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The Poetics of Impudence and Intimacy in the Age of Pushkin (Wisconsin Center for Pushkin Studies)

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Synopses & Reviews

Synopsis:

In early nineteenth-century Russia, members of jocular literary societies gathered to recite works written in the lightest of genres: the friendly verse epistle, the burlesque, the epigram, the comic narrative poem, the prose parody. In a period marked by the Decembrist Uprising and heightened state scrutiny into private life, these activities were hardly considered frivolous; such works and the domestic, insular spaces within which they were created could be seen by the Russian state as rebellious, at times even treasonous.

    Joe Peschio offers the first comprehensive history of a set of associated behaviors known in Russian as “shalosti,” a word which at the time could refer to provocative behaviors like practical joking, insubordination, ritual humiliation, or vandalism, among other things, but also to literary manifestations of these behaviors such as the use of obscenities in poems, impenetrably obscure allusions, and all manner of literary inside jokes. One of the period’s most fashionable literary and social poses became this complex of behaviors taken together. Peschio explains the importance of literary shalosti as a form of challenge to the legitimacy of existing literary institutions and sometimes the Russian regime itself. Working with a wide variety of primary texts—from verse epistles to denunciations, etiquette manuals, and previously unknown archival materials—Peschio argues that the formal innovations fueled by such “prankish” types of literary behavior posed a greater threat to the watchful Russian government and the literary institutions it fostered than did ordinary civic verse or overtly polemical prose.

About the Author

Joe Peschio is associate professor of Russian and coordinator of the Slavic languages program at the University of Wisconsin–Milwaukee.

Table of Contents

Acknowledgments
 
Introduction
1 Roots and Contexts
The Semantics and Etymology of Misbehavior
Contexts: Domesticity, Society, State
The Verse Shalost'
2 Arzamas: Rudeness
Like Talk
Rudeness and Domesticity in the Arzamasian Letter
3 The Green Lamp: Banter
Arkadii Rodzianko's "Ligurinus"
Del'vig's "Fanni" and Del'vig's "Shack"
4 Ruslan and Liudmila: Rudeness and Banter
Sexual Banter and Eroticism in Ruslan and Liudmila
"Blush You Wretch!": Rudeness in Ruslan and Liudmila and Its Impact on Youth Culture
Epilogue: Pushkin the Pornographer Two Hundred Years Later
 
Notes
Index

Product Details

ISBN:
9780299290443
Author:
Peschio, Joe
Publisher:
University of Wisconsin Press
Subject:
Russian & Former Soviet Union
Subject:
Literary Criticism : General
Edition Description:
1
Series:
Wisconsin Center for Pushkin Studies
Publication Date:
20130131
Binding:
TRADE PAPER
Language:
English
Pages:
174
Dimensions:
9 x 6 x 0.4 in

Related Subjects

History and Social Science » Crime » Enforcement and Investigation
History and Social Science » Politics » General
History and Social Science » Russia » General
History and Social Science » Russia » General Russian History
Humanities » Literary Criticism » General

The Poetics of Impudence and Intimacy in the Age of Pushkin (Wisconsin Center for Pushkin Studies) Used Trade Paper
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Product details 174 pages University of Wisconsin Press - English 9780299290443 Reviews:
"Synopsis" by ,
In early nineteenth-century Russia, members of jocular literary societies gathered to recite works written in the lightest of genres: the friendly verse epistle, the burlesque, the epigram, the comic narrative poem, the prose parody. In a period marked by the Decembrist Uprising and heightened state scrutiny into private life, these activities were hardly considered frivolous; such works and the domestic, insular spaces within which they were created could be seen by the Russian state as rebellious, at times even treasonous.

    Joe Peschio offers the first comprehensive history of a set of associated behaviors known in Russian as “shalosti,” a word which at the time could refer to provocative behaviors like practical joking, insubordination, ritual humiliation, or vandalism, among other things, but also to literary manifestations of these behaviors such as the use of obscenities in poems, impenetrably obscure allusions, and all manner of literary inside jokes. One of the period’s most fashionable literary and social poses became this complex of behaviors taken together. Peschio explains the importance of literary shalosti as a form of challenge to the legitimacy of existing literary institutions and sometimes the Russian regime itself. Working with a wide variety of primary texts—from verse epistles to denunciations, etiquette manuals, and previously unknown archival materials—Peschio argues that the formal innovations fueled by such “prankish” types of literary behavior posed a greater threat to the watchful Russian government and the literary institutions it fostered than did ordinary civic verse or overtly polemical prose.

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