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Specters of War: Hollywood's Engagement with Military Conflict

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Specters of War: Hollywood's Engagement with Military Conflict Cover

 

Synopses & Reviews

Publisher Comments:

Specters of War looks at the way war has been brought to the screen in various genres and at different historical moments throughout the twentieth century and into the twenty-first. Elisabeth Bronfen asserts that Hollywood has emerged as a place where national narratives are created and circulated so that audiences can engage with fantasies, ideologies, and anxieties that take hold at a given time, only to change with the political climate.

Such cultural reflection is particularly poignant when it deals with Americaandrsquo;s traumatic history of war. The nation has no direct access to war as a horrific experience of carnage and human destruction; we understand our relation to it through images and narratives that transmit and interpret it for us. Bronfen does not discuss actual conflicts but the films by which we have come to know and remember them, including All Quiet on the Western Front, The Best Years of Our Lives, Miracle at St. Anna, The Deer Hunter, and Flags of Our Fathers. Battles and campaigns, the home front and women-who-wait narratives, war correspondents, and court martials are also explored as instruments of cultural memory. Bronfen argues that we are haunted by past wars and by cinematic re-conceptualizations of them, and reveals a national iconography of redemptive violence from which we seem unable to escape.

Synopsis:

Specters of War: Hollywoodandrsquo;s Engagement with Military Conflict looks at the way war has been brought to the screen in various genres and at different historical moments throughout the twentieth century. Elisabeth Bronfen asserts that Hollywood has emerged as a place where national narratives are created and circulated so that audiences can engage with fantasies, ideologies, and anxieties that take hold at a given time, only to change with the political climate.

Synopsis:

In war films, the portrayal of deep friendships between men is commonplace. Given the sexually anxious nature of the American imagination, such bonds are often interpreted as carrying a homoerotic subtext. In Armed Forces , Robert Eberwein argues that an expanded conception of masculinity and sexuality is necessary in order to understand more fully the intricacy of these intense and emotional human relationships. Drawing on a range of examples from silent films such as What Price Glory and Wings to sound era works like The Deer Hunter, Platoon, Three Kings, and Pearl Harbor , he shows how close readings of war films, particularly in relation to their cultural contexts, demonstrate that depictions of heterosexual love, including those in romantic triangles, actually help to define and clarify the nonsexual nature of male love. The book also explores the problematic aspects of masculinity and sexuality when threatened by wounds, as in The Best Years of Our Lives, and considers the complex and persistent analogy between weapons and the male body, as in Full Metal Jacket and Saving Private Ryan .

About the Author

ELISABETH BRONFEN is a professor of English and American studies at the University of Zurich. She is the author of Over Her Dead Body: Death, Femininity and the Aesthetic; The Knotted

Table of Contents

Acknowledgments

Introduction

1. Unfinished Business of the Civil War

2. Home and Its Discontent

3. War Entertainment

4. Choreography of Battle

5. Reporting the War

6. Court-Martial Drama

7. Warandrsquo;s Sustained Haunting

Conclusion

Notes

Selected Bibliography

Filmography

Index

Product Details

ISBN:
9780813553979
Author:
Bronfen, Elisabeth
Publisher:
Rutgers University Press
Author:
Eberwein, Robert
Subject:
Film - General
Subject:
Film and Television-History and Criticism
Subject:
Human Sexuality
Edition Description:
Cloth
Publication Date:
20121031
Binding:
TRADE PAPER
Language:
English
Illustrations:
41
Pages:
300
Dimensions:
9.25 x 6.13 in

Related Subjects

Arts and Entertainment » Film and Television » Film History and Theory
Arts and Entertainment » Film and Television » History and Criticism
Arts and Entertainment » Film and Television » Screenplays and Teleplays
History and Social Science » World History » General

Specters of War: Hollywood's Engagement with Military Conflict New Trade Paper
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Product details 300 pages Rutgers University Press - English 9780813553979 Reviews:
"Synopsis" by ,

Specters of War: Hollywoodandrsquo;s Engagement with Military Conflict looks at the way war has been brought to the screen in various genres and at different historical moments throughout the twentieth century. Elisabeth Bronfen asserts that Hollywood has emerged as a place where national narratives are created and circulated so that audiences can engage with fantasies, ideologies, and anxieties that take hold at a given time, only to change with the political climate.

"Synopsis" by ,

In war films, the portrayal of deep friendships between men is commonplace. Given the sexually anxious nature of the American imagination, such bonds are often interpreted as carrying a homoerotic subtext. In Armed Forces , Robert Eberwein argues that an expanded conception of masculinity and sexuality is necessary in order to understand more fully the intricacy of these intense and emotional human relationships. Drawing on a range of examples from silent films such as What Price Glory and Wings to sound era works like The Deer Hunter, Platoon, Three Kings, and Pearl Harbor , he shows how close readings of war films, particularly in relation to their cultural contexts, demonstrate that depictions of heterosexual love, including those in romantic triangles, actually help to define and clarify the nonsexual nature of male love. The book also explores the problematic aspects of masculinity and sexuality when threatened by wounds, as in The Best Years of Our Lives, and considers the complex and persistent analogy between weapons and the male body, as in Full Metal Jacket and Saving Private Ryan .

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