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Other titles in the Newmarket Pictorial Moviebooks series:
The Namesake: A Portrait of the Film Based on the Novel by Jhumpa Lahiri (Newmarket Pictorial Moviebooks)by Mira Nair
Synopses & Reviews
riginal essays and glorious photography, stunningly designed in this unique moviebook from the director of Monsoon Wedding and Vanity Fair — a Fox Searchlight release.
In her essay "Writing and Film," the Pulitzer Prize-winning novelist Jhumpa Lahiri writes about the experience of seeing her novel transposed from paper to film. "Its essence remains, but it inhabits a different realm and must, like a transposed piece of music, conform to a different set of rules....To have someone as devoted and as gifted as Mira reinvent my novel...has been a humbling and thrilling passage."
Mira Nair's essay, "Photographs as Inspiration," begins with the provocative comment: "If it weren't for photography, I wouldn't be a filmmaker." She explains how photographs help her crystallize the visual style of her films and which particular photos influenced her vision for The Namesake.
These two essays, written exclusively for this Newmarket Pictorial Moviebook, introduce an amazing panoply of images of people and places shot mainly in New York and Calcutta during the making of the movie, accented by excerpts from Lahiri's bestselling novel. Six Indian and American photographers' works are represented.
Brilliantly illuminating the immigrant experience and the tangled ties between generations, The NamesakeHarold & Kumar Go to White Castle, Superman Returns) stars as Gogol.
"This slim, glossy volume pays homage to both Jhumpa Lahiri's bestselling novel, The Namesake, and its Hollywood adaptation while also shedding light on the creative process and friendship between author and director. In her opening remarks, Lahiri briefly describes the novel's conception ('The Namesake began as a note to myself, casually jotted down at some point in my twenties, consisting of the phrase "A boy named Gogol"'), its slow route to publication and later its blossoming into film ('how strange and wonderful to watch the story I had invented, alone and over the course of so many years, being collectively wrestled with anew'). Lahiri emphasizes that collaborating with director Nair was a rewarding experience. For her part, Nair describes her interest in Lahiri's novel as immediate: 'The Namesake was many of my worlds: the Calcutta I left behind as a teenager, the Cambridge where I went to college, and the New York where I now live.' The two women's essays are followed by dozens of vivid images-from both the film set and the India of Nair and Lahiri's memories-interspersed between passages from the novel. Lovers of the film and novel will relish this tribute." Publishers Weekly (Copyright Reed Business Information, Inc.)
About the Author
Mira Nair is the internationally acclaimed director of Monsoon Wedding, Salaam Bombay!, Vanity Fair, Mississippi Masala, The Perez Family, Kama Sutra: A Tale of Love, and Hysterical Blindness.
Jhumpa Lahiri, the author of Interpreter of Maladies and The Namesake, has been the recipient of the Pulitzer Prize, the PEN/Hemingway Award, and a Guggenheim fellowship. Photographers represented include Frederick Elmes, Nemai Ghosh, Milan Moudgill, and Dayanita Singh.
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