-mannered software engineer Andrew Wicks goes to a hypnotist to quit smoking, but wakes up from his trance to find himself in high school in 1985. While the 'Peggy Sue Quits Smoking' premise could have been disastrous, with this slim volume, Robinson cements his reputation as a master cartoonist. The art is exceptional. His characters are all visually distinct, with subtle facial expressions and body language. He uses layout and even lettering to establish mood and keep the reader firmly fixed through complicated shifts in time, place and perception. Two sequences — the initial hypnosis scene and a later confrontation between two characters — are bravura performances, using innovative but still clear ways of depicting complicated inner monologues. Unfortunately, while Robinson has mastered the 'graphic,' his skill with the 'novel' lags behind, with some wordy dialogue and occasional narrative clunkers: one piece of foreshadowing is so clumsy it reads better as a typographical error. When Robinson the writer catches up with Robinson the artist, watch out. Even with its flaws, this is still a master class in graphic storytelling. (July)" Publishers Weekly (Copyright Reed Business Information, Inc.)

What Our Readers Are Saying

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Average customer rating based on 1 comment:

P.M. Bradshaw, February 23, 2015 (view all comments by P.M. Bradshaw)
Alex Robinson is a good writer/artist to introduce people to comics that DON'T include capes.

This story revolves around a man who wants to quit smoking. Along the way, we're introduced to his angsty trip through high school, his father, and how all these things are tied together. His teenage years inform his adult years in ways that are both obvious and not so obvious.

A little heavy-handed at times, it's still a good story and a powerful one at that.
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Product Details

ISBN:
9781891830983
Author:
Robinson, Alex
Publisher:
Top Shelf Productions
Author:
Top Shelf Productions
Subject:
General
Subject:
High schools
Subject:
Time travel
Subject:
Graphic Novels - General
Copyright:
Publication Date:
20080731
Binding:
Paperback
Grade Level:
General/trade
Language:
English
Illustrations:
YES
Pages:
125
Dimensions:
7.60x5.50x.60 in. .60 lbs.

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Related Subjects


Children's » Animals » Animal Stories » General
Fiction and Poetry » Graphic Novels » Alternative
Fiction and Poetry » Graphic Novels » General
Religion » Comparative Religion » General

Too Cool to Be Forgotten Used Hardcover
0 stars - 0 reviews
$5.50 In Stock
Product details 125 pages Top Shelf Productions - English 9781891830983 Reviews:
"Publishers Weekly Review" by , "Robinson (Box Office Poison, Tricked) returns with his latest, a high-concept graphic novella. In 2010, mild-mannered software engineer Andrew Wicks goes to a hypnotist to quit smoking, but wakes up from his trance to find himself in high school in 1985. While the 'Peggy Sue Quits Smoking' premise could have been disastrous, with this slim volume, Robinson cements his reputation as a master cartoonist. The art is exceptional. His characters are all visually distinct, with subtle facial expressions and body language. He uses layout and even lettering to establish mood and keep the reader firmly fixed through complicated shifts in time, place and perception. Two sequences — the initial hypnosis scene and a later confrontation between two characters — are bravura performances, using innovative but still clear ways of depicting complicated inner monologues. Unfortunately, while Robinson has mastered the 'graphic,' his skill with the 'novel' lags behind, with some wordy dialogue and occasional narrative clunkers: one piece of foreshadowing is so clumsy it reads better as a typographical error. When Robinson the writer catches up with Robinson the artist, watch out. Even with its flaws, this is still a master class in graphic storytelling. (July)" Publishers Weekly (Copyright Reed Business Information, Inc.)
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