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This title in other editions

Don't Let's Go to the Dogs Tonight: An African Childhood

by

Don't Let's Go to the Dogs Tonight: An African Childhood Cover

 

Awards

Book Sense Best Nonfiction Book of 2002
A New York Times Notable Book of 2002

Staff Pick

In her 2001 debut, Don't Let's Go to the Dogs Tonight, Alexandra Fuller recalled in vivid, often excruciating detail coming of age in Rhodesia as a long civil war raged in neighboring Mozambique and her own country slid down the violent path toward an independent, African Nationalist regime. Dogs astounded readers with its candor, describing from a young girl's point of view a wild landscape of far-reaching beauty and a continent in the throes of a vicious political antagonism she could not yet comprehend. Narrating from within her own family's constant struggle for survival, Fuller brilliantly assimilated the dangers of war (land mines planted on the road to the local store, guerillas camping in the nearby hills) into the relentless domestic tumult around her, so that readers could hardly distinguish between the two. The Boston Globe, echoing the opinion of critics and readers around the world, marveled, "The extremely personal and unguarded understatement of this memoir is far more powerful than any sociopolitical analysis or apologist interpretation could hope to be."
Recommended by Dave, Powells.com

Synopses & Reviews

Publisher Comments:

In Don't Let's Go to the Dogs Tonight, Alexandra Fuller remembers her African childhood with visceral authenticity. Though it is a diary of an unruly life in an often inhospitable place, it is suffused with Fuller?s endearing ability to find laughter, even when there is little to celebrate. Fuller's debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time.

From 1972 to 1990, Alexandra Fuller — known to friends and family as Bobo — grew up on several farms in southern and central Africa. Her father joined up on the side of the white government in the Rhodesian civil war, and was often away fighting against the powerful black guerilla factions. Her mother, in turn, flung herself at their African life and its rugged farm work with the same passion and maniacal energy she brought to everything else. Though she loved her children, she was no hand-holder and had little tolerance for neediness. She nurtured her daughters in other ways: She taught them, by example, to be resilient and self-sufficient, to have strong wills and strong opinions, and to embrace life wholeheartedly, despite and because of difficult circumstances. And she instilled in Bobo, particularly, a love of reading and of storytelling that proved to be her salvation.

A worthy heir to Isak Dinesen and Beryl Markham, Alexandra Fuller writes poignantly about a girl becoming a woman and a writer against a backdrop of unrest, not just in her country but in her home. But Don't Let's Go to the Dogs Tonight is more than a survivor's story. It is the story of one woman's unbreakable bond with a continent and the people who inhabit it, a portrait lovingly realized and deeply felt.

Review:

"This is not a book you read just once, but a tale of terrible beauty to get lost in over and over." Newsweek

Review:

"Fuller is a gifted writer, capable of bringing a sense of immediacy to her writing and crafting descriptions so vibrant the reader cannot only picture the stifling hot African afternoon but almost feel it as well." Booklist

Review:

"By turns mischievous and openhearted, earthy and soaring...hair-raising, horrific, and thrilling." The New Yorker

Review:

"Vivid, insightful and sly... Bottom line: Out of Africa, brilliantly." People

Review:

"A classic is born in this tender, intensely moving and even delightful journey through a white African girl's childhood....Fuller's book has the promise of being widely read and remaining of interest for years to come." Publishers Weekly

Review:

"This was no ordinary childhood, and it makes a riveting story thanks to an extraordinary telling." School Library Journal

Review:

"Nobody has ever written a book about growing up white in rural Africa the way Alexandra Fuller has. Her voice is mordant, her ear uncanny. Her unsentimentality is a pleasant shock. Her sense of humor is extremely sly. Without a trace of pretension, she quietly performs what is really a major literary feat — nailing both the poetry and the myopia of a child?s experience in a brawling, bad-luck family on the losing side of an anti-colonial war." William Finnegan, author of Crossing the Line: A Year in the Land of Apartheid and Cold New World: Growing Up in Harder Country

Review:

"[A] gripping memoir...made up, in equal parts, of stark, matter-of-fact reminiscences about her childhood and fierce, Dinesenesque paeans to the land of Africa." Michiko Kakutani, The New York Times

Review:

"As casually unadorned as rawhide, and just about as tough....The extremely personal and unguarded understatement of this memoir is far more powerful than any sociopolitical analysis or apologist interpretation could hope to be." The Boston Globe

Synopsis:

Fuller, known to friends and family as Bobo, grew up on several farms in southern and central Africa. But Don't Let's Go to the Dogs Tonight is more than a survivor's story: It is the story of one woman's unbreakable bond with a continent and the people who inhabit it, a portrait lovingly realized and deeply felt. A Book Sense Selection. Photos.

Synopsis:

In Don't Let's Go to the Dogs Tonight, Alexandra Fuller remembers her African childhood with candor and sensitivity. Though it is a diary of an unruly life in an often inhospitable place, it is suffused with Fuller's endearing ability to find laughter, even when there is little to celebrate. Fuller's debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time.

About the Author

Alexandra Fuller was born in England in 1969. In 1972 she moved with her family to a farm in Rhodesia. After that country's civil war in 1981, the Fullers moved first to Malawi, then to Zambia. Fuller received a B.A. from Acadia University in Nova Scotia, Canada. In 1994, she moved to Wyoming, where she still lives. She has two children.

What Our Readers Are Saying

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Average customer rating based on 9 comments:

S Holladay, November 14, 2014 (view all comments by S Holladay)
I'm a sucker for children's voice memoirs such as bone black by bell hooks and This Boy's Life by Tobias Wolff. Alexandra Fuller's Don't Let's Go to the Dogs Tonight: An African Childhood is right up there too. She pitch perfectly describes a childhood living with flamboyant parents, and goes into even more detail about her alcoholic mother in her next memoir, Cocktail Hour Under the Tree of Forgetfulness. Fuller also describes the different countries in Africa she lived in simultaneously from the disadvantaged position of a child and privileged position as a white British person. This would make a great gift to a mom or a sister.
Was this comment helpful? | Yes | No
Zoe C, October 11, 2014 (view all comments by Zoe C)
My school had the privilege of having Alexandra Fuller come and talk to us about living in Africa. I was slightly confused about why she was there, but as she talked to one of my classes about living in Africa during a time of war, I automatically wanted to read her book. Now, I was able to read it and I can say I never wanted to put down the book.
Being in revolutionary Africa, I would think that living in Africa would be terrifying with being cautious of land mines and terrorist. Fuller recalls her childhood life in Africa. Some parts of her life were fun and exciting, but others were terrifying and scarring. She talks about the dangers of living in a rural African farm house such as nightly raids and land mines. To a five year old, this would be too terrifying.
Living a very sheltered life, I would not be able to deal with what Alexandra Fuller did. After reading this book, it opened my eyes on events that I never even knew about. Overall, this is something you want to read! The detail of this book makes you feel like you are right there with her!
Was this comment helpful? | Yes | No
adrian_p43, November 3, 2012 (view all comments by adrian_p43)
Good book
Was this comment helpful? | Yes | No
(3 of 6 readers found this comment helpful)
View all 9 comments

Product Details

ISBN:
9780375758997
Subtitle:
An African Childhood
Author:
Fuller, Alexandra
Publisher:
Random House Trade
Location:
New York
Subject:
General
Subject:
History
Subject:
Girls
Subject:
Historical - General
Subject:
Childhood Memoir
Subject:
Zimbabwe
Subject:
Africa - General
Subject:
Zimbabwe - History - Chimurenga War, 1966-
Subject:
Fuller, Alexandra - Childhood and youth
Subject:
General Biography
Subject:
Biography-Childhood Memoir
Subject:
Biography-Historical
Subject:
Biography - General
Copyright:
Edition Description:
Trade paper
Series Volume:
v. 12
Publication Date:
20030331
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Pages:
336
Dimensions:
8 x 5.15 x 0.71 in 0.5 lb

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Related Subjects

Biography » General
Biography » Historical
Featured Titles » General
Featured Titles » Staff Picks
History and Social Science » Africa » General
History and Social Science » Africa » Zimbabwe
History and Social Science » Gender Studies » Featured Titles
History and Social Science » World History » Africa

Don't Let's Go to the Dogs Tonight: An African Childhood Used Trade Paper
0 stars - 0 reviews
$8.95 In Stock
Product details 336 pages Random House Trade - English 9780375758997 Reviews:
"Staff Pick" by ,

In her 2001 debut, Don't Let's Go to the Dogs Tonight, Alexandra Fuller recalled in vivid, often excruciating detail coming of age in Rhodesia as a long civil war raged in neighboring Mozambique and her own country slid down the violent path toward an independent, African Nationalist regime. Dogs astounded readers with its candor, describing from a young girl's point of view a wild landscape of far-reaching beauty and a continent in the throes of a vicious political antagonism she could not yet comprehend. Narrating from within her own family's constant struggle for survival, Fuller brilliantly assimilated the dangers of war (land mines planted on the road to the local store, guerillas camping in the nearby hills) into the relentless domestic tumult around her, so that readers could hardly distinguish between the two. The Boston Globe, echoing the opinion of critics and readers around the world, marveled, "The extremely personal and unguarded understatement of this memoir is far more powerful than any sociopolitical analysis or apologist interpretation could hope to be."

"Review" by , "This is not a book you read just once, but a tale of terrible beauty to get lost in over and over."
"Review" by , "Fuller is a gifted writer, capable of bringing a sense of immediacy to her writing and crafting descriptions so vibrant the reader cannot only picture the stifling hot African afternoon but almost feel it as well."
"Review" by , "By turns mischievous and openhearted, earthy and soaring...hair-raising, horrific, and thrilling."
"Review" by , "Vivid, insightful and sly... Bottom line: Out of Africa, brilliantly."
"Review" by , "A classic is born in this tender, intensely moving and even delightful journey through a white African girl's childhood....Fuller's book has the promise of being widely read and remaining of interest for years to come."
"Review" by , "This was no ordinary childhood, and it makes a riveting story thanks to an extraordinary telling."
"Review" by , "Nobody has ever written a book about growing up white in rural Africa the way Alexandra Fuller has. Her voice is mordant, her ear uncanny. Her unsentimentality is a pleasant shock. Her sense of humor is extremely sly. Without a trace of pretension, she quietly performs what is really a major literary feat — nailing both the poetry and the myopia of a child?s experience in a brawling, bad-luck family on the losing side of an anti-colonial war." William Finnegan, author of Crossing the Line: A Year in the Land of Apartheid and Cold New World: Growing Up in Harder Country
"Review" by , "[A] gripping memoir...made up, in equal parts, of stark, matter-of-fact reminiscences about her childhood and fierce, Dinesenesque paeans to the land of Africa."
"Review" by , "As casually unadorned as rawhide, and just about as tough....The extremely personal and unguarded understatement of this memoir is far more powerful than any sociopolitical analysis or apologist interpretation could hope to be."
"Synopsis" by , Fuller, known to friends and family as Bobo, grew up on several farms in southern and central Africa. But Don't Let's Go to the Dogs Tonight is more than a survivor's story: It is the story of one woman's unbreakable bond with a continent and the people who inhabit it, a portrait lovingly realized and deeply felt. A Book Sense Selection. Photos.
"Synopsis" by , In Don't Let's Go to the Dogs Tonight, Alexandra Fuller remembers her African childhood with candor and sensitivity. Though it is a diary of an unruly life in an often inhospitable place, it is suffused with Fuller's endearing ability to find laughter, even when there is little to celebrate. Fuller's debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time.
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