Winner of the 2003 Southern Book Award in nonfiction
Shortlisted for the 2002 National Book Award in Fiction

A dark, riotous Southern novel of sex, death, and transformation. Brad Watson's first novel has been eagerly awaited since his breathtaking, award-winning debut collection of short stories, Last Days of the Dog-Men. Here, he fulfills that literary promise with a humorous and jaundiced eye. Finus Bates has loved Birdie Wells since the day he saw her do a naked cartwheel in the woods in 1916. Later he won her at poker, lost her, then nearly won her again after the mysterious poisoning of her womanizing husband. Does Vish, the old medicine woman down in the ravine, hold the key to Birdie's elusive character? Or does Parnell, the town undertaker, whose unspeakable desires bring lust for life and death together? Or does the secret lie with some other colorful old-timer in Mercury, Mississippi, not such a small town anymore? With "graceful, patient, insightful and hilarious" prose (USA Today), Brad Watson chronicles Finus's steadfast devotion and Mercury's evolution from a sleepy backwater to a small city. With this "tragicomic story of missed opportunities and unjust necessities" (Fred Chappell), "Southern storytelling is alive and well in Watson's capable hands" (Kirkus Reviews starred review). "His work may remind readers of William Faulkner, Toni Morrison, or Flannery O'Connor, but has a power—and a charm—all its own, more pellucid than the first, gentler than the second, and kinder than the third" (Baltimore Sun). A potent cocktail of Southern gothic and classical mythology, this is a novel only Brad Watson could have written—an unforgettable portrait of the most romantic aspirations and most twisted inclinations of the bleak and lovely human heart. National Book Award finalist, a Booksense 76 Top Ten selection. Reading group guide included.

Southern storytelling is alive and well in Watson's capable hands. An excellent debut. (Kirkus Reviews starred review)

A novel so fine you don't want it to ever end. (Larry Brown, author of Father and Son and Fay)

Vividly peopled, full of surprises, The Heaven of Mercury is a deeply satisfying novel. (Margot Livesey, author of Eva Moves the Furniture)

The best thing to come out of the South since A Confederacy of Dunces. (Gregory Rabassa, translator of One Hundred Years of Solitude and other novels)

With sublimely bleak humor, Watson does more than exceed expectations—he explodes them. (Men's Journal)

An intensity reminiscent of Faulkner, a bleak humor that recalls Flannery O'Connor, a whimsy inspired by Eudora Welty and a spontaneity suggesting prime Barry Hannah.... reading The Heaven of Mercury certainly restores one's faith in Southern literature's ability to startle and surprise. (Memphis Commercial Appeal)

[A] superb novel, graced with lush and exciting prose in the Southern high rhetorical tradition. (Raleigh News and Observer)

His work may remind readers of William Faulkner, Toni Morrison, or Flannery O'Connor, but has a power—and a charm—all its own, more pellucid than the first, gentler than the second, and kinder than the third. (Merle Rubin, Baltimore Sun)

Extraordinary.... Mixes whimsy and hard truth in a way that's heartbreaking.... Pungently erotic, and as affectionate as it is acidic....a perfect modern southern gothic. (Mark Rozzo, The Los Angeles Times Book Review)

A fast-paced, myth-echoing, tragic-comic commentary on our modern lives. (Bookpage)

A dark but resonant journey through the world of the Southern gothic. (Publishers Weekly)

Gimcrack storytelling...grounded by generous humanity. (Entertainment Weekly)

[A] lushly written novel of Deep Southern dream and landscape. (New York Times)

A vivid mythology of a small Southern town that moves to a strange, electrifying beat. (Atlanta Journal-Constitution)

In a Southern Gothic style reminiscent of Faulkner, Watson lays bare the lives and most intimate secrets of the richest and poorest families of Mercury, MS. Highly recommended. (Library Journal)

Watson's keen eye for the human condition alone makes Heaven a worthwhile read, and you may find yourself accruing a particular type of knowledge that not even Faulkner could impart. (Literal Latte)

Lovely, poignant, funny first novel, a book filled with fascinating, unpredictable, original characters. (The State)

[A]n unforgettable story... . The accidents, the disappointments, the corrections, and the secrets each life contains are woven into a deeply sympathetic portrait of small town life at its worst and best. (The Advocate)

A strange novel, this one—strange and uncommonly fine. (Central Journal News)

Watson imbues his work with an elegance that sets it apart from the rest. (Boston Herald)

Watson has written a novel at once intimate and epic, magical and real—a dazzling Southern gothic in which love and hate claim equal hold on the human heart. (The Jackson Advocate)

Finus Bates has loved chatty, elegant Birdie Wells ever since he saw her cartwheel naked through the woods near the backwater town of Mercury, Mississippi. With "graceful, patient, insightful and hilarious" prose ("USA Today"), Watson chronicles Finus's steadfast devotion and Mercury's evolution from a sleepy backwater to a small city.

Brad Watson is the author of Last Days of the Dog-Men, winner of the Sue Kaufman Prize for First Fiction from the American Academy of Arts and Letters. He lives in Cambridge, Massachusetts, and Foley, Alabama.