A group of Americans in Northern California in 1984 are struggling with the consequences of their lives in the sixties, still run by the passions of those times — sexual and political — which have refused to die. Among them is Zoyd Wheeler who is preparing for his annual act of televised insanity (for which he receives a government stipend) when an unwelcome face appears from out of his past.
An old nemesis, federal prosecutor Brock Vond, storms into Vineland at the head of a heavily armed strike force. Soon Zoyd and his daughter, Prairie, go into hiding while Vond begins a relationship with Zoyd's ex-wife and uses Prairie as a pawn against the mother she never knew she had.
Part daytime drama, part political thriller, Vineland is a strange evocation of a twentieth-century America headed for a less than harmonic future.
Pynchon freely combines disparate elements from American pop culture and spy thrillers, Ninja potboilers, TV soap operas, sci-fi fantasies — in this story of sixties survivors.
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