The Law of Dreams tells the story of a young man's epic passage from innocence to experience during The Great Famine in Ireland of 1847.

On his odyssey through Ireland and Britain, and across the Atlantic to "the Boston states," Fergus is initiated to violence, sexual heat, and the glories and dangers of the industrial revolution. Along the way, he meets an unforgettable generation of boy soldiers, brigands, street toughs and charming, willful girls - all struggling for survival in the aftermath of natural catastrophe magnified by political callousness and brutal neglect.

Peter Behrens transports the reader to another time and place for a deeply-moving and resonant experience. The Law of Dreams is gorgeously written in incandescent language that unleashes the sexual and psychological energies of a lost world while plunging the reader directly into a vein of history that haunts the ancestral memory of millions in a new millennium.

"Screenwriter Behrens follows his 1987 story collection, Night Driving, with an ambitious epic that follows a hapless wee lad from the rotten potato fields of 1847 Ireland to a New England horse ranch. Fergus O'Brien, the teenage son of a tenant farmer, is sent to a workhouse after his parents are murdered. He quickly escapes, joins a band of brigands and, after raiding his former landlord's farm, drifts to Dublin and then to Liverpool, where he is primed to work as a 'pearl boy' (read: male prostitute). He hits the road again, this time settling in Wales, where he works on a rail line and meets Red Molly, a married woman who becomes his lover and traveling companion to America, where he plans to become a horse trader. The book veers dangerously close to melodrama on more than a few occasions, and Fergus, for all the contretemps encountered and indignities suffered, remains thin and unconvincing as a narrator. But readers may be able to overlook Behrens's authorial missteps and enjoy the sprawling, cinematically rendered immigrant story. (Sept.)" Publishers Weekly (Copyright Reed Business Information, Inc.)

"'The Law of Dreams' is a fearsome story of such prolonged agony and unquenchable spirit that you can't escape till the final page abandons you to astonished silence. Peter Behrens, a screenwriter who lives in Maine, based this debut novel on his family's history in Ireland, but the private tragedy he describes was common to hundreds of thousands of people during the Great Famine of 1847, and the language... Washington Post Book Review (read the entire Washington Post review) he uses constantly soars above that calamity toward the mystery of human struggle.

His young hero, Fergus O'Brien, endures abuses and deprivations that would make a lesser man feral, but there's a native decency in him, a natural grace that renders his decision to survive all the more agonizing. He belongs to a tenant family that subsists for 10 months of every year on the potatoes they grow on a quarter-acre of mountainous land. It's a tough existence, but Fergus prides himself on caring for his mother and sisters, and there's pleasure in the success of his labor: 'Potatoes were not made or cut,(END ILAL) like the farmer's hay or corn,' Behrens writes. 'They were lifted, joyfully, the surprise of the world.'

We meet Fergus just before a virulent mold spreads across Ireland, withering and blighting the country's crop. Throughout the novel, Behrens stays close to Fergus' experience and knowledge, but everything that Fergus witnesses resonates with the horrible facts of this period. About a third of the 8 million people in Ireland lived almost exclusively on potatoes before the blight struck. Farmers were completely helpless to stop it. Cruel economic policies in England quickly exacerbated the situation, and widespread poverty, starvation and disease followed. Those who survived (and many who were soon to die) took to the roads, desperate for food.

That's the general history most of us know, but in this extraordinary novel Behrens conveys a kind of visceral comprehension of the events that only one who survived them could surpass. Ten weeks into the famine, Fergus' stubborn father still refuses to take his family away, even as their landlord rides around the mountain knocking down shacks and sending families off with a little money. In the first of many unforgettable scenes, Fergus' siblings and parents are finally burned alive in their beds, too weak with hunger even to object. Only Fergus survives, and, in what's considered a great act of charity, he's deposited in a workhouse, where he's immediately stripped, shaved and sprayed with acid to kill the lice. 'Paupers lay about the yard,' Behrens writes, 'soft as gutted trout.'

Fergus soon realizes that the workhouse is a trap where he'll either be starved to death or carried off by fever. Over and over, he confronts the frightening powerlessness of his position, but it never loses its ability to shock him — or us: 'Awareness pierces the chest like a spike being driven in. The world doesn't belong to you. Perhaps you belong to the world, but that's another matter.' Fergus reaches out everywhere for friendship and love; he's a kind, loyal young man, but he's doomed to outlive his companions, constantly forced to pull pennies from the pockets of freshly dead friends who won't need them anymore. 'You had to stay alive,' Behrens writes, 'every instinct told you. Stay in your life as long as you can. If only to see what would happen. Every breath told you to keep breathing.'

When he manages to break out of the workhouse, his ordeal continues: He joins a gang of young thieves, he lives in a whorehouse, and he works on the rails spreading across Ireland almost as fast as the potato blight. All this time, he dreams of a place called America, about which he knows absolutely nothing. Still, a vague sense of its possibility eventually draws him across the Atlantic in one of the novel's most arduous sections.

'The Law of Dreams' rings with a strange, hard poetry, a mingling of Behrens' rich narrative voice and scraps of startling wisdom that seem to emanate directly from Fergus' mind. Here he is in Liverpool, outside a pub, starving and barefoot, as always:

'Trying to make up his mind, he hopped restlessly from one foot to another, one coin in each fist. The door opened and (a) pack of thick-shouldered men came out, and he caught a tantalizing whiff of the smoky, meaty atmosphere within.

'You could stand outside, bootless and chewing fear like a baby; or take the bold plunge. Offer a coin for a feed and see if they would take it.

'The world, latent; a gun loaded with chance and mistakes.'

In the life of this determined young man, Behrens illuminates one of the 19th century's greatest tragedies and the massive migration it launched. A novel that animates the past this vibrantly should make volumes of mere history blush. 'Life burns hot,' Fergus thinks, and so do these pages.

Ron Charles is a senior editor of The Washington Post Book World." Reviewed by Ron Charles, Washington Post Book World (Copyright 2006 Washington Post Book World Service/Washington Post Writers Group)
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