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Other titles in the Africa List series:
African Art as Philosophy: Senghor, Bergson and the Idea of Negritude (Africa List)by Souleymane Bachir Diagne
Synopses & Reviews
Léopold Sédar Senghor (1906-2001) was a Senegalese poet and philosopher who in 1960 also became the first president of the Republic of Senegal. In African Art as Philosophy, Souleymane Bachir Diagne takes a unique approach to reading Senghors influential works, taking as the starting point for his analysis Henri Bergsons idea that in order to understand philosophers one must find the initial intuition from which every aspect of their work develops. In the case of Senghor, Diagne argues that his primordial intuition is that African art is a philosophy.
To further this point, Diagne looks at what Senghor called the “1889 Revolution,” and the influential writers and publications of that time—specifically, Nietzsche and Rimbaud, as well as Bergsons Essay on the Immediate Data of Consciousness. The 1889 Revolution, Senghor claims, is what led him to the understanding of the “Vitalism” at the core of African religions and beliefs that found expression in the arts.
This book offers a distinct, incisive look at an important figure in African literature and politics that will be welcomed by scholars in African Studies and philosophy.
About the Author
Souleymane Bachir Diagne is a professor in the departments of French and philosophy at Columbia University. His other books include Islam et société ouverte, la fidélité et le mouvement dans la pensée de Muhammad Iqbal and 100 mots pour dire lislam. Chike Jeffers teaches in the Department of Philosophy at Northwestern University. He has also translated Aimé Césaires Letter to Maurice Thorez.
Table of Contents
Introduction: The Initial Philosophical Intuition
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