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Synopses & Reviews
For Cleo Berry, the people dying of the Spanish Influenza in cities like New York and Philadelphia may as well be in another country--that's how far away they feel from the safety of Portland, Oregon. And then cases start being reported in the Pacific Northwest. Schools, churches, and theaters shut down. The entire city is thrust into survival mode--and into a panic. Headstrong and foolish, seventeen-year-old Cleo is determined to ride out the pandemic in the comfort of her own home, rather than in her quarantined boarding school dorms. But when the Red Cross pleads for volunteers, she can't ignore the call. As Cleo struggles to navigate the world around her, she is surprised by how much she finds herself caring about near-strangers. Strangers like Edmund, a handsome medical student and war vet. Strangers who could be gone tomorrow. And as the bodies begin to pile up, Cleo can't help but wonder: when will her own luck run out?
Riveting and well-researched, A Death-Struck Year is based on the real-life pandemic considered the most devastating in recorded world history. Readers will be captured by the suspenseful storytelling and the lingering questions of: what would I do for a neighbor? At what risk to myself?
An afterword explains the Spanish flu phenomenon, placing it within the historical context of the early 20th century. Source notes are extensive and interesting.
A Spring 2014 Indies Introduce New Voices selection
"In this unusual romance, first published in the U.K., debut author Eagland takes readers inside an insane asylum for women in the 19th century. The opening pages plod through 17-year-old Louisa Cosgrove's early days of incarceration and flashbacks that reveal little more than her fascination with both medicine and her lovely cousin, Grace. The story picks up, though, when it becomes apparent that Louisa is in love with Grace, and both Louisa and readers begin to wonder exactly why she was committed and who committed her. Eagland conveys the atrocities and filth of the asylum with shocking vividness: 'e're allowed to go to the washroom... but it's a damp, dark place with cockroaches scuttling.... and only one grimy, frayed towel between us.' The author tenderly and expertly builds a romance between Louisa and an attendant, Eliza ('I close my eyes, breathing in her warmth, her familiar almond scent and my thoughts fly like birds'). The surprisingly happy ending--in which Louisa escapes and confronts her accusers--is a welcome relief after all of her angst and despair. Ages 14 — up. (Sept.)" Publishers Weekly (Copyright PWyxz LLC)
Dark secrets and deep betrayals haunt a young woman who is locked away in Wildthorn Hall--a madhouse--in Victorian England.
A deadly pandemic, a budding romance, and the heartache of loss make for a stunning coming-of-age teen debut about the struggle to survive during the 1918 flu.
Seventeen-year-old Louisa Cosgrove has never enjoyed the life of the pampered, protected life girls of wealth were expected to follow in nineteenth century England. It was too confining. She would have much rather been like her older brother, allowed to play marbles, go to school, become a doctor. But little does she know how far her family would go to kill her dreams and desires. Until one day she finds herself locked away in an insane asylum and everyone--the doctors and nurses--insist on calling her Lucy Childs, not Louisa Cosgrove.
Surely this is a mistake. Surely her family will rescue her from this horrible, disgusting place. But as she unravels the mystery, she discovers those are the very people she can't trust. So who can she? There's one person--Eliza. As their love grows, Louisa realizes treachery locked her away. Love is the key to freedom.
They strip her naked, of everything—undo her whalebone corset, hook by hook. Locked away in Wildthorn Hall—a madhouse—they take her identity. She is now called Lucy Childs. She has no one; she has nothing. But, she is still seventeen—still Louisa Cosgrove, isn't she? Who has done this unthinkable deed? Louisa must free herself, in more ways than one, and muster up the courage to be her true self, all the while solving her own twisted mystery and falling into an unconventional love . . .
Originally published in the UK, this well-paced, provocative romance pushes on boundaries—both literal and figurative—and, do beware: it will bind you, too.
About the Author
Born in Essex, Jane Eagland taught English in secondary schools for many years. After doing an MA in creative writing, she now divides her time between writing and tutoring. Wildthorn is her first novel, inspired by true stories of women who were incarcerated in asylums in the nineteenth century. Jane lives in Lancashire, England, in a house with a view of the fells.
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