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1 Burnside Graphic Novels- Manga

A Drifting Life

by Yoshihiro Tatsumi

A Drifting Life Cover

ISBN13: 9781897299746
ISBN10: 1897299745
Condition: Standard
All Product Details

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Synopses & Reviews

Publisher Comments:

The epic autobiography of a manga master

Acclaimed for his visionary short-story collections The Push Man and Other Stories, Abandon the Old in Tokyo, and Good-Bye—originally created nearly forty years ago, but just as resonant now as ever—the legendary Japanese cartoonist Yoshihiro Tatsumi has come to be recognized in North America as a precursor of todays graphic novel movement. A Drifting Life is his monumental memoir eleven years in the making, beginning with his experiences as a child in Osaka, growing up as part of a country burdened by the shadows of World War II.

Spanning fifteen years from August 1945 to June 1960, Tatsumis stand-in protagonist, Hiroshi, faces his fathers financial burdens and his parents failing marriage, his jealous brothers deteriorating health, and the innumerable pitfalls that await him in the competitive manga market of mid-twentieth-century Japan. He dreams of following in the considerable footsteps of his idol, the manga artist Osamu Tezuka (Astro Boy, Apollos Song, Ode to Kirihito, Buddha)—with whom Tatsumi eventually became a peer and, at times, a stylistic rival. As with his short-story collection, A Drifting Life is designed by Adrian Tomine.

Review:

"Tatsumi revolutionized manga in the 1950s, inventing gekiga — seething, slice-of-life stories about emotional crises. In this elephantine memoir (in which he barely disguises himself as 'Hiroshi Katsumi'), he tells the story of his early years in the comics business, from his teenage obsession with entering postwar magazines' reader-cartoon contests and poring over Osamu Tezuka's comics to the brief late-'50s heyday of the gekiga workshop over which he presided. It's also a history of Japan in that era, filtered through Tatsumi's own experience — the sound of cicadas is a recurring symbol of portentousness — and packed with digressions on cartooning technique, the movies and prose fiction that inspired him, and his nervous flirtations with women; the passage of time is marked by illustrated factoids about each year's headlines. Tatsumi's visual technique is very much a product of an earlier generation — his characters' faces are simple, broad caricatures — but the mastery he's gained in half a century of cartooning comes through in his immaculate staging and composition. Readers curious about Japanese comics history may find the book's wealth of detail fascinating; for the most part, though, Tatsumi's vivid, graceful dramatizations of the period's shifting business and creative alliances don't quite justify the tedious, repetitive hybrid of bildungsroman and industry time line he's created." Publishers Weekly (Copyright Reed Business Information, Inc.)

About the Author

Born in 1935, Yoshihiro Tatsumi began writing and drawing comics for a sophisticated adult readership in a realistic style he called Gekiga. He has influenced generations of cartoonists and lives in Japan.

What Our Readers Are Saying

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Average customer rating based on 1 comment:

MAA, November 24, 2009 (view all comments by MAA)
Highly recommended. Masterful account of postwar Japan and the development of manga. The title is slightly misleading - transliterations often don't come across quite the same as in the original language. Tatsumi doesn't 'drift' so much as 'go with the flow' ... This translation makes it much easier for those not intimately familiar with manga to access and understand this important contribution to world literature. Stands with the best Japanese to English translations, like Studio Proteus with Dark Horse in the 90s -- reads left to right/front to back, the dialogue makes perfect sense in American English, many of the Japanese character signs and sound effects are translated, and the work is published on better quality paper in larger format (Oh My Goddess! and Gunsmith Cats are but 2 examples - compare the 90s editions with some more recent). Perhaps I am 'old school', but I find this production much, much better than most current 'manga' - which simply takes the flipped right-to-left pages in Japanese, gives a cursory translation, and prints on small, lower quality paper. The few drawbacks here are mere quibbles beside the monumental effort put into this work: some of the further translations of 'minor' panel material listed at the very end could - & should - have been given in or near the panel, especially the extended translations of 2 key pieces of correspondence - the gekiga manifesto, and the plea regarding collective action. And the length does present a challenge, but I found it wonderful to put it down from time to time, and reflect upon the development of the characters, and the backdrop of history. As I've gotten older, I rarely read more than 100 pages of anything -- if they haven't come to the point, I move on to the next book. This was a major exception -- the 'point' was the slowly developing, unfolding, of a young man, and a nation rising from the ashes. The length is necessary to convey the breadth & depth of this process in the fullness of time. Well worth pondering ...
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Product Details

ISBN:
9781897299746
Author:
Tatsumi, Yoshihiro
Publisher:
Drawn & Quarterly
Designed:
Tomine, Adrian
Author:
Tomine, Adrian
Subject:
CGN000000
Subject:
General
Subject:
Personal Memoirs
Subject:
BIO026000
Subject:
Nonfiction
Subject:
Graphic Novels
Subject:
Comic books, strips, etc.
Subject:
Graphic Novels-Nonfiction
Copyright:
Edition Description:
Trade Paperback
Publication Date:
20090431
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Illustrations:
Black-and-White Illustrations Throughout
Pages:
840
Dimensions:
8.50 x 6.50 in

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A Drifting Life Used Trade Paper
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Product details 840 pages Drawn & Quarterly - English 9781897299746 Reviews:
"Publishers Weekly Review" by , "Tatsumi revolutionized manga in the 1950s, inventing gekiga — seething, slice-of-life stories about emotional crises. In this elephantine memoir (in which he barely disguises himself as 'Hiroshi Katsumi'), he tells the story of his early years in the comics business, from his teenage obsession with entering postwar magazines' reader-cartoon contests and poring over Osamu Tezuka's comics to the brief late-'50s heyday of the gekiga workshop over which he presided. It's also a history of Japan in that era, filtered through Tatsumi's own experience — the sound of cicadas is a recurring symbol of portentousness — and packed with digressions on cartooning technique, the movies and prose fiction that inspired him, and his nervous flirtations with women; the passage of time is marked by illustrated factoids about each year's headlines. Tatsumi's visual technique is very much a product of an earlier generation — his characters' faces are simple, broad caricatures — but the mastery he's gained in half a century of cartooning comes through in his immaculate staging and composition. Readers curious about Japanese comics history may find the book's wealth of detail fascinating; for the most part, though, Tatsumi's vivid, graceful dramatizations of the period's shifting business and creative alliances don't quite justify the tedious, repetitive hybrid of bildungsroman and industry time line he's created." Publishers Weekly (Copyright Reed Business Information, Inc.)
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