|
|
||
![]() |
|
|
| HELP | ||
|
$19.00 List price: 24.95 You save: $5.95
HARDCOVER, USED
Ships in 1 to 3 days
More copies of this ISBN:This title in other formats:The Destruction of Memory: Architecture at Warby Robert Bevan
Synopses & ReviewsPublisher Comments:Crumbled shells of mosques in Iraq, the bombing of British cathedrals in World War II, the fall of the World Trade Center towers on September 11: when architectural totems such as these are destroyed by conflicts and the ravages of war, more than mere buildings are at stake. The Destruction of Memory reveals the extent to which a nation weds itself to its landscape; Robert Bevan argues that such destruction not only shatters a nation’s culture and morale but is also a deliberate act of eradicating a culture’s memory and, ultimately, its existence. Bevan combs through world history to highlight a range of wars and conflicts in which the destruction of architecture was pivotal. From Cortez’s razing of Aztec cities to the carpet bombings of Dresden and Tokyo in World War II to the war in the former Yugoslavia, The Destruction of Memory exposes the cultural war that rages behind architectural annihilation, revealing that in this subliminal assault lies the complex aim of exterminating a people. He provocatively argues for “the fatally intertwined experience of genocide and cultural genocide,” ultimately proposing the elevation of cultural genocide to a crime punishable by international law. In an age in which Frank Gehry, I. M. Pei, and Frank Lloyd Wright are revered and yet museums and temples of priceless value are destroyed in wars around the world, Bevan challenges the notion of “collateral damage,” arguing that it is in fact a deliberate act of war. Review:"The sheer volume and scope of the material Bevan has gathered on the destruction of architectural heritage as a form of cultural cleansing makes The Destruction of Memory a valuable resource. . The mass of absolutely fascinating, morally complex, and, to me at least, often unfamiliar material . makes Bevan well worth reading. . And yet the book is worth reading, because Bevan uses vivid narrative detail to bring ot our attention the important insight that the destruction of the cultural artifacts of an enemy people or nation can be a kind of analog to genocide or ethnic cleansing."--History News Network Review:"Bevan wisely doesnt push his case to the point of strict consistence; his weighting of the role of architecture in war is not absolutely uniform from case to case, nor does it need to be. . It is sobering to have so many apparent facts and figures in one book. . Where power belongs to the aggressor, the destruction of one familys home might be taken as the first embodiment of a genocide. In reminding us of this Bevan has performed a valuable service, no matter what we may think about a rebuilt Warsaw or a cherished ruin. . If we accept that there is no architecturally embodied identity of a nation or people, that our current historical existence is not vitally wrapped up in relics of an imagined past except as nostalgia, then we are unlikely to worry about the occasionally destruction of buildings. Bevans book makes clear that such insouciance (and nostalgia) is the privilege of the secure and well-defended nation-states where the co(Timothy Brittain-Catlin, Architectural Review, Jun 1 2006 )
Review:"Thoughtful and provocative. . .Yet from the Nazi looting of synagogues to the Talibans demolition of the Bamiyan Buddhas, deliberate destruction of the physical environment has often presaged devastating conflicts. Bevans timely book urges us to remain attentive to such early warning signs."--In These Times Review:"His research runs deep, and his visits and interviews are wide-ranging. . Instructive."--Bloomsbury Review Review:"The message of Robert Bevan's devastating book is that war is about killing cultures, identities and memories as much as it is about killing people and occupying territory."--The Sunday Times Review:"Concentrates on the erasure of cultures by the destruction of their buildings and is a must-read."--RIBA Journal Review:"The message of Robert Bevan's devastating book is that war is about killing cultures, identities and memories as much as it is about killing people and occupying territory. War is not just licensed murder but licensed vandalism. Since people are replaceable but buildings and cultures not, the destruction of buildings is often the more ferocious. "--Sunday Times (London)Review:The Destruction of Memory presents a dark account of how that devastation is brought about, along with a cogent argument for why it deserves recognition as an atrocity separate from the human carnage it so often accompanies. . Bevans grim statistics force readers to confront yet another dimension of the savagery of our age."--Wilson Quarterly Review:"Bevan wisely doesnt push his case to the point of strict consistence; his weighting of the role of architecture in war is not absolutely uniform from case to case, nor does it need to be. . It is sobering to have so many apparent facts and figures in one book. . Where power belongs to the aggressor, the destruction of one familys home might be taken as the first embodiment of a genocide. In reminding us of this Bevan has performed a valuable service, no matter what we may think about a rebuilt Warsaw or a cherished ruin. . If we accept that there is no architecturally embodied identity of a nation or people, that our current historical existence is not vitally wrapped up in relics of an imagined past except as nostalgia, then we are unlikely to worry about the occasionally destruction of buildings. Bevans book makes clear that such insouciance (and nostalgia) is the privilege of the secure and well-defended nation-states where the co(David Simpson, London Review of Books, May 25 2006 ) About the AuthorRobert Bevan is the former editor of Building Design and writes regularly on architectural, design, and housing issues for national newspapers. He lives in Sydney, Australia. Table of Contents1. Introduction: The Enemies of Architecture and Memory 2. Cultural Cleansing: Who Remembers the Armenians? 3. Terror: Morale, Messages, and Propaganda 4. Conquest and Revolution 5. Fences and Neighbors: The Destructive Consequences of Partition 6. Remember and Warn I: Rebuilding and Commemoration 7. Remember and Warn II: Protection and Prosecution References Acknowledgments Photographic Acknowledgments Index What Our Readers Are SayingBe the first to add a comment for a chance to win!Product Details
|
||||||||||||
|
| |||||||||||||
|
|
|||||||||||||