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This title in other editionsHow Does It Feel to Be a Problem?: Being Young and Arab in Americaby Moustafa Mo Bayoumi
Synopses & ReviewsPublisher Comments:The story of how young Arab and Muslim Americans are forging lives for themselves in a country that often mistakes them for the enemy Arab and Muslim Americans are the new, largely undiscussed“proble” of American society, their lives no better understood than those of African Americans a century ago. Under the cover of the terrorist attacks, the wars in Afghanistan and Iraq, and the explosion of political violence around the world, a fundamental misunderstanding of the Arab and Muslim American communities has been allowed to fester and even to define the lives of the seven twentysomething men and women whom we meet in this book. Their names are Rami, Sami, Akram, Lina, Yasmin, Omar, and Rasha, and they all live in Brooklyn, New York, which is home to the largest number of Arab Americans in the United States. We meet Sami, an Arab American Christian, who navigates the minefield of associations the public has of Arabs as well as the expectations that Muslim Arab Americans have of him as a marine who fought in the Iraq war. And Rasha, who, along with her parents, sister, and brothers, was detained by the FBI in a New Jersey jail in early 2002. Without explanation, she and her family were released several months later. As drama of all kinds swirls around them, these young men and women strive for the very things the majority of young adults desire: opportunity, marriage, happiness, and the chance to fulfill their potential. But what they have now are lives that are less certain, and more difficult, than they ever could have imagined: workplace discrimination, warfare in their countries of origin, government surveillance, the disappearance of friends or family, threats of vigilante violence, and a host of other problems that thrive in the age of terror. And yet How Does It Feel to Be a Problem? takes the raw material of their struggle and weaves it into an unforgettable, and very American, story of promise and hope. In prose that is at once blunt and lyrical, Moustafa Bayoumi allows us to see the world as these men and women do, revealing a set of characters and a place that indelibly change the way we see the turbulent past and yet still hopeful future of this country. Review:"According to Bayoumi (The Edward Said Reader), for most of its history, American society has paid little attention to its Arab and Muslim citizens — until the events of September 11 thrust millions of uninvolved people into a very unfavorable limelight, often forcing them to answer for the monstrous deeds of others. The author profiles seven young people for whom that day's horrors were not just a shared national tragedy but the beginning of a struggle to define themselves, as they began to face pervasive workplace discrimination and government surveillance, cultural misunderstanding and threats of violence. In many ways, his absorbing and affectionate book is a quintessentially American picture of 21st-century citizens 'absorbing and refracting all the ethnicities and histories surrounding [them].' However, the testimonies from these young adults — summary seizures from their homes, harassment from strangers, being fired for having an Arab or Muslim name — have a weight and a sorrow that is 'often invisible to the general public.' Says Akram, a Palestinian-American college student, 'I love the diversity of this country, I really do, but the whole politics.... America's not America anymore to me.'" Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.) Synopsis:In prose that is at once blunt and lyrical, Bayoumi presents the story of howyoung Arab and Muslim Americans are forging lives for themselves in a countrythat often mistakes them for the enemy.
About the AuthorMoustafa Bayoumi was born in Zurich, Switzerland, and raised in Canada. He earned his Ph.D. at Columbia University and is an associate professor of English at Brooklyn College, the City University of New York. He is coeditor of The Edward Said Reader, and his essays have appeared in The Best Music Writing 2006, The Nation, The London Review of Books, The Village Voice, and other publications. What Our Readers Are SayingBe the first to add a comment for a chance to win!Product Details
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