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Joan Miro: 1893-1983by Janis Mink
Synopses & Reviews
Joan Miró (1893-1983) is one of the most significant Spanish painters of the twentieth century. His early work clearly shows the influence of Fauvism and Cubism. The Catalan landscape also shapes the themes and treatment of these initial works. In his travels, Miró encountered the intellectual avant-garde of his time. His friends included Francis Picabia, Tristan Tzara, André Masson, Jean Arp and Pablo Picasso. From the mid-twenties onward, Miró strove to leave direct objective references behind and developed the pictograms that typify his style. The pictures of this period, which include perhaps the most beautiful and significant ones of his whole oeuvre, dispense with spatiality and an unambiguous reference to objects. From now on, the surfaces are defined by numerals, writing, abstract emblems, and playful figures and creatures. Nineteen forty four saw the beginning of his extensive graphic oeuvre, ceramics, monumental mural works, and sculptures. In these works, too, the Catalan artist sought the solid foundation of a figurative, symbolic art with orientation as regards content: faces, stars, moons, rudimentary animal forms, letters. Joan Miró developed in several stages his characteristic flowing calligraphic style and his world of forms resembling shorthand symbols.
Joan Miro (1893-1983) is one of the most significant Spanish painters of the 20th century. This work depicts the evolution of his work - from the early influence of Fauvism and Cubism to the later sculpture, murals and the development of his characteristic flowing calligraphic style.
About the Author
Janis Mink studied art history at Smith College and gained her doctorate in Hamburg under Martin Warnke. She is presently a writer and curator.
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