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Legitimate Dangers: American Poets of the New Century

by Michael Dumanis

Legitimate Dangers: American Poets of the New Century Cover

 

Synopses & Reviews

Publisher Comments:

This groundbreaking anthology offers a broad and representative introduction to some of the most exciting, fresh voices on the contemporary poetry landscape by gathering together generous selections from the work of 85 younger American poets.

The poets selected were born after 1960, published their first book within the last 10 years, and have no more than three books published. Some are the recipients of numerous awards, while others, who are making their first appearance, are quickly making significant contributions to twenty-first-century poetry.

The poets include Rick Barot, Joshua Beckman, David Berman, Nick Flynn, Matthea Harvey, Terrance Hayes, Major Jackson, James Kimbrell, D.A. Powell, Spencer Reece, Matthew Rohrer, Rebecca Wolff, Kevin Young, Matthew Zapruder, Andrew Zawacki, and many others.

Review:

"How does one communicate the intersection of life and the imagination-its sources, questions and preoccupations? This anthology of new American poets variously, and more often than not, exquisitely explores this puzzle. Comprised of discordant voices-85, to be exact-from the gritty, near-confessional wordplay of Olena Kalytiak Davis and Paisley Rekdal to the terse experiments and mini-saga prose poems of Matthea Harvey and Joel Brouwer, this anthology uncaps the concerns of contemporary life, releasing vapors to mix with the contemporary imagination. (Or, life and imagination as perceived by poets under age 45 and with three or fewer books-for better or worse, the anthology's selection criteria). The imagination rests, as with as with Oni Buchanan's exploration of love-as-yak, or, in Carrie St. George Comer's poems, reels in memory. Other times, emboldened by language, the imagination 'weaves / the world together with a quicker blur of armed / seduction' (Brenda Shaughnessy, 'Postfeminism'). Even the titles (compare Maurice Manning's 'On God' to Timothy Donnelly's 'Twenty-Seven Props for a production of Eine Lebenszeit') reveal the historical, philosophical and aesthetic sources of these poems that often speak to 'you,' the 'Bare-faced, flint-hearted, recoilless / Reader' (Olena Kalytiak Davis, 'sweet reader, flannelled and tulled'), inviting intimacy, assuming courage and requiring immersion in the moment." Publishers Weekly (Copyright Reed Business Information, Inc.)

Synopsis:

Definitive, broadly representative anthology of poets born after 1960

Product Details

ISBN:
9781932511291
Editor:
Marvin, Cate
Editor:
Dumanis, Michael
Foreword by:
Doty, Mark
Foreword:
Doty, Mark
Editor:
Dumanis, Michael
Editor:
Marvin, Cate
Author:
S
Author:
Marvin, Cate
Author:
Dumanis, Michael
Author:
Michael Dumani
Publisher:
Sarabande Books
Subject:
American - General
Subject:
Anthologies (multiple authors)
Subject:
American poetry
Subject:
21st century
Subject:
Poetry -Anthologies
Publication Date:
20060131
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Illustrations:
Y
Pages:
491
Dimensions:
9.00 x 6.00 in

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Legitimate Dangers: American Poets of the New Century New Trade Paper
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Product details 491 pages Sarabande Books - English 9781932511291 Reviews:
"Publishers Weekly Review" by , "How does one communicate the intersection of life and the imagination-its sources, questions and preoccupations? This anthology of new American poets variously, and more often than not, exquisitely explores this puzzle. Comprised of discordant voices-85, to be exact-from the gritty, near-confessional wordplay of Olena Kalytiak Davis and Paisley Rekdal to the terse experiments and mini-saga prose poems of Matthea Harvey and Joel Brouwer, this anthology uncaps the concerns of contemporary life, releasing vapors to mix with the contemporary imagination. (Or, life and imagination as perceived by poets under age 45 and with three or fewer books-for better or worse, the anthology's selection criteria). The imagination rests, as with as with Oni Buchanan's exploration of love-as-yak, or, in Carrie St. George Comer's poems, reels in memory. Other times, emboldened by language, the imagination 'weaves / the world together with a quicker blur of armed / seduction' (Brenda Shaughnessy, 'Postfeminism'). Even the titles (compare Maurice Manning's 'On God' to Timothy Donnelly's 'Twenty-Seven Props for a production of Eine Lebenszeit') reveal the historical, philosophical and aesthetic sources of these poems that often speak to 'you,' the 'Bare-faced, flint-hearted, recoilless / Reader' (Olena Kalytiak Davis, 'sweet reader, flannelled and tulled'), inviting intimacy, assuming courage and requiring immersion in the moment." Publishers Weekly (Copyright Reed Business Information, Inc.)
"Synopsis" by , Definitive, broadly representative anthology of poets born after 1960
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