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Q&A | February 27, 2014

Rene Denfeld: IMG Powell’s Q&A: Rene Denfeld



Describe your latest book. The Enchanted is a story narrated by a man on death row. The novel was inspired by my work as a death penalty... Continue »
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    The Enchanted

    Rene Denfeld 9780062285508

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Playing to the Camera: Musicians and Musical Performance in Documentary Cinema (Nonfictions)

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Playing to the Camera: Musicians and Musical Performance in Documentary Cinema (Nonfictions) Cover

 

Synopses & Reviews

Synopsis:

"Playing to the Camera" is the first full-length study devoted to the musical performance documentary. Its scope ranges from music education films to punk rock concert films to experimental video art featuring modernist music. Unlike the 'music under' produced for movies by anonymous musicians sequestered in recording studios, on-screen 'live' performances remind us of the relation between music and the bodies that produce it. Leaving aside analysis of the film score to explore the link between moving images and musical movement as physical gesture, this volume asks why performance has so often been derided as a mere skill whereas composition is afforded the status of art, a question that opens onto a broader critique of attitudes regarding mental and physical labor in Western culture.

Product Details

ISBN:
9781906660222
Author:
Cohen, Thomas
Publisher:
Wallflower Press
Author:
Cohen, Thomas F.
Subject:
Asian - General
Subject:
Film & Video - History & Criticism
Subject:
Literature-A to Z
Copyright:
Publication Date:
20120331
Binding:
TRADE PAPER
Language:
English
Pages:
224

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Playing to the Camera: Musicians and Musical Performance in Documentary Cinema (Nonfictions) New Trade Paper
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Product details 224 pages Wallflower Press - English 9781906660222 Reviews:
"Synopsis" by , "Playing to the Camera" is the first full-length study devoted to the musical performance documentary. Its scope ranges from music education films to punk rock concert films to experimental video art featuring modernist music. Unlike the 'music under' produced for movies by anonymous musicians sequestered in recording studios, on-screen 'live' performances remind us of the relation between music and the bodies that produce it. Leaving aside analysis of the film score to explore the link between moving images and musical movement as physical gesture, this volume asks why performance has so often been derided as a mere skill whereas composition is afforded the status of art, a question that opens onto a broader critique of attitudes regarding mental and physical labor in Western culture.
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