When Spenser's closest ally, Hawk, is brutally injured and left for dead while protecting bookie Luther Gillespie, Spenser embarks on an epic journey to rehabilitate his friend in body and soul. Hawk, always proud, has never been dependent on anyone. Now he is forced to make connections: to accept the medical technology that will ensure his physical recovery, and to reinforce the tenuous emotional ties he has to those around him.

Spenser quickly learns that the Ukrainian mob is responsible for the hit, but finding a way into their tightly knit circle is not nearly so simple. Their total control of the town of Marshport, from the bodegas to the police force to the mayor's office, isn't just a sign of rampant corruption — it's a form of arrogance that only serves to ignite Hawk's desire to get even. As the body count rises, Spenser is forced to employ some questionable techniques and even more questionable hired guns while redefining his friendship with Hawk in the name of vengeance.

"The newest entry in Parker's long-running Spenser series finds the detective's brother-in-arms, Hawk, struggling back to physical and soulful health after being shot. The novel, which chronicles his and Spenser's attempts to hunt down the Ukrainian mobsters who wounded Hawk and murdered Hawk's client, comprises brittle, often funny conversations, too many ruminations on male pride and a few brief, smartly rendered scenes of violence. But its overall effectiveness is severely tested by narrator and veteran actor Mantegna (Godfather III, Bugsy), who's known for his spot-on portrayals of antiheroes and silky raffish types. Conspicuously absent from the actor's credits, listed on the back of the audio, is any mention of his television incarnation of Spenser, possibly because he didn't fit the role. He was too slight and young for the weight-lifting, middle-aged detective and, more significant here, he doesn't sound like Spenser. His voice is soft, with the hint of an accent that's nowhere in the vicinity of Spenser's Boston. And for some reason, the usually shrewd actor overplays Spenser's irony and sarcasm to the point of parody. When a shady government official refers to a character as 'a professional,' Spenser's reply is 'Aren't we all?' This works on paper, but Mantegna treats the line to a singsong rendition that not only makes the sleuth sound like a hipster wannabe, it stops the action cold. Unfortunately, this is not an isolated incident. Simultaneous release with the Putnam hardcover (Reviews, Feb. 7). (Mar.)" Publishers Weekly (Copyright Reed Business Information, Inc.)

"The series' best entries all feature a liberal dose of Hawk...and this one is a veritable Hawk showcase....When he's on his game — and he's on it here — Parker is capable of packing a Hemingway punch into a few brief words and the occasional grunt." Booklist (Starred Review)

"The testosterone-laced attitudinizing is sharp and often compelling, though no substitute for an honest attempt to surmount difficulties that melt away instead at a touch of Spenser and Hawk's magic hands." Kirkus Reviews

"[Parker] has got his act down so well that his books seem to be written in an elegant, abrupt, sardonic shorthand that moves with the speed of light....The novel unfolds with the grim inevitability of a Greek tragedy." Providence Journal

Robert B. Parker is the author of nearly fifty books.