Part memoir, part literary gossip, but mostly a guide to the lost art of sentence diagramming, the book, penned by copy editor Kitty Burns Florey, hilariously examines the history of grammar....The book, in other words, does everything Lynne Truss's EATS, SHOOTS AND LEAVES does, and then some. — Sara Nelson, editor, Publishers Weekly

Chicago Tribune Editor's Pick

Diagramming sentences may have gone the way of the slide ruler, but this charming little book makes deconstruction of language fun. In this illustrated personal history, the author, a long-time copy editor, explores the birth and death of language mapping. In this handsome book, subjects, predicates, articles, gerunds and participles dance across the page, bringing delight to those who venture into the party. — Elizabeth Taylor, literary editor, Chicago Tribune

Kitty Burns Florey seems to write from a great wellspring of inner calm that derives from a gleeful appreciation of life's smallest details.-Richard Russo, Pulitzer Prize-winning author of Empire Falls

Once wildly popular and used by grammar teachers across America, sentence diagramming is now a lost art to most people. But from the moment she encountered it in the sixth-grade classroom of Sister Bernadette, Kitty Burns Florey was fascinated by the bizarre method of mapping the words in a sentence.

Now a novelist and veteran copyeditor, Florey studies the practice in a charming and funny look back at its odd history, its elegant method, and its rich, ongoing possibilities. From a discussion of its birth at the Polytechnic Institute in Brooklyn, to a consideration of how it works, to a revealing look at some of literature's most famoussentences in diagram, it is a charming and often inspiring tale.

Along the way, Florey explores the importance of good grammar and answers language lovers' most pressing questions: Was Mark Twain or James Fenimore Cooper a better grammarian? Can knowing how to diagram a sentence make your life better? And what's Gertrude Stein got to do with any of it?

In its heyday, sentence diagramming was wildly popular in grammar schools across the country. Kitty Burns Florey learned the method in sixth grade from Sister Bernadette: "It was a bit like art, a bit like mathematics. It was a picture of language. I was hooked." Now, in this offbeat history, Florey explores the sentence-diagramming phenomenon, including its humble roots at the Brooklyn Polytechnic, its "balloon diagram" predecessor, and what diagrams of famous writers’ sentences reveal about them. Along the way Florey offers up her own commonsense approach to learning and using good grammar. Charming, fun, and instructive, Sister Bernadette’s Barking Dog will be treasured by all kinds of readers, from grumpy grammarians and crossword-puzzle aficionados to students of literature and lovers of language.

A veteran copyeditor studies the practice of diagramming sentences in a charming and funny look back at its odd history, its elegant method, and its rich, ongoing possibilities.

KITTY BURNS FLOREY, a veteran copyeditor, is the author of nine novels and many short stories and essays. A longtime Brooklyn resident, she now divides her time between central Connecticut and upstate New York with her husband, Ron Savage.

Contents 1              ENTER THE DOG

 

17            TIMES CHANGE

 

35            GENERAL RULES

 

61            POETRY & GRAMMAR

 

103          YOUSE AIN’T GOT NO CLASS

 

125          DIAGRAMMING REDUX

 

147          Afterword

 

151          acknowledgments