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Universe of Stone: Chartres Cathedral and the Invention of the Gothic

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Universe of Stone: Chartres Cathedral and the Invention of the Gothic Cover

 

Synopses & Reviews

Publisher Comments:

Chartres Cathedral, south of Paris, is revered as one of the most beautiful and profound works of art in the Western canon. But what did it mean to those who constructed it in the twelfth and thirteenth centuries? And why, during this time, did Europeans begin to build churches in a new style, at such immense height and with such glorious play of light, in the soaring manner we now call Gothic?

Universe of Stone shows that the Gothic cathedrals encode a far-reaching shift in the way medieval thinkers perceived their relationship with their world. For the first time, they began to believe in an orderly, rational world that could be investigated and understood. This change marked the beginning of Western science and also the start of a long and, indeed, unfinished struggle to reconcile faith and reason.

By embedding the cathedral in the culture of the twelfth century--its schools of philosophy and science, its trades and technologies, its politics and religious debates--Philip Ball makes sense of the visual and emotional power of Chartres. Beautifully illustrated and written, filled with astonishing insight, Universe of Stone argues that Chartres is a sublime expression of the originality and vitality of a true first renaissance, one that occurred long before the birth of Leonardo da Vinci, Michelangelo, or Francis Bacon.

Synopsis:

Chartres Cathedral, south of Paris, is revered as one of the most beautiful and profound works of art in the Western canon. But what did it mean to those who constructed it in the twelfth and thirteenth centuries—and why was it built at such immense height and with such glorious play of light, in the soaring manner we now call Gothic?

In this eminently fascinating work, author Philip Ball makes sense of the visual and emotional power of Chartres and brilliantly explores how its construction—and the creation of other Gothic cathedrals—represented a profound and dramatic shift in the way medieval thinkers perceived their relationship with their world. Beautifully illustrated and written, filled with astonishing insight, Universe of Stone embeds the magnificent cathedral in the culture of the twelfth century—its schools of philosophy and science, its trades and technologies, its politics and religious debates—enabling us to view this ancient architectural marvel with fresh eyes.

About the Author

Philip Ball's book Bright Earth: Art and the Invention of Color was a finalist for the National Book Critics Circle Award; his Critical Mass: How One Thing Leads to Another won the UK's Aventis Prize. He is a consulting editor for Nature magazine, and he lives in London.

Product Details

ISBN:
9780061154300
Subtitle:
Chartres Cathedral and the Invention of the Gothic
Author:
Ball, Philip
Publisher:
Harper Perennial
Subject:
History - Medieval
Subject:
International Architecture - European
Subject:
History - Specific Styles
Subject:
Buildings - Religious
Subject:
History
Subject:
ARCHITECTURE / General
Copyright:
Edition Description:
Trade PB
Publication Date:
20090728
Binding:
Paperback
Grade Level:
General/trade
Language:
English
Illustrations:
Y
Pages:
336
Dimensions:
9 x 6 x 0.84 in 14.08 oz

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Related Subjects

Arts and Entertainment » Architecture » Buildings » Religious
Arts and Entertainment » Architecture » History » Medieval
Arts and Entertainment » Architecture » Religious
Arts and Entertainment » Art » History and Criticism

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Product details 336 pages Harper Perennial - English 9780061154300 Reviews:
"Synopsis" by , Chartres Cathedral, south of Paris, is revered as one of the most beautiful and profound works of art in the Western canon. But what did it mean to those who constructed it in the twelfth and thirteenth centuries—and why was it built at such immense height and with such glorious play of light, in the soaring manner we now call Gothic?

In this eminently fascinating work, author Philip Ball makes sense of the visual and emotional power of Chartres and brilliantly explores how its construction—and the creation of other Gothic cathedrals—represented a profound and dramatic shift in the way medieval thinkers perceived their relationship with their world. Beautifully illustrated and written, filled with astonishing insight, Universe of Stone embeds the magnificent cathedral in the culture of the twelfth century—its schools of philosophy and science, its trades and technologies, its politics and religious debates—enabling us to view this ancient architectural marvel with fresh eyes.

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