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In Lansens's second novel, readers come to know Rose and Ruby, 29-year-old conjoined twins. When one of the girls decides to write her autobiography, the distinct personalities of the two emerge to reveal their contradictory longing for independence and their unwavering togetherness.
Synopsis:
In Lori Lansens' astonishing second novel, readers come to know and love two of the most remarkable characters in Canadian fiction. Rose and Ruby are twenty-nine-year-old conjoined twins. Born during a tornado to a shocked teenaged mother in the hospital at Leaford, Ontario, they are raised by the nurse who helped usher them into the world. Aunt Lovey and her husband, Uncle Stash, are middle-aged and with no children of their own. They relocate from the town to the drafty old farmhouse in the country that has been in Lovey's family for generations.
Joined to Ruby at the head, Rose's face is pulled to one side, but she has full use of her limbs. Ruby has a beautiful face, but her body is tiny and she is unable to walk. She rests her legs on her sister's hip, rather like a small child or a doll.
In spite of their situation, the girls lead surprisingly separate lives. Rose is bookish and a baseball fan. Ruby is fond of trash TV and has a passion for local history.
Rose has always wanted to be a writer, and as the novel opens, she begins to pen her autobiography. Here is how she begins:
"I have never looked into my sister's eyes. I have never bathed alone. I have never stood in the grass at night and raised my arms to a beguiling moon. I've never used an airplane bathroom. Or worn a hat. Or been kissed like that. I've never driven a car. Or slept through the night. Never a private talk. Or solo walk. I've never climbed a tree. Or faded into a crowd. So many things I've never done, but oh, how I've been loved. And, if such things were to be, I'd live a thousand lives as me, to be loved so exponentially.
"
Ruby, with her marvellous characteristic logic, points out thatRose's autobiography will have to be Ruby's as well — and how can she trust Rose to represent her story accurately? Soon, Ruby decides to chime in with chapters of her own.
The novel begins with Rose, but eventually moves to Ruby's point of view and then switches back and forth. Because the girls face in slightly different directions, neither can see what the other is writing, and they don't tell each other either. The reader is treated to sometimes overlapping stories told in two wonderfully distinct styles. Rose is given to introspection and secrecy. Ruby's style is "tell-all" — frank and decidedly sweet.
We learn of their early years as the town "freaks" and of Lovey's and Stash's determination to give them as normal an upbringing as possible. But when we meet them, both Lovey and Stash are dead, the girls have moved back into town, and they've received some ominous news. They are on the verge of becoming the oldest surviving craniopagus (joined at the head) twins in history, but the question of whether they'll live to celebrate their thirtieth birthday is suddenly impossible to answer.
In Rose and Ruby, Lori Lansens has created two precious characters, each distinct and loveable in their very different ways, and has given them a world in Leaford that rings absolutely true. The girls are unforgettable. The Girls" is nothing short of a tour de force.
teelgee, August 20, 2009 (view all comments by teelgee)
Rose and Ruby are identical twin sisters. They've never seen each other's faces, except in mirrors. They are conjoined twins, joined at the skull; separation is impossible without both of them dying. This book grabbed me from the first paragraph.
As the story unfolds, the girls are approaching their 30th birthday. Rose is writing her autobiography, which of course, must include Ruby's story too. Reluctantly, Ruby begins to add to the book; neither of them read what the other has written. Rose tells the story of their birth - it happens during a rare tornado in southern Ontario; their birth mother abandons them and they are adopted by the nurse who delivers them. Aunt Lovey and Uncle Stash give them a loving home and a strong sense of self. Lovey defends them fiercely -- and will not tolerate self pity.
Rose and Ruby's relationship is complex and touching and sad and lovely. They literally don't see the same things and their stories don't always jive. Their personalities are quite different, and they struggle with the same issues as most children, teens and young adults.
One reviewer thought this book was morbid. I thought it was stunning; Lansen did a remarkable job of staying true to each character's voice and of addressing the unique challenges of Rose and Ruby and still portraying them as so normal in their responses and emotions, as they should be. Another reviewer thought that Lansens had no right to tell this story -- because, presumably, she isn't a conjoined twin--?? I couldn't disagree more. She tells it with great compassion, tenderness, humor and respect. Highest recommendation.
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Product details
346 pages
Back Bay Books -
English9780316066341
Reviews:
"Synopsis"
by Ingram,
In Lori Lansens' astonishing second novel, readers come to know and love two of the most remarkable characters in Canadian fiction. Rose and Ruby are twenty-nine-year-old conjoined twins. Born during a tornado to a shocked teenaged mother in the hospital at Leaford, Ontario, they are raised by the nurse who helped usher them into the world. Aunt Lovey and her husband, Uncle Stash, are middle-aged and with no children of their own. They relocate from the town to the drafty old farmhouse in the country that has been in Lovey's family for generations.
Joined to Ruby at the head, Rose's face is pulled to one side, but she has full use of her limbs. Ruby has a beautiful face, but her body is tiny and she is unable to walk. She rests her legs on her sister's hip, rather like a small child or a doll.
In spite of their situation, the girls lead surprisingly separate lives. Rose is bookish and a baseball fan. Ruby is fond of trash TV and has a passion for local history.
Rose has always wanted to be a writer, and as the novel opens, she begins to pen her autobiography. Here is how she begins:
"I have never looked into my sister's eyes. I have never bathed alone. I have never stood in the grass at night and raised my arms to a beguiling moon. I've never used an airplane bathroom. Or worn a hat. Or been kissed like that. I've never driven a car. Or slept through the night. Never a private talk. Or solo walk. I've never climbed a tree. Or faded into a crowd. So many things I've never done, but oh, how I've been loved. And, if such things were to be, I'd live a thousand lives as me, to be loved so exponentially.
"
Ruby, with her marvellous characteristic logic, points out thatRose's autobiography will have to be Ruby's as well — and how can she trust Rose to represent her story accurately? Soon, Ruby decides to chime in with chapters of her own.
The novel begins with Rose, but eventually moves to Ruby's point of view and then switches back and forth. Because the girls face in slightly different directions, neither can see what the other is writing, and they don't tell each other either. The reader is treated to sometimes overlapping stories told in two wonderfully distinct styles. Rose is given to introspection and secrecy. Ruby's style is "tell-all" — frank and decidedly sweet.
We learn of their early years as the town "freaks" and of Lovey's and Stash's determination to give them as normal an upbringing as possible. But when we meet them, both Lovey and Stash are dead, the girls have moved back into town, and they've received some ominous news. They are on the verge of becoming the oldest surviving craniopagus (joined at the head) twins in history, but the question of whether they'll live to celebrate their thirtieth birthday is suddenly impossible to answer.
In Rose and Ruby, Lori Lansens has created two precious characters, each distinct and loveable in their very different ways, and has given them a world in Leaford that rings absolutely true. The girls are unforgettable. The Girls" is nothing short of a tour de force.
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