When I have a writing deadline approaching, you'll probably find me in the kitchen. It's horrible, I know, but when I work with a deadline, I tend...
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McSweeney's began in 1998 as a literary journal, edited by Dave Eggers, which published only works rejected from other magazines. But after the first issue, the journal began to publish pieces written with McSweeney's in mind. Soon after, McSweeney's attracted works from some of the finest writers in the country, including David Foster Wallace, Ann Cummins, Rick Moody, Heidi Julavits, Jonathan Lethem, William T. Vollmann, and many new talents. Today, McSweeney's has grown to be one of the country's best and largest-circulation literary journals. The journal is committed to finding new voices, publishing work of gifted but underappreciated writers, and pushing the literary form forward at all times.
Synopsis:
Featuring new work by Wells Tower, Michael Cera, and Etgar Keret, along with as always a bevy of lesser-known but nonetheless excellent writers investigating everything from mental hospitals to sentient mists, and possibly some kind of poster, Issue 30 warrants every ounce of attention and industry you'll give it, even if you are very important and your time is valuable--even if the fate of nations rests on your weary shoulders. You should still read Issue 30.
McSweeney's began in 1998 as a literary journal, edited by Dave Eggers, which published only works rejected from other magazines. But after the first issue, the journal began to publish pieces written with McSweeney's in mind. Soon after, McSweeney's attracted works from some of the finest writers in the country, including David Foster Wallace, Ann Cummins, Rick Moody, Heidi Julavits, Jonathan Lethem, William T. Vollmann, and many new talents. Today, McSweeney's has grown to be one of the country's best and largest-circulation literary journals. The journal is committed to finding new voices, publishing work of gifted but underappreciated writers, and pushing the literary form forward at all times.
"Synopsis"
by Firebrand,
Featuring new work by Wells Tower, Michael Cera, and Etgar Keret, along with as always a bevy of lesser-known but nonetheless excellent writers investigating everything from mental hospitals to sentient mists, and possibly some kind of poster, Issue 30 warrants every ounce of attention and industry you'll give it, even if you are very important and your time is valuable--even if the fate of nations rests on your weary shoulders. You should still read Issue 30.
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