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This title in other editionsA Lover's Discourse: Fragmentsby Roland Barthes
Staff Pick
This is a book best read immediately after the end of an intimate relationship. Devoid of sentimentality, it is a meditation of a lover when alone. Written in fragments, the overriding theme is that the lover, I, never absolutely, truly sees the beloved, You. The lover only has language, which is ultimately inadequate, to express the longing s/he feels for the beloved, who is but a figment, a fabrication of the I. Synopses & ReviewsPlease note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.
Publisher Comments:"Barthes's most popular and unusual performance as a writer is A Lover's Discourse, a writing out of the discourse of love. This languageprimarily the complaints and reflections of the lover when alone, not exchanges of a lover with his or her partneris unfashionable. Thought it is spoken by millions of people, diffused in our popular romances and television programs as well as in serious literature, there is no institution that explores, maintains, modifies, judges, repeats, and otherwise assumes responsibility for this discourse . . . Writing out the figures of a neglected discourse, Barthes surprises us in A Lover's Discourse by making love, in its most absurd and sentimental forms, an object of interest."Jonathan Culler Roland Barthes was born in 1915 and studied French literature and the classics at the University of Paris. After teaching French at universities in Romania and Egypt, he joined the Centre National de Recherche Scientifique, where he devoted himself to research in sociology and lexicology. He was a professor at the College de France until his death in 1980. "Barthes's most popular and unusual performance as a writer is A Lover's Discourse, a writing out of the discourse of love. This languageprimarily the complaints and reflections of the lover when alone, not exchanges of a lover with his or her partneris unfashionable. Thought it is spoken by millions of people, diffused in our popular romances and television programs as well as in serious literature, there is no institution that explores, maintains, modifies, judges, repeats, and otherwise assumes responsibility for this discourse . . . Writing out the figures of a neglected discourse, Barthes surprises us in A Lover's Discourse by making love, in its most absurd and sentimental forms, an object of interest."Jonathan Culler Synopsis:Barthes's most popular and unusual performance as a writer is A Lover's Discourse, a writing out of the discourse of love. This language--primarily the complaints and reflections of the lover when alone, not exchanges of a lover with his or her partner--is unfashionable. Thought it is spoken by millions of people, diffused in our popular romances and television programs as well as in serious literature, there is no institution that explores, maintains, modifies, judges, repeats, and otherwise assumes responsibility for this discourse . . . Writing out the figures of a neglected discourse, Barthes surprises us in A Lover's Discourse by making love, in its most absurd and sentimental forms, an object of interest.--Jonathan Culler Synopsis:"Barthes's most popular and unusual performance as a writer is A Lover's Discourse, a writing out of the discourse of love. This language—primarily the complaints and reflections of the lover when alone, not exchanges of a lover with his or her partner—is unfashionable. Thought it is spoken by millions of people, diffused in our popular romances and television programs as well as in serious literature, there is no institution that explores, maintains, modifies, judges, repeats, and otherwise assumes responsibility for this discourse . . . Writing out the figures of a neglected discourse, Barthes surprises us in A Lover's Discourse by making love, in its most absurd and sentimental forms, an object of interest."—Jonathan Culler About the AuthorRoland Barthes was born in 1915 and studied French literature and the classics at the University of Paris. After teaching French at universities in Romania and Egypt, he joined the Centre National de Recherche Scientifique, where he devoted himself to research in sociology and lexicology. He was a professor at the College de France until his death in 1980. What Our Readers Are SayingBe the first to add a comment for a chance to win!Product Details
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