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More copies of this ISBN

This title in other editions

Making an Exit: A Mother-Daughter Drama with Alzheimer's, Machine Tools, and Laughter

by Elinor Fuchs

Making an Exit: A Mother-Daughter Drama with Alzheimer's, Machine Tools, and Laughter Cover

 

Synopses & Reviews

Publisher Comments:

Crackling with energy, the unexpected love story of a career-driven mother, a once-resentful daughter, and a ten-year battle with Alzheimer's

At a time when such things were rare, Elinor Fuchs's mother, Lil, escaped a miserable marriage, took back her maiden name, left young Elinor to be raised by grandparents, and launched a career that led her from the midwest to Washington, D.C. Rejoining her as an adolescent, Elinor watched as Lil traveled the world selling automotive parts and military gear, gave fabulous parties, and "in any given room, took up all the air there was." With her stunning looks and drive for success, Lil was a figure to admire, not a mother to love. Elinor determined to despise her mother's values and, once in college, to keep her distance.

Making an Exit is the moving account of what happened afterward, during the final years of Lil's life. Following her mother's diagnosis with Alzheimer's, Fuchs finds herself the caretaker. As the disease progresses, she becomes her mother's mother, dressing her, bathing her, feeding her-all with growing compassion. Lil changes, too: filled with new warmth, the word "love" now regularly crosses her lips. And through the fantastic poetry in the disintegration of Lil's language, mother and daughter make a surprising new start.

With wit, wisdom, and theatrical flair, Making an Exit tells an uncommon story of a parent's decline-less a conventional narrative of aging and loss than one of discovery, devotion, and spiritual growth. "The last ten years," writes Fuchs, "they were our best."

Elinor Fuchs, a professor at the Yale School of Drama, is the author of an award-winning play and major works of criticism, including The Death of Character. A nationally recognized theater critic, Fuchs wrote for The Village Voice for more than ten years, and has also contributed to The New York Times, Vogue, and American Theatre. Fuchs lives in Brooklyn.
From a renowned critic, playwright, and professor of drama comes this energetic and wholly captivating account of living with Alzheimer'sfor ten years.

At a time when such things were rare, Elinor Fuchs's mother, Lil, escaped a miserable marriage, took back her maiden name, left young Elinor to be raised by grandparents, and launched a career that led her from the Midwest to Washington, D.C. Rejoining her as an adolescent, Elinor watched as Lil traveled the world selling automotive parts and military gear, gave fabulous parties, and "in any given room, took up all the air there was." With her stunning looks and drive for success, Lil was a figure to admire, not a mother to love. Elinor determined to despise her mother's values and, once in college, to keep her distance.

Making an Exit is the moving and insightful account of what happened afterward, during the final years of Lil's life. Following her mother's diagnosis with Alzheimer's, Fuchs finds herself the caretaker. As the disease progresses, she becomes her mother's mother, dressing her, bathing her, feeding herall with growing compassion. Lil changes, too: filled with new warmth, the word "love" now regularly crosses her lips. And through the fantastic poetry in the disintegration of Lil's language, mother and daughter make a surprising new start.

With wit, wisdom, and theatrical flair, Making an Exit tells an uncommon story of a parent's declineless a conventional narrative of aging and loss than one of discovery, devotion, and spiritual growth. "The last ten years," writes Fuchs, "they were our best."

"Making an Exit overflows with lifeits sorrows and surprises, its follies and joys."Anne Basting, Director of the Center on Age and Community, University of Wisconsin, Milwaukee

"A rare and wonderful rollercoaster of a book, tender and touching, hilarious and high-spiriteda moving portrait of a daughter and mother that is fiercely intelligent, ineffably sad, and, finally, transcendent."Kathleen Woodward, author of Aging and its Discontents

"Tremendous . . . A book filled with unexpected glimmers of hope, wisdom, and joy . . . [The author] possesses a delightfully wicked sense of humor and a sharp eye for the quirky detail. Fuchs [employs] a deft and efficient prose style, one akin to Augusten Burroughs, David Sedaris, and Anne Lamott. She's also relentlessly unafraid to mine the laughter out of her and her mother's dire situation . . . Making an Exit is a celebration of the life and death of an unforgettable woman, and it is indeed a festive occasion, one generous enough to hold a touching story of a daughter's love and one wise enough to mix a few jokes within the requisite plan."Greg Changnon, The Atlanta Journal-Constitution

"How these women touched me! Driven and real, Making an Exit hurtles toward its truths with uncommon feeling and honesty."Gish Jen, author of The Love Wife

"Unflinchingly honest, open-hearted, and funny, this is a work of passionate intelligence and deep humanity."Joyce Antler, author of The Journey Home

"It is refreshing to see the final stages of one woman's life and eventual death treated with such humanity, compassion, and dignity . . . Those horrible phrases that many adult children whose parents succumb to Alzheimer's, senility, or disablement eventually have to deal with'assisted living' and 'nursing home'are stripped of much of their mystery in Fuchs' book, and are shown for their absurdity, stark reality, banality, and also moments of joy."Michael Standaert, Los Angeles Times

"Fuchs' mother is larger than life in both her salad days and her days of word salad. And Making an Exit overflows with lifeits sorrows and surprises, its follies and joys."Anne Basting, Director of the Center on Age and Community, University of Wisconsin, Milwaukee

"A rare and wonderful rollercoaster of a book, tender and touching, hilarious and high-spiriteda moving portrait of a daughter and mother that is fiercely intelligent, ineffably sad, and, finally, transcendent."Kathleen Woodward, author of Aging and its Discontents

"[A] wry account of a once-alienated daughter who becomes ever more entwined with her mother as the older woman makes a memorable decline . . . There's little room for pity or censure as the reader is carried along by a great story. Lillian, an adamantly independent woman all her life, finally needs to be taken care of. She's mostly lost her mind, and although she'll never really know it, she needs her daughter. Fuchs combines her account of the weirdness of caring for a physically competent, mentally absent woman with episodes from their shared past. Her brisk prose effectively captures Lillian's energy, the oddities of communication that Alzheimer's imposes, the endless grind of arranging and placating caregivers, and her own emotional landscape when she finds herself trapped in a state of emergency that lasts a decade. It didn't come cheap, but Fuchs has achieved a beautiful balance of humor and tragedyall wrung from the same mess of real life."Kirkus Reviews

"A paradoxical line is finely drawn [in this book] between tragedy and comedy; Fuchs depicts her mother's gradual deterioration with humor, sensitivity, and grief that becomes more profound as Lillian weakens. This literate book with its classical underpinnings is an easy, delightful read, and highly recommended for public libraries and consumer collections in hospital and medica

Review:

"Fuchs celebrates the richness and folly of life and language in this loving and often funny tribute to her nonconformist mother, Lillian Kessler. Born in 1908, Kessler attempted to take the well-paved path of a proper lady twice, first by attending Radcliffe and then by marrying an accomplished, high-society violinist. But she eventually forged her own way, getting divorced, leading WPA projects, entertaining suitors and business associates at lavish parties and ambitiously building the Kessler Corp., selling 'spare parts' — all while first abandoning, then raising her daughter on her own. Displaced by her mother's self-important life, Fuchs didn't become a willing participant in this drama until disaster struck Kessler: first a heart attack and then Alzheimer's. Fuchs writes of navigating the heartbreaking vagaries of this debilitating disease together with her uncle and the caregivers at Kessler's assisted-living facility and, later, Kessler's nursing home, and how she found sympathy for her mother as she sought meaning in the mellifluous babble of their absurd conversations. Fuchs, a Yale School of Drama professor, places excerpts of these dialogues, scriptlike, between chapters as interludes that set the next scene and illuminate the inane intelligence of the demented mind. Never mawkish, this is a tender tale of an idiosyncratic, independent woman and her daughter's reluctant love. Agent, Tina Bennett. (Mar. 1)" Publishers Weekly (Copyright Reed Business Information, Inc.)

Synopsis:

Frank and funny, this memoir is an unexpected love story of a once-resentful daughter, a self-centered mother, and a ten-year battle with Alzheimer's.

Synopsis:

Written with "humanity, compassion, and dignity," an unexpected love story of a career-driven mother, a once-resentful daughter, and a ten-year battle with Alzheimer's (Los Angeles Times)

At a time when such things were rare, Elinor Fuchs's mother, Lil, escaped a miserable marriage and left young Elinor to be raised by grandparents as she traveled the world selling automotive parts and military gear. With her stunning looks and ambition, Lil was less a mother to love than a figure to admire--and, once in college, Elinor determined to keep her distance.

Making an Exit is the moving account of what happens afterward, following Lil's diagnosis with Alzheimer's. As the disease progresses, both women are transformed: Elinor, with growing compassion, becomes her mother's mother; Lil, regularly speaking of "love," connects with her daughter as never before through the poetry of her disintegrating language.

With wit, wisdom, and theatrical flair, Making an Exit tells an uncommon story of a parent's decline--and a rekindled relationship. "The last ten years," writes Fuchs, "they were our best."

"How these women touched me! Driven and real, Making an Exit hurtles toward its truths with uncommon feeling and

honesty." --Gish Jen, author of The Love Wife

"Tremendous . . . brilliant . . . filled with unexpected glimmers of hope, wisdom, and joy." --The Atlanta Journal-Constitution

Synopsis:

Crackling with energy, the unexpected love story of a career-driven mother, a once-resentful daughter, and a ten-year battle with Alzheimer's

At a time when such things were rare, Elinor Fuchs's mother, Lil, escaped a miserable marriage, took back her maiden name, left young Elinor to be raised by grandparents, and launched a career that led her from the midwest to Washington, D.C. Rejoining her as an adolescent, Elinor watched as Lil traveled the world selling automotive parts and military gear, gave fabulous parties, and "in any given room, took up all the air there was." With her stunning looks and drive for success, Lil was a figure to admire, not a mother to love. Elinor determined to despise her mother's values and, once in college, to keep her distance.

Making an Exit is the moving account of what happened afterward, during the final years of Lil's life. Following her mother's diagnosis with Alzheimer's, Fuchs finds herself the caretaker. As the disease progresses, she becomes her mother's mother, dressing her, bathing her, feeding her-all with growing compassion. Lil changes, too: filled with new warmth, the word "love" now regularly crosses her lips. And through the fantastic poetry in the disintegration of Lil's language, mother and daughter make a surprising new start.

With wit, wisdom, and theatrical flair, Making an Exit tells an uncommon story of a parent's decline-less a conventional narrative of aging and loss than one of discovery, devotion, and spiritual growth. "The last ten years," writes Fuchs, "they were our best."

About the Author

Elinor Fuchs, a professor at the Yale School of Drama, is an award-winning

playwright and theater critic. She has contributed to The Village Voice, The New York Times, Vogue, and American Theatre. She lives in Brooklyn.

Product Details

ISBN:
9780805063172
Subtitle:
A Mother-Daughter Drama with Alzheimer's, Machine Tools, and Laughter
Author:
Fuchs, Elinor
Publisher:
Picador
Subject:
Parent & Adult Child
Subject:
Caregiving
Subject:
Diseases - Nervous System (incl. Brain)
Subject:
Personal Memoirs
Subject:
Medical - General
Edition Description:
Trade Cloth
Publication Date:
20060110
Binding:
Paperback
Grade Level:
General/trade
Language:
English
Illustrations:
10 bandw illus. throughout
Pages:
208
Dimensions:
8.25 x 5.50 in

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Making an Exit: A Mother-Daughter Drama with Alzheimer's, Machine Tools, and Laughter Used Hardcover
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Product details 208 pages Metropolitan Books - English 9780805063172 Reviews:
"Publishers Weekly Review" by , "Fuchs celebrates the richness and folly of life and language in this loving and often funny tribute to her nonconformist mother, Lillian Kessler. Born in 1908, Kessler attempted to take the well-paved path of a proper lady twice, first by attending Radcliffe and then by marrying an accomplished, high-society violinist. But she eventually forged her own way, getting divorced, leading WPA projects, entertaining suitors and business associates at lavish parties and ambitiously building the Kessler Corp., selling 'spare parts' — all while first abandoning, then raising her daughter on her own. Displaced by her mother's self-important life, Fuchs didn't become a willing participant in this drama until disaster struck Kessler: first a heart attack and then Alzheimer's. Fuchs writes of navigating the heartbreaking vagaries of this debilitating disease together with her uncle and the caregivers at Kessler's assisted-living facility and, later, Kessler's nursing home, and how she found sympathy for her mother as she sought meaning in the mellifluous babble of their absurd conversations. Fuchs, a Yale School of Drama professor, places excerpts of these dialogues, scriptlike, between chapters as interludes that set the next scene and illuminate the inane intelligence of the demented mind. Never mawkish, this is a tender tale of an idiosyncratic, independent woman and her daughter's reluctant love. Agent, Tina Bennett. (Mar. 1)" Publishers Weekly (Copyright Reed Business Information, Inc.)
"Synopsis" by , Frank and funny, this memoir is an unexpected love story of a once-resentful daughter, a self-centered mother, and a ten-year battle with Alzheimer's.
"Synopsis" by ,
Written with "humanity, compassion, and dignity," an unexpected love story of a career-driven mother, a once-resentful daughter, and a ten-year battle with Alzheimer's (Los Angeles Times)

At a time when such things were rare, Elinor Fuchs's mother, Lil, escaped a miserable marriage and left young Elinor to be raised by grandparents as she traveled the world selling automotive parts and military gear. With her stunning looks and ambition, Lil was less a mother to love than a figure to admire--and, once in college, Elinor determined to keep her distance.

Making an Exit is the moving account of what happens afterward, following Lil's diagnosis with Alzheimer's. As the disease progresses, both women are transformed: Elinor, with growing compassion, becomes her mother's mother; Lil, regularly speaking of "love," connects with her daughter as never before through the poetry of her disintegrating language.

With wit, wisdom, and theatrical flair, Making an Exit tells an uncommon story of a parent's decline--and a rekindled relationship. "The last ten years," writes Fuchs, "they were our best."

"How these women touched me! Driven and real, Making an Exit hurtles toward its truths with uncommon feeling and

honesty." --Gish Jen, author of The Love Wife

"Tremendous . . . brilliant . . . filled with unexpected glimmers of hope, wisdom, and joy." --The Atlanta Journal-Constitution

"Synopsis" by ,
Crackling with energy, the unexpected love story of a career-driven mother, a once-resentful daughter, and a ten-year battle with Alzheimer's

At a time when such things were rare, Elinor Fuchs's mother, Lil, escaped a miserable marriage, took back her maiden name, left young Elinor to be raised by grandparents, and launched a career that led her from the midwest to Washington, D.C. Rejoining her as an adolescent, Elinor watched as Lil traveled the world selling automotive parts and military gear, gave fabulous parties, and "in any given room, took up all the air there was." With her stunning looks and drive for success, Lil was a figure to admire, not a mother to love. Elinor determined to despise her mother's values and, once in college, to keep her distance.

Making an Exit is the moving account of what happened afterward, during the final years of Lil's life. Following her mother's diagnosis with Alzheimer's, Fuchs finds herself the caretaker. As the disease progresses, she becomes her mother's mother, dressing her, bathing her, feeding her-all with growing compassion. Lil changes, too: filled with new warmth, the word "love" now regularly crosses her lips. And through the fantastic poetry in the disintegration of Lil's language, mother and daughter make a surprising new start.

With wit, wisdom, and theatrical flair, Making an Exit tells an uncommon story of a parent's decline-less a conventional narrative of aging and loss than one of discovery, devotion, and spiritual growth. "The last ten years," writes Fuchs, "they were our best."

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